The second book in the Chardin Chronicles, For Generations to Come, continues the saga of three men who must confront the consequences of their past choices and learn how those choices will determine their futures, for better or worse. After serving in the military of the Unified Territories in a war of attrition against the people of Torkos, the disillusioned Major Joe Horgon returns home ten years later to find his home irrevocably changed. There are new forces at work in the Unified Territories, forces that prove to be dangerous to Joe and his family. His neighborhood is in shambles, street gangs are the ones in charge, and Joe's wife and son are missing. Determined to find them, Joe sets out to rescue his family. Along the way, he encounters a formidable enemy. A charismatic gang leader known as the Gent has conspired with High Priest Morthuza to give gang members a serum that creates a more powerful warrior. He rules the streets and intends to wipe out any who oppose him. Joe's search brings him face to face with the Gent, and in this epic battle of wills, there can only be one survivor.

Within a fabric of hope and tragedy, promises and betrayals, "The Loss of Innocence" introduces an epic tale among its three major characters of revenge and greed, war and intrigue, and the struggles between government and religion."The Loss of Innocence" explores the effects of childhood psychological trauma and the ways in which different individuals respond in their own unique ways. Joe Horgon, Chardin the High Priest, and Chardin must each overcome their childhood expectations that become shattered by the choices they make or others make for them. As adults, they will be held responsible for their actions and the effects of these on all those around them. The backdrop for this is the clash of cultures between the simple people of Torkos and the powerful Unified Territories. What begins as a big country seeking to capture and devour a smaller prey, turns into a war between good and evil, between governments and religion in which everyone may end up a loser.

Originally published in 1990, Psychoanalysis and... brings together essays by critics whose work demonstrates the lively interpenetration of psychoanalysis and other disciplines. Andrew Ross investigates psychoanalysis and Marxist thought; Joel Fineman reads the "sound of O" in Othello; Jane Gallop asks "Why does Freud giggle when the women leave the room?"; and Ellie Ragland-Sullivan examines Lacan's seminars on James Joyce. This stimulating collection of work should still be required reading, especially for students of literature. But Psychoanalysis and... demonstrates that psychoanalysis - and theoretical criticism, and feminism, and Lacanian theory, and semiotics, and Marxism, and deconstruction, and literary criticism - was, at the time, a rich and expanding terrain.

Lacan's four fundamental concepts of psychoanalysis. This book provides the first truly sustained commentary to appear in either French or English on Lacan's most important seminar, The Four Fundamental concepts of Psychoanalysis.

Originally published in 1990, Psychoanalysis and... brings together essays by critics whose work demonstrates the lively interpenetration of psychoanalysis and other disciplines. Andrew Ross investigates psychoanalysis and Marxist thought; Joel Fineman reads the "sound of O" in Othello; Jane Gallop asks "Why does Freud giggle when the women leave the room?"; and Ellie Ragland-Sullivan examines Lacan's seminars on James Joyce. This stimulating collection of work should still be required reading, especially for students of literature. But Psychoanalysis and... demonstrates that psychoanalysis - and theoretical criticism, and feminism, and Lacanian theory, and semiotics, and Marxism, and deconstruction, and literary criticism - was, at the time, a rich and expanding terrain.

Within a fabric of hope and tragedy, promises and betrayals, "The Loss of Innocence" introduces an epic tale among its three major characters of revenge and greed, war and intrigue, and the struggles between government and religion. "The Loss of Innocence" explores the effects of childhood psychological trauma and the ways in which different individuals respond in their own unique ways. Joe Horgon, Chardin the High Priest, and Chardin must each overcome their childhood expectations that become shattered by the choices they make or others make for them. As adults, they will be held responsible for their actions and the effects of these on all those around them. The backdrop for this is the clash of cultures between the simple people of Torkos and the powerful Unified Territories. What begins as a big country seeking to capture and devour a smaller prey, turns into a war between good and evil, between governments and religion in which everyone may end up a loser.

The second book in the Chardin Chronicles, For Generations to Come, continues the saga of three men who must confront the consequences of their past choices and learn how those choices will determine their futures, for better or worse. After serving in the military of the Unified Territories in a war of attrition against the people of Torkos, the disillusioned Major Joe Horgon returns home ten years later to find his home irrevocably changed. There are new forces at work in the Unified Territories, forces that prove to be dangerous to Joe and his family. His neighborhood is in shambles, street gangs are the ones in charge, and Joe's wife and son are missing. Determined to find them, Joe sets out to rescue his family. Along the way, he encounters a formidable enemy. A charismatic gang leader known as the Gent has conspired with High Priest Morthuza to give gang members a serum that creates a more powerful warrior. He rules the streets and intends to wipe out any who oppose him. Joe's search brings him face to face with the Gent, and in this epic battle of wills, there can only be one survivor.

If our so-called culture war seems all on the side of the right, there's no reason. It is all in their heads. From the beleaguered - some would say baffled - silence on the left, this book at long last emerges with a devastating diagnosis of the "debate" over political correctness. Written with refreshing clarity and wit, "Political correctness" describes a cultural non-phenomenon brought into being by the desires of new-conservatives. Nostalgic for the simple moral logic of the Cold War, the conservative right has created an evil empire within and conferred upon its enemies - from multiculturalists to postmodernists and poststructuralists - an agenda that demands action from the high-minded. What clearly marks this as a projection, Richard Feldstein points out, is the moralism attributed to the forces of political correctness by their conservative critics. And where, in fact, do we find the obsessive fixation on judgement, morality, and correct and appropriate behaviour, that might make political correctness so reprehensible? It is, Feldstein argues, a central feature of right-wing thinking, projected onto those who reject such black-and-white, good-and-bad views as naive. "Political correctness" defines this procedure in comparison with the process of psychological projection, in which consciousness transfer onto others what it cannot tolerate. In the case of cultural projection, Feldstein says, the transference is often intentional. This book is not just an essential tool to understanding the way the right deploys this powerful weapon; it is a guide to resisting the cynical use of these tactics in our media-saturated society, one that acknowledges the complexity of life in our multicultural, postmodern world.

This book offers a selection of the best work on Lacan that has been published over the past ten years by RISS, a Swiss journal of Lacanian studies. Though focused on Lacan and Freud, the collection is partly about Germany itself, addressing questions of trauma, historical memory, politics, fascism, and democracy. The essays range from investigations of particular art forms such as music and tragedy to clinical studies of melancholia, depression, anxiety, and other somatic phenomena that have a symbolic or psychic dimension. As a whole, the book explores the breakdown of meaning and the failure of social and political structures, which Lacan addresses through the category of the Real, and it offers English-speaking readers a variety of new perspectives on Lacan and psychoanalysis.