Flannery O'Connor and the Mystery of Love interprets O'Conner's perplexing fiction on its own terms. By stepping back from prevailing controversies, this seminal study takes the pleasure of turning to the short stories and novels themselves and forming an impression of them while seeking the answers to such questions as they necessarily suggest themselves. This goal inevitably entails a consideration of the hardness and violence that are the hallmark of O'Connor's genius. That severity for Giannone is inseparable from O'Connor's recounting, in her words, "the action of grace." God's bounty can leave its beneficiaries with some very real handicaps. Grace in this fiction can make the blood run cold; it can do real injury to the body; and it can annihilate. These devastations paradoxically prepare the characters to receive and give compassion. In its numerous and disturbing forms, the coupling of violence and hardship with divine favor marks the mature nature of O'Connor's Christianity. Suffering is found at heart of love and is its hidden face, agonized and abandoned. This is a love that is an anomaly and an enigma, for the wracked human body holds the glimmer of good omen. Flannery O'Connor and the Mystery of Love traces the evolution of these gaping wounds of love to show how they present the same challenge to her readers as to her characters, all of whom must learn that we are worth what our love is worth.

Music is everywhere in Willa Cather's fiction: as a subject, in the background, slyly commenting on the action, connecting characters to a distant world, or revealing their interior worlds. Not merely incidental or ornamental, though, music is intrinsic to Cather's work, a distinctive quality of her creation and expression, and it is in this light that Richard Giannone considers Cather's art. Music in Willa Cather's Fiction is the definitive study of its subject. The first work to examine the complex thematic and structural forms that music acquires in Cather's narratives, Giannone's book uses this musical approach as a way of seeing into the author's artistic sensibility, the evolution of her art, and her total achievement.

Progressing chronologically, Giannone shows how Cather's view and use of music changed over time. From what her early journalistic pieces on music and musicians reveal about her attitude and anticipate in her later work, Giannone moves to Cather's early stories to identify the trend of some of her artistic choices, the direction of her stylistic development, and the complication of her moral interest as these are manifested in musical references. In her novels and later stories, he emphasizes the contribution of music to the individual work, as well as the allusions and connections that sound throughout her oeuvre.