Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

To inspire the unspoken emotions the people feel and give a deeper outlook that engage vivid paintings coming from words of uplifting to touching souls that grace the path way of poetry.

My unique way is bringing people through a phase of their life with drawn words that capture memories readers cherish as they look for better and deeper meaning of their purpose for being here in a form of human creation, efforts of me designing timeless moments of art where readers can relive the impossible and gain the unbelievable as one's continue to climb the steps of almost, there is where the readers feelings gives a relief that they been made it just never contained how it worked out for them but in their own standpoint it showed they never submitted to failure but traveling with words I restored into their temple to go the distance with powerful inner strength to be a testimony along the way.

The wellspring of Thomas Hardy and Religion is the recognition that Thomas Hardys two late great novels, Tess of the dUrbervilles and Jude the Obscure, are dominated, respectively, by two religious traditions of nineteenth-century Anglicanism: Evangelicalism and Anglo-Catholicism. Placing those movements in their historical context alongside other Victorian religious traditions, the author explores the development of Hardys religious beliefs and ideas up till the 1880s. Evangelicalism in Tess is discussed through an analysis of the principal characters, Angel Clare and his father, Parson Clare, Alec dUrberville and Tess herself, leading to a consideration of why this form of Christianity looms so large in that novel. Not unexpectedly, the reasons for this are linked to Hardys personal and intellectual biography, especially his religious upbringing and experience of and involvement in these religious traditions. This applies to both novels. The sources of Jude the Obscure in Hardys life and thought, and their links to Anglo-Catholicism, are revealed in the context of the influence of that tradition on the narrative and characters, in particular Judes sense of vocation, the importance of the university town of Christminster and issues associated with marriage, divorce and sexuality. Throughout his analysis of both novels the author demonstrates how Hardy lambasts the way in which these religious traditions and the conventional Victorian morality they bolstered undermine human flourishing. Thomas Hardy and Religion concludes by considering the place these two novels have in the continuing trajectory of Hardys theological ideas, underlining the critical importance of understanding his religious concerns and reflecting on the way in which his critique of religion is important to people of faith.

The wellspring of Thomas Hardy and Religion is the recognition that Thomas Hardys two late great novels, Tess of the dUrbervilles and Jude the Obscure, are dominated, respectively, by two religious traditions of nineteenth-century Anglicanism: Evangelicalism and Anglo-Catholicism. Placing those movements in their historical context alongside other Victorian religious traditions, the author explores the development of Hardys religious beliefs and ideas up till the 1880s. Evangelicalism in Tess is discussed through an analysis of the principal characters, Angel Clare and his father, Parson Clare, Alec dUrberville and Tess herself, leading to a consideration of why this form of Christianity looms so large in that novel. Not unexpectedly, the reasons for this are linked to Hardys personal and intellectual biography, especially his religious upbringing and experience of and involvement in these religious traditions. This applies to both novels. The sources of Jude the Obscure in Hardys life and thought, and their links to Anglo-Catholicism, are revealed in the context of the influence of that tradition on the narrative and characters, in particular Judes sense of vocation, the importance of the university town of Christminster and issues associated with marriage, divorce and sexuality. Throughout his analysis of both novels the author demonstrates how Hardy lambasts the way in which these religious traditions and the conventional Victorian morality they bolstered undermine human flourishing. Thomas Hardy and Religion concludes by considering the place these two novels have in the continuing trajectory of Hardys theological ideas, underlining the critical importance of understanding his religious concerns and reflecting on the way in which his critique of religion is important to people of faith.

The 1896 Democratic National Convention simultaneously proposed a radically new trajectory for American industrial expansion, harshly repudiated its own incumbent president, and rudely overturned the party's traditional regional and social hierarchy. The passion that attended these decisions was deeply embedded in the traditional alliances and understandings of the past, in the careers and futures of the party's most prominent leaders and most insignificant ward heelers, and in the personal relations of men who had long served together in the halls of Congress. This passion was continuously on display in the Chicago Coliseum, shaped by the rhythm of parliamentary ritual and the physical architecture of the convention hall. William Jennings Bryan anticipated the moment when pathos would be at its height and chose that moment to give his 'Cross of Gold' address, thus harnessing passion to his personal ambition and winning the presidential nomination.

