Taking into account the key events of the French and Indian War, this book shows the American Revolution's progress in glorious contemporary maps and accompanying essays relating them to the events of the time. The authors tell the stories of the maps and the cartographers whose talents have made these some of the most valuable artifacts in America's history. When war between Britain and her colonists erupted in 1775, maps provided the pictorial news about military matters. The best examples of those maps, including some from the collection of King George III, the Duke of Northumberland and the Marquis de Lafayette, are beautifully reproduced here. Others from institutional and private collections are published here for the first time.

The broad range of material included in these volumes suggests to the newcomer the nature of the field of artificial intelligence, while those with some background in AI will appreciate the detailed coverage of the work being done at MIT. The results presented are related to the underlying methodology. Each chapter is introduced by a short note outlining the scope of the problem begin taken up or placing it in its historical context.

Contents, Volume II: Understanding Vision: Representing and Computing Visual Information; Visual Detection of Light Sources; Representing and Analyzing Surface Orientation; Registering Real Images Using Synthetic Images; Analyzing Curved Surfaces Using Reflectance Map Techniques; Analysis of Scenes from a Moving Viewpoint; Manipulation and Productivity Technology: Force Feedback in Precise Assembly Tasks; A Language for Automatic Mechanical Assembly; Kinematics, Statics, and Dynamics of Two-Dimensional Manipulators; Understanding Manipulator Control by Synthesizing Human Handwriting; Computer Design and Symbol Manipulation: The LISP Machine; Shallow Binding in LISP 1.5; Optimizing Allocation and Garbage Collection of Spaces; Compiler Optimization Based on Viewing LAMBDA as RENAME Plus GOTO; Control Structure as Patterns of Passing Messages.

Through the Looking Glass examines John Cage's interactions and collaborations with avant-garde and experimental filmmakers, and in turn seeks out the implications of the audiovisual experience for the overall aesthetic surrounding Cage's career. As the commercially dominant media form in the twentieth century, cinema transformed the way listeners were introduced to and consumed music. Cage's quest to redefine music, intentionality, and expression reflect the similar transformation of music within the larger audiovisual experience of sound film. This volume examines key moments in Cage's career where cinema either informed or transformed his position on the nature of sound, music, expression, and the ontology of the musical artwork. The examples point to moments of rupture within Cage's own consideration of the musical artwork, pointing to newfound collision points that have a significant and heretofore unacknowledged role in Cage's notions of the audiovisual experience and the medium-specific ontology of a work of art.