One of the most beloved actors of our time shares the New York Times bestselling story of how he learned to live with an open heart. Early in his career, shortly after rising to fame as television's Dr. James Kildare, Richard Chamberlain took on the role of Hamlet on the English stage. The play contained a lesson the actor has remembered throughout his life: "To thine own self be true." But for Chamberlain these were not always easy words to live by. Even as he won the adoration of millions of fans, this handsome, charming, debonair leading man seriously questioned his own self-worth, living a life haunted by personal insecurity despite decades of immense popular success in memorable roles in Dr. Kildare, The Thorn Birds, Shogun, and other television dramas. Finally, with the help of friends and guidance from spiritual teachers, including Krishnamurti, Chamberlain began the sometimes painful but deeply rewarding process of reconciling his deepest self with his public persona. Now, in Shattered Love, he poignantly recounts his lifelong struggle to find happiness. Tracing a fascinating path through his meteoric rise to success, he chronicles his struggle to come to terms with his own imperfections, his growing desire to be honest about his sexual orientation, and his yearning to live with an open heart. And along the way he imparts the lessons he has learned about overcoming our own self-imposed obstacles to happiness: the importance of listening to our own instincts instead of listening only to others, not demanding the impossible of ourselves, and allowing ourselves to explore negative feelings in order to move forward.

When hospitals began implementing their electronic medical records/electronic health records systems (EMR/HER) the pharmaceutical companies that were conducting clinical trials at those hospitals wanted to sue the date from those systems instead of having the hospitals enter the data in their EHR systems and also in the study data entry system. However, the FDA regulations would require that the hospital systems be "validated". The hospitals and the companies developing the systems argued that was "over-regulation." HIMSS published their Developer Code of Conduct where they said instead they would use Quality Management techniques. This book covers how to use Quality Management (ISO 9001) to develop computer systems, specifically EMR systems. It gives a basic introduction to how to implement computer systems. It also covers the topic of compliance because the hospitals are required to comply with regulations other than FDS regulations. The book also discusses the topics of risk management and conducting audits, both of which are part of ISO 9001 quality management of computer systems. The book is designed to give the reader an introduction to the things you have to do when implementing a computer system that has to satisfy some standards and where the accuracy of the information could impact the accuracy of a person's medical treatment.

POP! Design, Culture, Fashion 1955-1976 explores the impact of music, art and personality on the development of the design and fashion of the times. Published to accompany an exhibition at the Fashion and Textile Museum, London, July - October 2012. Pop! Design, Culture, Fashion 1956-1976 covers all aspects of Pop design in Britain and America, from early rock 'n' roll to punk. It looks at record covers and packaging designs by Pop artists such as Andy Warhol, Peter Blake and Richard Hamilton, and the work of fashion designers such as Mary Quant, Barbara Hulanicki from Biba, Vivienne Westwood and John Stephen of Carnaby Street fame, as well as their contemporaries in America such as Betsey Johnson of Paraphernalia. Pop graphics are also covered, from the psychedelic posters of Alan Aldridge, and the design collective 'Hapdash and the Coloured Coat' to rock posters from San Francisco and the west coast of America. There are also reproductions of rarely-seen underground magazines such as Oz, Gandalf's Garden, l' Actuel and the International Times. The ephemeral nature of much of Pop design is explored - from paper furniture and 'throwaway' paper dresses, to longer-lasting trends such as Union Jack clothing, metal badges, machine-embroidered denim, printed t-shirts and tin badges. The book also looks at the work of 'Them', an influential group of 'Baroque Pop' designers who coalesced around Zandra Rhodes in the early 70s, and ends with the anti-design of punk fashion by Vivienne Westwood, and the self-proclaimed 'horrible by design' punk graphics of Jamie Reid. Whilst there have been innumerable books on the Swinging Sixties, and on Pop Art, this is the first book to look at Pop design over a twenty year span, and to examine the interconnected nature of so many elements of the phenomenon such as books and magazines, music, film, fashion and graphic art. It is also unique in that the illustrations are not sourced from the usual magazine archive images, but are photographs of the artefacts themselves, from Elton John's waistcoat, embroidered with suns, stars and rainbows, to Twiggy coathangers, psychedelic book covers and every teenager's must-have item: 'Glo Glo boots for Go Go girls'. Geoff Rayner and Richard Chamberlain are experts in post-war design, specialising in the history of textiles. They have curated a number of exhibitions, and written (with Annamarie Stapleton) several books most recently Artists' Textiles 1945-76ISBN: 9781851496297 (published by Antique Collectors' Club, 2012).

Andy Warhol (1928–1987), a giant of twentieth century art, is known to most people for his iconic images of soup cans, Coke bottles, and Marilyn Monroe. Before his meteoric rise to fame in the early 1960s as a Pop Art superstar, Warhol was a highly successful commercial artist in New York.   The late Matt Wrbican, former chief archivist of the Warhol Museum in Pittsburgh, once said “there are very few stories left to tell about Warhol, but textiles is one of them�. This is the first book devoted to the commercial textile designs of this leading figure in the history of art. With stunning new photography throughout, including unpublished images of newly discovered textiles, the book sheds new light on a previously undocumented but important aspect of Warhol’s oeuvre.  Featuring over 30 different textiles, from ice cream sundaes to acrobatic clowns, Warhol: The Textiles offers a unique record of the beginnings of one of the twentieth century’s greatest artists. Published in association with the Fashion and Textile Museum  Exhibition Schedule: Fashion and Textile Museum, London (March 31–September 10, 2023)

