|
|
Showing 1 - 6 of
6 matches in All Departments
Deadly Encounters Two Victorian Sensations Richard D. Altick
"Altick's book vividly preserves an important and fascinating
element of daily Victorian life. As such, it is the best sort of
historical scholarship: the kind that puts us in close touch with a
lost world and with people very much like
ourselves."--"Smithsonian" "An engaging study in historical
sociology."--"Washington Post" In July 1861 London newspapers
excitedly reported two violent crimes, both the stuff of
sensational fiction. One involved a retired army major, his
beautiful mistress and her illegitimate child, blackmail and
murder. In the other, a French nobleman was accused of trying to
kill his son in order to claim the young man's inheritance. The
press covered both cases with thoroughness and enthusiasm,
narrating events in a style worthy of a popular novelist, and
including lengthy passages of testimony. Not only did they report
rumor as well as what seemed to be fact, they speculated about the
credibility of witnesses, assessed character, and decided guilt.
The public was enthralled. Richard D. Altick demonstrates that
these two cases, as they were presented in the British press, set
the tone for the Victorian "age of sensation." The fascination with
crime, passion, and suspense has a long history, but it was in the
1860s that this fascination became the vogue in England. Altick
shows that these crimes provided literary prototypes and
authenticated extraordinary passion and incident in fiction with
the "shock of actuality." While most sensational melodramas and
novels were by lesser writers, authors of the stature of Dickens,
Thackeray, George Eliot, Trollope, Hardy, and Wilkie Collins were
also influenced by the spirit of the age and incorporated
sensational elements in their work. Richard D. Altick is Regents
Professor of English, Emeritus, at Ohio State University. He is the
author of many other books, among them "Victorian Studies in
Scarlet"; "Victorian People and Ideas"; "The Shows of London, A
Panoramic History, 1600-1862"; and "Paintings from Books: Art and
Literature in Britain 1760-1900." 2000 176 pages 6 x 9 17 illus.
World Rights Cultural Studies, History, Literature Short copy: An
evocative retelling ot two sensational crimes that rocked Victorian
London.
In June, 1860, Browning purchased an "old yellow book" from a
bookstall in Florence. The book contained legal briefs, pamphlets,
and letters relating to a case that had been tried in 1698
involving a child bride, a disguised priest, a triple murder, four
hangings and the beheading of a nobleman. Browning resolved to use
it as the source for a poem. The result, The Ring and the Book, is
certainly one of the most important long poems of the Victorian era
and is arguably Browning's greatest work. Basing their edition on
the 1888-89 version of the poem, Altick and Collins include the
last corrections Browning intended before his death. In addition to
a substantial introduction, this Broadview Literary Texts edition
also includes selections from Browning's correspondence, and
contemporary reviews and reactions to the work.
In the first chapters, Mr. Altick examines the Victorian delight in
murder as a social phenomenon. The remainder of the book is
constructed around classic murder cases that afford a vivid
perspective on the way people lived--and died--in the Age of
Victoria. From the beginning of the age, homicide was a national
entertainment. Penny broadsheets hawked in the streets highlighted
the most gruesome features of crimes; newspapers recounted the most
minute details, from the discovery of the body to the execution of
the criminal. Real-life murders were quickly adapted for the
gaslight melodrama and the bestselling novels of the "Newgate" and
"sensation" schools. Murder scenes and celebrities were the most
popular exhibits at Madame Tussaud's waxworks and in the touring
peepshows and marionette entertainments. Murder, in fact, was a
crimson thread running through the whole fabric of Victorian life.
By tracing this thread in "not too solemn a spirit," Mr. Altick has
written a book that will delight and inform all who are interested
in social history, as well as that great number who relish true
murder stories.
|
|