This volume is a comprehensive collection of articles on Bunyan as well as including several broader views of the Nonconformist tradition.

This timely and fascinating historical study of Protestant women will increase the appreciation of their continuing struggle for acceptance within their churches and of their contribution to the success of the Protestant movement. An introductory chapter traces the origins of female subordination and exclusion from the preaching ministry, a practice that was reinforced by Protestant interpretations of Scripture. In essays contributed by recognized specialists, women's roles both in the early development of Protestant sects and in supporting established churches are examined, and their contributions--through teaching, charitable activities, donations, writing, speech making and publishing--are noted. This volume includes an account of Protestant women's involvement in reform movements and their prolonged struggle for ordination and acceptance in the preaching ministry.

Every year on the Friday before Labor Day, Guyanese from all over the world convene in Brooklyn, New York, to celebrate the accidental tradition of Come to My Kwe-Kwe and to connect or reconnect with other Guyanese. Since the fall of 2005, they have celebrated Come to My Kwe-Kwe (more recently, Kwe-Kwe Night), a reenactment of a uniquely African Guyanese prewedding ritual called kweh-kweh, also known as karkalay, mayan, kweh-keh, or pele. Come to My Kwe-Kwe has increasingly become a symbol of African Guyaneseness. In this volume, Rediasporization: African Guyanese Kwe-Kwe, Gillian Richards-Greaves examines the role of Come to My Kwe-Kwe in the construction of a secondary African Guyanese diaspora (a rediasporization) in New York City. She explores how African Guyanese in the United States draw on the ritual to articulate their tripartite cultural identities: African, Guyanese, and American. This work also investigates the factors that affect African Guyanese perceptions of their racial and gendered selves, and how these perceptions, in turn, impact their engagement with African-influenced cultural performances like Come to My Kwe-Kwe. This work demonstrates how the malleability of this celebration allows African Guyanese to negotiate, highlight, conceal, and even sometimes reject complex, shifting, overlapping, and contextual identities. Ultimately, this work explores how these performances in the United States facilitate African Guyanese transformation from an imagined community to a tangible community.

This is a major reinterpretation of John Bunyan, a prolific author best known for his two allegories, "The Pilgrim's Progress" and "The Holy War," and his spiritual autobiography, "Grace Abounding." In this book, Richard L. Greaves draws on recent literature on depression to demonstrate that Bunyan suffered from this mood disorder as a young man and then used this experience to help mold his literary works. Light and darkness, joy and sadness, despair and hope became key literary motifs.
In this biography, each of Bunyan's works, including the dozen published posthumously, is analyzed in its immediate historical context. "The Pilgrim's Progress," although not published until 1678, takes its rightful place as a contribution to the momentous debate over conscience between 1667 and 1673. This historical approach, as distinct from the literary one favored by nearly all of Bunyan's biographers, reveals the changes in his views over time, including his interest in the millenarian Fifth Monarchists in the 1650s, his circumspect endorsement of militant action to block the anticipated succession of James, duke of York, in the 1680s, his retreat from this position following the disclosure of the Rye House conspiracy, and his cooperation with James II's government when it offered toleration to dissenters.
Bunyan's extraordinary ability to rouse the imaginations of his readers is shown to be rooted in his intense spirituality and powerful creativity, and given emotive force by his deep sympathy for the poor and oppressed and his fierce commitment to the principle that truth must be free. Two periods in prison, one lasting more than eleven years, failed to crush his spirit. Unbroken, he emerged from confinement to continue his preaching and writing, having honed a regime of composition that served him well as a free man. No less significant was his triumph over debilitating depressive moods that left him with a keen sensitivity to the importance of light, warmth, and love. Bunyan's potent creativity enabled him to turn his experiences into a gripping spiritual autobiography and two major allegories that attest to his triumph over crippling despair and a repressive government.

Every year on the Friday before Labor Day, Guyanese from all over the world convene in Brooklyn, New York, to celebrate the accidental tradition of Come to My Kwe-Kwe and to connect or reconnect with other Guyanese. Since the fall of 2005, they have celebrated Come to My Kwe-Kwe (more recently, Kwe-Kwe Night), a reenactment of a uniquely African Guyanese prewedding ritual called kweh-kweh, also known as karkalay, mayan, kweh-keh, or pele. Come to My Kwe-Kwe has increasingly become a symbol of African Guyaneseness. In this volume, Rediasporization: African Guyanese Kwe-Kwe, Gillian Richards-Greaves examines the role of Come to My Kwe-Kwe in the construction of a secondary African Guyanese diaspora (a rediasporization) in New York City. She explores how African Guyanese in the United States draw on the ritual to articulate their tripartite cultural identities: African, Guyanese, and American. This work also investigates the factors that affect African Guyanese perceptions of their racial and gendered selves, and how these perceptions, in turn, impact their engagement with African-influenced cultural performances like Come to My Kwe-Kwe. This work demonstrates how the malleability of this celebration allows African Guyanese to negotiate, highlight, conceal, and even sometimes reject complex, shifting, overlapping, and contextual identities. Ultimately, this work explores how these performances in the United States facilitate African Guyanese transformation from an imagined community to a tangible community.