When hospitals began implementing their electronic medical records/electronic health records systems (EMR/HER) the pharmaceutical companies that were conducting clinical trials at those hospitals wanted to sue the date from those systems instead of having the hospitals enter the data in their EHR systems and also in the study data entry system. However, the FDA regulations would require that the hospital systems be "validated". The hospitals and the companies developing the systems argued that was "over-regulation." HIMSS published their Developer Code of Conduct where they said instead they would use Quality Management techniques. This book covers how to use Quality Management (ISO 9001) to develop computer systems, specifically EMR systems. It gives a basic introduction to how to implement computer systems. It also covers the topic of compliance because the hospitals are required to comply with regulations other than FDS regulations. The book also discusses the topics of risk management and conducting audits, both of which are part of ISO 9001 quality management of computer systems. The book is designed to give the reader an introduction to the things you have to do when implementing a computer system that has to satisfy some standards and where the accuracy of the information could impact the accuracy of a person's medical treatment.

Buddy movie taken to extremes. New York firefighters Chuck Levine (Adam Sandler) and Larry Valentine (Kevin James) live different lives. Whilst Chuck is a self-confessed lothario out for a good time, Larry is a widower struggling to keep a regular home life for the sake of his two young children. With Larry refusing to take up life as a single parent and deal with his loss, he forgets to change the primary beneficiary of his pension from his wife to his children before the cut-off date, which would financially protect them in the event of a work injury. The only solution is to get married again, but Larry decides there's no other woman he could trust enough with his children's future. During a routine search of a burning house, Larry saves Chuck's life in an accident and Chuck is forever indebted to his best mate as they awake in hospital. Evaluating his predicament whilst in his sick bed, Larry finds an article about a same-sex domestic partnership and realises Chuck could pay his debt quicker than anticipated! After wearing Chuck down, they eventually get hitched in a bizarre Las Vegas wedding chapel and just when they settle in to a scene of same-sex domestic bliss for the sake of the kids, they soon realise that their gay union is going to be under serious scrutiny from surprise inspector Clinton Fitzer (Steve Buscemi), who is always ready to catch out straight guys cheating the system.

A huge glass tower block, touted as the tallest building in the world, bursts into flame on its opening night.

An all-star cast includes Steve McQueen as Michael O'Hallorhan, the fire chief determined to get the blaze under control, while Paul Newman stars as embarrassed architect Doug Roberts, trapped inside with fellow guests Fred Astaire, Richard Chamberlain and Robert Wagner.

The Towering Inferno became the biggest of the Seventies cycle of disaster movies, which began four years earlier with 'Airport'.

Pays homage to 'the Chelsea Set', a bohemian, progressive clique that would change the course of sixties contemporary design, with a focus on Mary Quant and Terence Conran. Narrates the history of an era through a meld of biography, fashion photography and vintage ads. Informative, attractive, stylish - the perfect gift for someone with an eye for fashion. Transporting you back to London at the height of the Swinging Sixties, this book provides vital context for two of the biggest and boldest names in 'Pop' fashion: Mary Quant, alleged mother of the miniskirt, and Terence Conran, the entrepreneur behind the new wave of 'lifestyle' stores. Friends, associates and allies in design, Quant and Conran stood at the head of an informal but influential bohemian group who steered the rudder of style during the Pop era. 'The Chelsea Set' resist definition; there was no comprehensive members list. Conran/Quant: Swinging London - A Lifestyle Revolution explores the contributions of designers and artists from Laura and Bernard Ashley to Eduardo Paolozzi, Nigen Henderson and Alexander Plunket Greene, all of whom were essential generators of Sixties Style.

Angus Macfadyen portrays the infamous pirate known as Blackbeard in this drama directed by Kevin Connor. It's 1717 and as the British Navy clears the sea of pirates and rogues Blackbeard is preparing to set sail in search of Captain Kidd's lost treasure, capturing Lieutenant Maynard (Mark Umbers)'s friend Charlotte Ormond (Jessica Chastain) along the way. Making an enemy of the Navy from the outset, Blackbeard vows to destroy anyone who gets in between him and his loot.

This book provides a radical reading of Edmund Spenser and argues for a re-orientation in Renaissance criticism. It begins by critiquing the new historicist hegemony in Spenser studies, and, through a series of detailed readings, proposes alternative strategies for interpreting the texts of this pivotal Renaissance author which include a politicised 'new aestheticism', eco-criticism, and pastoral theory. Unlike most non-new historicist studies, Radical Spenser argues that Spenser's texts demand a reading at once political and sensitive to aesthetic surprise. Following a polemical Introduction which establishes Spenser's centrality to key problems in contemporary Renaissance studies, Richard Chamberlain shows that William Empson's ideas about pastoral are vital for an understanding of Spenser and early modern literature. The following chapters discuss Spenser's use, in The Shepheardes Calender, of a distinctively 'pastoral' logic to problematise the relationship between literature and criticism; the ways in which this method informs The Faerie Queene; the approach, in the central books of the epic, to textual and state authority; and the final books' exploration of political experience. Finally, by demonstrating the complexity of the critically neglected prose treatise A View of the State of Ireland, the book offers an eco-critical perspective on Spenser's place in the natural and cultural environments of sixteenth-century Ireland. Key Features * Theoretical intervention encouraging debate and analysis in Renaissance studies. * Close analysis of key passages offers a new understanding of how Spenser's writing works. * Broad coverage including readings of Spenser's major poems and his prose dialogue on Ireland.