This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Es ist ein fundierter Uberblick uber die mannigfachen Stilwandlungen in der Dekoration und im Mobiliar des 18. Jahrhunderts, den Richard Graul hier prasentiert. Graul beginnt hierzu mit einer Einfuhrung in die Innendekoration Frankreichs zwischen 1660 und 1745, bevor er den Bogen zum Klassizismus im Frankreich des 19. Jahrhunderts schlagt. Fur Deutschland gelten in dieser Zeit die Stile des Barock und Rokoko als dominierend, die von Graul ebenso sorgsam beschrieben werden. Zuletzt macht Graul einen Exkurs nach England und erlautert den Einfluss des dort vorherrschenden Einrichtungsstils auf Deutschland. Sorgfaltig bearbeiteter Nachdruck der Originalausgabe von 1905.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.