Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work takes place during the bloodiest years of the Vietnam War, when the author served as a Marine scout with 1st Force Recon, one of the most secretive and elite combat units ever to operate in Vietnam. Dropped deep into enemy held territory, Force Recon Marines relied on stealth, surprise, and their training to complete their missions. They were truly the ghosts of the jungle. The "Tales" here are a gritty mix of deadly firefights, prisoner "snatches", parachute jumps, punji pits, tiger attacks, and even a murder! The book follows the transformation of the author as he first arrives in Nam as an idealistic young man determined to serve his country, into a cynical combat hardened bush Marine whose perspective of the war changed as friends were lost and the missions became ever more dangerous.

Joseph P. Fell proposes that the solution to the problem of nihilism is found in the common experience of persons and the everyday commitments that one makes to people, practices, and institutions. In his landmark 1979 book Heidegger and Sartre, and in his subsequent essays, Fell describes a quiet but radical reform in the philosophical tradition that speaks to perennial dilemmas of thought and pressing issues for action. Since Descartes, at least, we have been puzzled as to what we can know, how we should act, and what we should value. The skeptical influence of modern dualism-distilled in the mind-body problem at arose with the assertion "I think, therefore I am"-has shot through not just philosophy and psychology, but also society, politics, and culture. With dualism arose radical subjectivism and the concomitant problems of nihilism and alienation. The broad aim of phenomenology is to repair the rupture of self and world. Announced by Edmund Husserl and developed by Jean-Paul Sartre, Martin Heidegger, and John William Miller, who drew from the North American tradition, this is the project to which Fell has devoted more than a half century of reflection and technical elaboration. In this volume, an array of scholars consider, criticize, and cultivate Fell's key contributions to the phenomenological project. Ranging from analyses of key texts in Fell's phenomenology to probing examinations of his crucial philosophical presuppositions to the prospects for Fell's call to find the solution to nihilism in everyday experience-these essays gather the work of the authors thinking with and through Fell's key works on Sartre, Heidegger, and Miller. Also included are seminal statements from Fell on his pedagogical practice and his conception of philosophy.

La Monte Young and Marian Zazeela have been pursuing their art for more than three decades. Together, they have created large-scale works for light and sound of many hours duration full of slow-moving microtonal sounds bathed in magenta hues and shadows that have influenced styles as diverse as the Velvet Underground and Minimalism. Yet many people outside the experimental circles in music and art are unfamiliar with their work. This issue of the Bucknell Review is the first full-length book on their work. It introduces Young and Zazeela to those unfamiliar with them, as well as provides the more acquainted reader with new and useful insights and analyses of the fundamental issues in their life and work. The book explores the recurring themes that have influenced and organized Young and Zazeela's ongoing engagement with sound and light. These themes include the appreciation of nature and its natural shapes and sounds; the importance of mathematics and organized tuning systems based on natural harmonics; enhanced attention spans and increased sensitivity to differences within apparent sameness; extensions of time, and alterations of space.

Inspired by Ludwig Wittgenstein and Stanley Cavell, this book is a profoundly original philosophical work put together as a network of quotations, to show that our language is never our own and that ethics can be understood as an effect of our attitude to language. It is a meditation on justice and addresses the question of how to lead a non-violent life and acknowledge the humanity of others following 9/11 and extending right up to the current moment.Using extensive interdisciplinary sources, "Evil and Silence" investigates the nature of evil and the ways to make a life worth living in the face of such a fact of existence. It argues that we must reject the choice of violence as a justified way of life and embrace the creative efforts of nonviolence. The text begins with Socrates argument that it is never just to harm another and ends with Cage s exploration of silence as all the sounds we don t intend. Drawing on his past work in philosophy of language and music, Fleming develops arguments for the logic of nonviolence and the value of silence. He demonstrates that living consistently by way of silence and meaningful sound, understanding the music and language of our lives, is a justified response to the truth and miseries of evil.Links to Musical Illustrations and Scores Mentioned in the TextMozart's "Symphony 40," Beethoven's "Symphony 6," and Ives' "The Unanswered Question" http: //www.leonardbernstein.com/norton_scores.htmMozart's "Symphony 40"Beethoven's "Symphony 6"First page of Wagner's "Tristan und Isolde" http: //www.dlib.indiana.edu/variations/scores/bfk2835/index.htmlFirst page of Wagner's "Parsifal" http: //www.dlib.indiana.edu/variations/scores/baj5813/index.htmlFirst and second pages of Debussy's "Prelude to the Afternoon of a Faun" http: //www.dlib.indiana.edu/variations/scores/bgn9673/index.htmlAn original manuscript page from Schoenberg's Opus 23, "Five Piano Pieces" http: //www.schoenberg.at/scans/Ms23/Ms23/10.jpgThe central tone-row from Berg's "Violin Concerto" (section B) and the last page of "Wozzeck" http: //solomonsmusic.net/wozzeck.htmLast page of Mahler's "Symphony 9" http: //imslp.info/files/imglnks/usimg/5/5d/IMSLP21194-PMLP48640-Symphony_No._9_-_IV.pdfFirst page of Stravinsky's "Petrushka" http: //www.dlib.indiana.edu/variations/scores/aad9501/index.htmlPage from Bernstein's "Mass" http: //www.leonardbernstein.com/mass_scores.htmPage from Tchaikovsky's "Symphony 6" http: //www.leonardbernstein.com/norton_scores.htmCage's "4'33''" manuscript page and precursor materials: http: //solomonsmusic.net/4min33se.htm "