The Founding of Modern States is a bold comparative work that examines the rise of the modern state through six case studies of state formation. The book opens with an analysis of three foundings that gave rise to democratic states in Britain, the United States, and France and concludes with an evaluation of three formations that birthed non-democratic states in the Soviet Union, Nazi Germany, and the Islamic Republic of Iran. Through a comparative analysis of these governments, the book argues that new state formations are defined by a metaphysical conception of a "will of the people" through which the new state is ritually granted sovereignty. The book stresses the paradoxical nature of modern foundings, characterized by "mythological imaginations," or the symbolic acts and rituals upon which a state is enabled to secure political and social order. An extensive study of some of the most important events in modern history, this book offers readers novel interpretations that will disrupt common narratives about modern states and the state of our modern world.

The Founding of Modern States is a bold comparative work that examines the rise of the modern state through six case studies of state formation. The book opens with an analysis of three foundings that gave rise to democratic states in Britain, the United States, and France and concludes with an evaluation of three formations that birthed non-democratic states in the Soviet Union, Nazi Germany, and the Islamic Republic of Iran. Through a comparative analysis of these governments, the book argues that new state formations are defined by a metaphysical conception of a "will of the people" through which the new state is ritually granted sovereignty. The book stresses the paradoxical nature of modern foundings, characterized by "mythological imaginations," or the symbolic acts and rituals upon which a state is enabled to secure political and social order. An extensive study of some of the most important events in modern history, this book offers readers novel interpretations that will disrupt common narratives about modern states and the state of our modern world.

The last adventure to star Jon Pertwee. To save the Universe, the Doctor must travel to the planet Metebelis Three, where he discovers an invasion plan of Earth by the Metebelis Spiders, under the leadership of the Great One. To save the planet the Doctor must absorb a lethal dose of radiation, triggering his third regeneration...

The 1896 Democratic National Convention simultaneously proposed a radically new trajectory for American industrial expansion, harshly repudiated its own incumbent president, and rudely overturned the party's traditional regional and social hierarchy. The passion that attended these decisions was deeply embedded in the traditional alliances and understandings of the past, in the careers and futures of the party's most prominent leaders and most insignificant ward heelers, and in the personal relations of men who had long served together in the halls of Congress. This passion was continuously on display in the Chicago Coliseum, shaped by the rhythm of parliamentary ritual and the physical architecture of the convention hall. William Jennings Bryan anticipated the moment when pathos would be at its height and chose that moment to give his 'Cross of Gold' address, thus harnessing passion to his personal ambition and winning the presidential nomination.

Jon Pertwee stars as the time travelling Doctor, who once more finds the planet under threat. Trying to avert a war which will bring Earth under the domination of the Daleks and their ferocious slaves (the Ogrons), the Doctor fights one of the biggest challenges he has faced so far.

During the middle of the nineteenth century, Americans voted in saloons in the most derelict sections of great cities, in hamlets swarming with Union soldiers, or in wooden cabins so isolated that even neighbors had difficulty finding them. Their votes have come down to us as election returns reporting tens of millions of officially sanctioned democratic acts. Neatly arrayed in columns by office, candidate, and party, these returns are routinely interpreted as reflections of the preferences of individual voters and thus seem to unambiguously document the existence of a robust democratic ethos. By carefully examining political activity in and around the polling place, this book suggests some important caveats which must attend this conclusion. These caveats, in turn, help to bridge the interpretive chasm now separating ethno-cultural descriptions of popular politics from political economic analyses of state and national policy-making.

During the middle of the nineteenth century, Americans voted in saloons in the most derelict sections of great cities, in hamlets swarming with Union soldiers, or in wooden cabins so isolated that even neighbors had difficulty finding them. Their votes have come down to us as election returns reporting tens of millions of officially sanctioned democratic acts. Neatly arrayed in columns by office, candidate, and party, these returns are routinely interpreted as reflections of the preferences of individual voters and thus seem to unambiguously document the existence of a robust democratic ethos. By carefully examining political activity in and around the polling place, this book suggests some important caveats which must attend this conclusion. These caveats, in turn, help to bridge the interpretive chasm now separating ethno-cultural descriptions of popular politics from political economic analyses of state and national policy-making.

Another adventure for everyone's favourite Time Lord. UNIT is called to a sleepy mining town in South Wales to investigate the mysterious death of a miner in an inactive pit. The Wholeweal environmental community believe that a local chemical company has something to do with the death, and when the Doctor heads a mission down the mines he discovers thousands of maggots surrounded by poisonous slime. Further investigation at the chemical works reveals the owner to be under the malign influence of a sentient computer, BOSS.

