"A Lover's Discourse," at its 1978 publication, was revolutionary: Roland Barthes made unprecedented use of the tools of structuralism to explore the whimsical phenomenon of love. Rich with references ranging from Goethe's "Werther "to Winnicott, from Plato to Proust, from Baudelaire to Schubert, "A Lover's Discourse "artfully draws a portrait in which every reader will find echoes of themselves.

How extraordinary that the only poetry collection devoted to the trials and tribulations of an entire class of sixth graders is written by the eighty-five-year-old MacArthur Grant and Pulitzer Prize-winning poet Richard Howard

Although loosely based on the poet's own progressive education in Cleveland, Ohio, in the 1940s, the poems are set mostly in the present day.

Richard Howard is a poet of personality, of history, and of a sensibility rooted in knowledge. In his fifteenth collection, Howard captivates the reader as he and the class grapple with science and literature, teacher and principal, and the hard facts and comic fancies of life itself.

E. M. Cioran confronts the place of today's world in the context of human history--focusing on such major issues of the twentieth century as human progress, fanaticism, and science--in this nihilistic and witty collection of aphoristic essays concerning the nature of civilization in mid-twentieth-century Europe. Touching upon Man's need to worship, the feebleness of God, the downfall of the Ancient Greeks and the melancholy baseness of all existence, Cioran's pieces are pessimistic in the extreme, but also display a beautiful certainty that renders them delicate, vivid, and memorable. Illuminating and brutally honest, "A Short History of Decay" dissects Man's decadence in a remarkable series of moving and beautiful pieces.

Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogs his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spreads at the bottom of the viscous puddle, at the bottom of our time -- the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain."

Winner of the 1964 Nobel Prize in Literature (though he declined to accept it), Jean-Paul Sartre -- philosopher, critic, novelist, and dramatist -- holds a position of singular eminence in the world of French letters. La Nausee, his first and best novel, is a landmark in Existential fiction and a key work of the twentieth century.

In this collection of aphorisms and short essays, E.M. Cioran sets about the task of peeling off the layers of false realities with which society masks the truth. For him, real hope lies in this task, and thus, while he perceives the world darkly, he refuses to give in to despair. He hits upon this ultimate truth by developing his notion of human history and events as "a procession of delusions," striking out at the so-called "Fallacies of Hope." By examining the relationship between truth and action and between absolutes, unknowables, and frauds, Cioran comes out, for once, in favor of "being."

In this volume, which reaffirms the uncompromising brilliance of his mind, Cioran strips the human condition down to its most basic components, birth and death, suggesting that disaster lies not in the prospect of death but in the fact of birth, "that laughable accident." In the lucid, aphoristic style that characterizes his work, Cioran writes of time and death, God and religion, suicide and suffering, and the temptation to silence. Through sharp observation and patient contemplation, Cioran cuts to the heart of the human experience.

"A love of Cioran creates an urge to press his writing into someone's hand, and is followed by an equal urge to pull it away as poison."--"The New Yorker"
"In the company of Nietzsche and Kierkegaard."--"Publishers Weekly"
"No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion."--"Boston Phoenix
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First published in 2002, Clinical Pain Management is a comprehensive textbook for trainee and practicing specialists in Pain Management and related areas, presenting readers with all they need to know to provide a successful pain management service. This major clinical reference work comprises four volumes. Three clinical volumes deal respectively with all aspects of Acute Pain, Chronic Pain and Cancer Pain; from the basic mechanisms underlying the development of pain, to the various treatments that can be applied in different clinical situations. The fourth volume, Practic and Procedures, complements these by providing helpful advice on practical aspects of clinical management and research, including protocols and established clinical guidelines, making it a ready-reference manual for the busy clinician. Innovative features such as evidence scoring and reference annotation are incoproated for ease of reference, and the text is supported throughout with plentiful illustrations and numerous tables. New for this second edition, there is a companion website containing chapters and illustrations from the four volume set. Written and edited by a large team of acknowledged international aspects, the fully updated second edition of Clinical Pain Management remains an authoritative and comprehensive guide to this growing specialty and is an invaluable addition to the bookshelves of anyone training or working in the field of pain management.

