Written by one of the world's top scholars in the field of Pali Buddhism, this new and updated edition of How Buddhism Began, discusses various important doctrines and themes in early Buddhism. It takes 'early Buddhism' to be that reflected in the Pali canon, and to some extent assumes that these doctrines reflect the teachings of the Buddha himself. Two themes predominate. Firstly, the author argues that we cannot understand the Buddha unless we understand that he was debating with other religious teachers, notably Brahmins. The other main theme concerns metaphor, allegory and literalism. This accessible, well-written book is mandatory reading for all serious students of Buddhism.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Theravada Buddhism is widely recognized as the classic introduction to the branch of Buddhism found in Sri Lanka and parts of South East Asia. The Buddha preached in north-east India in about the fifth-century BC. He claimed that human beings are responsible for their own salvation, and put forward a new ideal of the holy life, establishing a monastic Order to enable men and women to pursue that ideal. For most of its history the fortunes of Theravada, the most conservative form of Buddhism, have been identified with those of that Order. Under the great Indian emperor, Asoka, himself a Buddhist, Theravada reached Sri Lanka in about 250 BC. There it became the religion of the Sinhala state, and from there it spread, much later, to Burma and Thailand.
Richard Gombrich, the leading authority on Theravada Buddhism, has updated his text and bibliographies to take account of recent research, including the controversies of the date of the Buddha and recent social and political developments in Sri Lanka.. He explores the legacy of the Buddha's predecessors and the social and religious contexts against which Buddhism has developed and changed throughout history. Above all, he shows how it has always influenced and been influenced by its social surroundings in a way which continues to this day.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Written by one of the world's top scholars in the field of Pali Buddhism, this new and updated edition of How Buddhism Began, discusses various important doctrines and themes in early Buddhism. It takes 'early Buddhism' to be that reflected in the Pali canon, and to some extent assumes that these doctrines reflect the teachings of the Buddha himself. Two themes predominate. Firstly, the author argues that we cannot understand the Buddha unless we understand that he was debating with other religious teachers, notably Brahmins. The other main theme concerns metaphor, allegory and literalism. This accessible, well-written book is mandatory reading for all serious students of Buddhism.

Written by the leading authority on Theravada Buddhism, this up-dated edition takes into account recent research to include the controversies over the date of the Buddha and current social and political developments in Sri Lanka. Gombrich explores the legacy of the Buddha's predecessors and the social and religious contexts against which Buddhism has developed and changed throughout history, demonstrating above all, how it has always influenced and been influenced by its social surroundings in a way which continues to this day.

The short lyric poem appears with great frequency in Sanskrit collections and displays a wide range of themes. Bhartri-hari is the most famous composer. Amaru and Bilhana also offer excellent examples.

This anthology of the Love Lyrics of three Indian poets conjures up an atmosphere of love both sensual and social, ever in tension with love's rejection or repression. The flavor of all these poems- Amaru's seventh-century C.E. "Hundred Poems," Bhartri-hari's anthology "Love, Politics, Disenchantment," from the fourth century, and Bilhana's eleventh-century "Fifty Stanzas of a Thief"--is the universalized aesthetic experience of love.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

In "What the Buddha Thought", Richard Gombrich argues that the Buddha was one of the most brilliant and original thinkers of all time. Intended to serve as an introduction to the Buddha's thought, and hence even to Buddhism itself, the book also has larger aims: it argues that we can know far more about the Buddha than it is fashionable among scholars to admit, and that his thought has a greater coherence than is usually recognised. It contains much new material. Interpreters both ancient and modern have taken little account of the historical context of the Buddha's teachings; but by relating them to early brahminical texts, and also to ancient Jainism, Gombrich gives a much richer picture of the Buddha's meaning, especially when his satire and irony are appreciated. Incidentally, since many of the Buddha's allusions can only be traced in the Pali versions of surviving texts, the book establishes the importance of the Pali Canon as evidence. The book contains much new material. The author stresses the Buddha's capacity for abstraction: though he made extensive use of metaphor, he did not found his arguments upon it, as earlier thinkers had done. He ethicized and radically reinterpreted older ideas of karma (human action) and rebirth. Similarly, building on older texts, he argued for the fundamental importance of love and compassion, and analysed fire as a process which could stand as a model for every component of conscious experience. Morally, the Buddha's theory of karma provided a principle of individuation and asserted each individual's responsibility for his own destiny. To make the book completely accessible to the general reader, the author provides an introductory section of 'Background Information,' for easy reference.

In "What the Buddha Thought", Richard Gombrich argues that the Buddha was one of the most brilliant and original thinkers of all time. Intended to serve as an introduction to the Buddha's thought, and hence even to Buddhism itself, the book also has larger aims: it argues that we can know far more about the Buddha than it is fashionable among scholars to admit, and that his thought has a greater coherence than is usually recognised. It contains much new material. Interpreters both ancient and modern have taken little account of the historical context of the Buddha's teachings; but by relating them to early brahminical texts, and also to ancient Jainism, Gombrich gives a much richer picture of the Buddha's meaning, especially when his satire and irony are appreciated. Incidentally, since many of the Buddha's allusions can only be traced in the Pali versions of surviving texts, the book establishes the importance of the Pali Canon as evidence. The book contains much new material. The author stresses the Buddha's capacity for abstraction: though he made extensive use of metaphor, he did not found his arguments upon it, as earlier thinkers had done. He ethicized and radically reinterpreted older ideas of karma (human action) and rebirth. Similarly, building on older texts, he argued for the fundamental importance of love and compassion, and analysed fire as a process which could stand as a model for every component of conscious experience. Morally, the Buddha's theory of karma provided a principle of individuation and asserted each individual's responsibility for his own destiny. To make the book completely accessible to the general reader, the author provides an introductory section of 'Background Information,' for easy reference.