Charles Bronson stars in this action-packed crime drama. Former US Army Ranger and Vietnam War veteran Vince Majestyk (Bronson) lives a quiet existence in rural Colorado running a watermelon farm. After being harassed by a local racketeer for employing skilled Hispanic workers, being trailed by police and having his crops destroyed by a Mafia hitman, Vince finally decides he's had enough and sets off with his rifle and pickup truck to mete out some retribution.

When her sister dies at the hands of an evil queen, the fearsome warrior Red Sonja (Brigitte Nielsen) sets out to seek her revenge. Joining forces with the only man who can match her in a fight (Arnold Schwarzenegger), Sonja battles all the monsters and magicians who stand in her way, until she finally comes face-to-face with the queen. However, as the evil one holds a talisman which can destroy the world, the conclusion is far from foregone. Richard Fleischer directs.

Max Fleischer (1883--1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical innovation. Among the many patented inventions Fleischer created was his Rotoscope, a device that helped track live action on-screen and revolutionized the way animated characters appeared and moved. In the 1920s, Fleischer and his brother Dave teamed up to create a series of "Out of the Inkwell" films, which led to a deal with Paramount. Films featuring their character Ko-Ko the Clown introduced new special effects such as startling combinations of live action and animation. In one piece, Ko-Ko emerges from an inkblot and appears on-screen with footage of Fleischer himself. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs. The Fleischers involved jazz artists such as Cab Calloway and Louis Armstrong, and the sound cartoons were a howling success. In the next decade, Fleischer Studios produced the features Gulliver's Travels and Mr. Bug Goes to Town and soon went to work on an animated Superman series, which won widespread critical and popular acclaim. In spite of its great popularity and success, however, the studio was abruptly closed. The animated cartoon industry was shocked, and the event went unexplained for many years. Now, Max's son Richard has at last solved the mystery of the shuttering of Fleischer Studios. Max Fleischer's story is one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.

In this follow-up to 'Conan the Barbarian', Conan (Arnold Schwarzenegger) joins the virgin princess Jehnna (Olivia d'Abo) on a search to find a magical crystal. Accompanied by Zula (Grace Jones) and Akiro (Mako), the expedition begins its daring adventure, unaware that the greatest danger lies with its own sponsor, the treacherous Queen Tamaris (Sarah Douglas).

Max Fleischer (1883--1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical innovation. Among the many patented inventions Fleischer created was his Rotoscope, a device that helped track live action on-screen and revolutionized the way animated characters appeared and moved. In the 1920s, Fleischer and his brother Dave teamed up to create a series of "Out of the Inkwell" films, which led to a deal with Paramount. Films featuring their character Ko-Ko the Clown introduced new special effects such as startling combinations of live action and animation. In one piece, Ko-Ko emerges from an inkblot and appears on-screen with footage of Fleischer himself. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs. The Fleischers involved jazz artists such as Cab Calloway and Louis Armstrong, and the sound cartoons were a howling success. In the next decade, Fleischer Studios produced the features Gulliver's Travels and Mr. Bug Goes to Town and soon went to work on an animated Superman series, which won widespread critical and popular acclaim. In spite of its great popularity and success, however, the studio was abruptly closed. The animated cartoon industry was shocked, and the event went unexplained for many years. Now, Max's son Richard has at last solved the mystery of the shuttering of Fleischer Studios. Max Fleischer's story is one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.