This book describes the impact of the American Civil War on the development of central state authority in the late nineteenth century. The author contends that intense competition for control of the national political economy between the free North and slave South produced secession, which in turn spawned the formation of two new states, a market-oriented northern Union and a southern Confederacy in which government controls on the economy were much more important. During the Civil War, the American state both expanded and became the agent of northern economic development. After the war ended, however, tension within the Republican coalition led to the abandonment of Reconstruction and to the return of former Confederates to political power throughout the South. As a result, American state expansion ground to a halt during the late nineteenth and early twentieth centuries. This book makes a major contribution to the understanding of the causes and consequences of the Civil War and the legacy of the war in the twentieth century.

This book describes the impact of the American Civil War on the development of central state authority in the late nineteenth century. The author contends that intense competition for control of the national political economy between the free North and slave South produced secession, which in turn spawned the formation of two new states, a market-oriented northern Union and a southern Confederacy in which government controls on the economy were much more important. During the Civil War, the American state both expanded and became the agent of northern economic development. After the war ended, however, tension within the Republican coalition led to the abandonment of Reconstruction and to the return of former Confederates to political power throughout the South. As a result, American state expansion ground to a halt during the late nineteenth and early twentieth centuries. This book makes a major contribution to the understanding of the causes and consequences of the Civil War and the legacy of the war in the twentieth century.

Another adventure for everyone's favourite Time Lord. The Doctor (Jon Pertwee) and Jo (Katy Manning) travel to Stangmoor prison to investigate a machine which can remove evil from the minds of criminals. However, the man behind the scheme - Professor Kellerman - is in fact the Doctor's arch-nemesis, the Master (Roger Delgado), and is planning to disrupt a United Nations peace conference. Inside the Master's machine is an alien parasite which can make people see their greatest fears, and is growing stronger all the time. Can the Doctor stop both the Master and the unearthly parasite?

The Third Doctor (Jon Pertwee) faces terrifying plastic Autons and the evil Master in these two classic Doctor Who adventures. In 'Spearhead from Space' (1969), the newly-regenerated Doctor begins his exile on 20th century Earth after being forbidden to continue his travels through time and space by his fellow Time Lords. His arrival coincides with a shower of strange meteorites, which are promptly investigated by the United Nations Intelligence Taskforce. Although his old friend Brigadier Alastair Gordon Lethbridge-Stewart (Nicholas Courtney) is initially suspicious of the Doctor's new appearance and personality, he is forced to ask for his help when several of the meteorites go missing. The Doctor discovers that the meteor shower was in fact the first wave of an invasion by hostile alien intelligence the Nestene; phase two begins when the Autons - deadly plastic mannequins created by the Nestene agents on Earth - launch an attack on the unsuspecting public. In 'Terror of the Autons' (1970), the Doctor must pit his wits against the Nestene invaders, now teamed with renegade Time Lord the Master. This episode marks the first appearance of Jo Grant (Katy Manning), Captain Mike Yates (Richard Franklin) and The Master (Roger Delgado).

Follow-on from the 1986 film 'FX - Murder by Illusion' in which Tyler (Bryan Brown) is now semi-retired. However, he is talked out of the quiet life after five years and into taking part in a police-sting operation by his girlfriend's ex-husband. When the latter is murdered, Tyler investigates, with the help of his old police partner (Brian Dennehy) and soon they are trapped in a dangerous web of murder, treachery and deceit.

Another adventure for everyone's favourite Time Lord. The arrival on Earth of a UFO brings with it the Axons - golden-skinned aliens who offer the gift of Axonite to mankind. The Doctor (Jon Pertwee) is suspicious, especially when he discovers that his old enemy the Master (Roger Delgado) is on board the Axon craft.

A collection of classic Doctor Who episodes featuring Tom Baker and Jon Pertwee in the role of the Doctor. In the four-parter 'The Horns of Nimon', the Skonnon ships have returned to the skies of Aneth, demanding tribute. But as the final consignment is being taken to Skonnos, an accident forces the ship off course. In the six-parter 'The Time Monster', a new invention to transport matter through time creates a number of disturbing distortions in the temporal fabric. The Doctor (Jon Pertwee) investigates, and soon finds himself up against his nemesis, The Master, in a battle to control a powerful sacred crystal. In the four-parter 'Underworld', the TARDIS lands the Doctor (Tom Baker) in a Minyan spaceship that is on a quest to find the Minyan race banks stored in a missing ship known as the P7E. They eventually find what they are looking for in a cave system at the centre of a newly-formed planet. But the P7E's computer has ideas of its own, and doesn't look kindly upon its new visitors.