|
Showing 1 - 6 of
6 matches in All Departments
This collection, edited by Daniel S. Strasser, was unearthed from
the demand for more inclusive and expansive dialogues on
intersectional identities, ethnicity, neuro-diversity, physical
ability, religion, sexual orientation, class, and gender
performance in academia. The autoethnographic and narrative
accounts within Communication and Identity in the Classroom:
Intersectional Perspectives of Critical Pedagogy offer personal,
experiential perspectives on the power of identity to influence
educators in classroom and mentoring spaces. The multiple
perspectives offered here promote dialogue about how personal
experience provides the ground upon which we build more dynamic
relationships and communities. The contributors' experiences offer
examples for a more expansive understanding of privilege,
oppression, and identity. These seeds for conversation nourish
discourses that build new communicative bridges between educators
and students as we prepare to face the next interaction, class, and
challenges and opportunity for resilience. This collection invites
educators to be critical of their bodies, of their politics, of
their intersecting identities, and acknowledge in words and actions
that our bodies are political. Throughout this collection the
contributors expand upon theories and methods of critical
communication scholarship, radical love, and intersectionality
using their embodied pedagogical experiences to ground the
scholarship.
This collection, edited by Daniel S. Strasser, was unearthed from
the demand for more inclusive and expansive dialogues on
intersectional identities, ethnicity, neuro-diversity, physical
ability, religion, sexual orientation, class, and gender
performance in academia. The autoethnographic and narrative
accounts within Communication and Identity in the Classroom:
Intersectional Perspectives of Critical Pedagogy offer personal,
experiential perspectives on the power of identity to influence
educators in classroom and mentoring spaces. The multiple
perspectives offered here promote dialogue about how personal
experience provides the ground upon which we build more dynamic
relationships and communities. The contributors' experiences offer
examples for a more expansive understanding of privilege,
oppression, and identity. These seeds for conversation nourish
discourses that build new communicative bridges between educators
and students as we prepare to face the next interaction, class, and
challenges and opportunity for resilience. This collection invites
educators to be critical of their bodies, of their politics, of
their intersecting identities, and acknowledge in words and actions
that our bodies are political. Throughout this collection the
contributors expand upon theories and methods of critical
communication scholarship, radical love, and intersectionality
using their embodied pedagogical experiences to ground the
scholarship.
Shonda Rhimes is one of the most powerful players in contemporary
American network television. Beginning with her break-out hit
series Grey's Anatomy, she has successfully debuted Private
Practice, Scandal, How to Get Away with Murder, and The Catch.
Rhimes's work is attentive to identity politics, "post-" identity
politics, power, and representation, addressing innumerable
societal issues. Rhimes intentionally addresses these issues with
diverse characters and story lines that center, for example, on
interracial friendships and relationships, LGBTIQ relationships and
parenting, the impact of disability on familial and work dynamics,
and complex representations of womanhood. This volume serves as a
means to theorize Rhimes's contributions and influence by inspiring
provocative conversations about television as a deeply politicized
institution and exploring how Rhimes fits into the implications of
twenty-first century television.
Shonda Rhimes is one of the most powerful players in contemporary
American network television. Beginning with her break-out hit
series Grey's Anatomy, she has successfully debuted Private
Practice, Scandal, How to Get Away with Murder, and The Catch.
Rhimes's work is attentive to identity politics, "post-" identity
politics, power, and representation, addressing innumerable
societal issues. Rhimes intentionally addresses these issues with
diverse characters and story lines that center, for example, on
interracial friendships and relationships, LGBTIQ relationships and
parenting, the impact of disability on familial and work dynamics,
and complex representations of womanhood. This volume serves as a
means to theorize Rhimes's contributions and influence by inspiring
provocative conversations about television as a deeply politicized
institution and exploring how Rhimes fits into the implications of
twenty-first century television.
|
You may like...
Tenet
John David Washington, Robert Pattinson
Blu-ray disc
(1)
R52
R44
Discovery Miles 440
|