Inspired by Ludwig Wittgenstein and Stanley Cavell, this book is a profoundly original philosophical work put together as a network of quotations, to show that our language is never our own and that ethics can be understood as an effect of our attitude to language. It is a meditation on justice and addresses the question of how to lead a non-violent life and acknowledge the humanity of others following 9/11 and extending right up to the current moment.Using extensive interdisciplinary sources, "Evil and Silence" investigates the nature of evil and the ways to make a life worth living in the face of such a fact of existence. It argues that we must reject the choice of violence as a justified way of life and embrace the creative efforts of nonviolence. The text begins with Socrates argument that it is never just to harm another and ends with Cage s exploration of silence as all the sounds we don t intend. Drawing on his past work in philosophy of language and music, Fleming develops arguments for the logic of nonviolence and the value of silence. He demonstrates that living consistently by way of silence and meaningful sound, understanding the music and language of our lives, is a justified response to the truth and miseries of evil.Links to Musical Illustrations and Scores Mentioned in the TextMozart's "Symphony 40," Beethoven's "Symphony 6," and Ives' "The Unanswered Question" http: //www.leonardbernstein.com/norton_scores.htmMozart's "Symphony 40"Beethoven's "Symphony 6"First page of Wagner's "Tristan und Isolde" http: //www.dlib.indiana.edu/variations/scores/bfk2835/index.htmlFirst page of Wagner's "Parsifal" http: //www.dlib.indiana.edu/variations/scores/baj5813/index.htmlFirst and second pages of Debussy's "Prelude to the Afternoon of a Faun" http: //www.dlib.indiana.edu/variations/scores/bgn9673/index.htmlAn original manuscript page from Schoenberg's Opus 23, "Five Piano Pieces" http: //www.schoenberg.at/scans/Ms23/Ms23/10.jpgThe central tone-row from Berg's "Violin Concerto" (section B) and the last page of "Wozzeck" http: //solomonsmusic.net/wozzeck.htmLast page of Mahler's "Symphony 9" http: //imslp.info/files/imglnks/usimg/5/5d/IMSLP21194-PMLP48640-Symphony_No._9_-_IV.pdfFirst page of Stravinsky's "Petrushka" http: //www.dlib.indiana.edu/variations/scores/aad9501/index.htmlPage from Bernstein's "Mass" http: //www.leonardbernstein.com/mass_scores.htmPage from Tchaikovsky's "Symphony 6" http: //www.leonardbernstein.com/norton_scores.htmCage's "4'33''" manuscript page and precursor materials: http: //solomonsmusic.net/4min33se.htm "

Title: The Dictionary of Dublin, being a comprehensive guide to the city and its neighbourhood ... Illustrated by numerous photographs taken by the authors.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF BRITAIN & IRELAND collection includes books from the British Library digitised by Microsoft. As well as historical works, this collection includes geographies, travelogues, and titles covering periods of competition and cooperation among the people of Great Britain and Ireland. Works also explore the countries' relations with France, Germany, the Low Countries, Denmark, and Scandinavia. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Cosgrave, Ephraim Macdowel; Fleming, Leonard Richard; 1895. vi. 288 p.; 8 . 10390.de.9.

The Serpent Told the Truth! But he is called the Devil. And though LORD God admitted to the truth, he still cursed all mankind plus GOD's creation. Though he is the evil one, he is worshipped as a loving God! And his children act out of his evil nature universally. Dr. Alonzo Fleming Jr. presents a compelling case against LORD God. He is willing to say what everyone is thinking! For centuries, man has resisted and quieted the voice inside his own head that asks the obvious questions: "How could God curse his own children and creation, then call it love? How could he tell everyone else to love their enemies, yet he gladly kills his own? How could he instruct us to bless and not curse, yet he curses? Why would God set his children up to die, in the first place?" We challenge the reader to consider what we say in the light of the world's present condition. Who is controlling the present world? He that blessed, or he that cursed? Be instructed.

This title applies the concepts of Lean Six Sigma to the service industry. These concepts were developed in the manufacturing industry and have not been widely applied in the service space. The book uses a story telling approach about a cruise line in financial trouble that achieves turn around with Lean Six Sigma.