'Not to be born is undoubtedly the best plan of all. Unfortunately it is within no one's reach.' In The Trouble With Being Born, E. M. Cioran grapples with the major questions of human existence: birth, death, God, the passing of time, how to relate to others and how to make ourselves get out of bed in the morning. In a series of interlinking aphorisms which are at once pessimistic, poetic and extremely funny, Cioran finds a kind of joy in his own despair, revelling in the absurdity and futility of our existence, and our inability to live in the world. Translated by Pulitzer Prize-winning poet and critic Richard Howard, The Trouble With Being Born is a provocative, illuminating testament to a singular mind.

In 1790, while serving in the Piedmontese army, the French aristocrat Xavier de Maistre (1763-1852) was punished for dueling and placed under house arrest for forty-two days. The result was a discursive, mischievous memoir Voyage Around My Room, and its sequel, Nocturnal Expedition Around My Room. Admired by Nietzsche and Machado de Assis, Ossian and Susan Sontag, this classic book proves that sitting on the living-room sofa can be as fascinating as crossing the Alps or paddling up the Amazon. In addition to the Voyage and Expedition, this edition also includes the dialogue "The Leper of the City of Aosta," a preface by Xavier's better-known older brother (the royalist philosopher Joseph de Maistre), and an introduction by Richard Howard.

Barthes investigation into the meaning of photographs is a seminal work of twentieth-century critical theory. This is a special Vintage Design Edition, with fold-out cover and stunning photography throughout. Examining themes of presence and absence, these reflections on photography begin as an investigation into the nature of photographs - their content, their pull on the viewer, their intimacy. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind. He was grieving for his mother at the time of writing. Strikingly personal, yet one of the most important early academic works on photography, Camera Lucida remains essential reading for anyone interested in the power of images. 'Effortlessly, as if in passing, his reflections on photography raise questions and doubts which will permanently affect the vision of the reader' Guardian

In Swann’s Way, the themes of Proust’s masterpiece are introduced, and the narrator’s childhood in Paris and Combray is recalled, most memorably in the evocation of the famous maternal good-night kiss. The recollection of the narrator’s love for Swann’s daughter Gilberte leads to an account of Swann’s passion for Odette and the rise of the nouveaux riches Verdurins.

For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

When Mathias, a travelling watch salesman, returns after many years to the island of his birth, a young girl is found dead on the rocks. As Mathias makes an increasingly tense recapitulation of his movements on the day of the event, tiny details slowly and inexorably accumulate. Through the warped screen of his distorted mind, the remembered images pile up until the reader is caught in his web of desperation. And yet in the end reality has lost all meaning, as the distinction between the narrator's recollections and the underlying facts are more and more blurred. This brilliantly executed novel, which showcases all the techniques that have secured Robbe-Grillet's place in the canon of Western literature, leaves behind a disturbing sense of unrest.

Is it possible to die a happy death?
This is the central question of Camus's astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man.

During the German advance through Belgium into France in 1940, Captain de Reixach is shot dead by a sniper. Three witnesses, involved with him during his lifetime in different capacities - a distant relative, an orderly and a jockey who had an affair with his wife - remember him and help the reader piece together the realities behind the man and his death. A groundbreaking work, for which Claude Simon devised a prose technique mimicking the mind's fluid thought processes, The Flanders Road is not only a masterpiece of stylistic innovation, but also a haunting portrayal - based on a real-life incident - of the chaos and savagery of war.

"In the sentence 'She's no longer suffering, ' to what, to whom does 'she' refer? What does that present tense mean?" --Roland Barthes, from his diary
The day after his mother's death in October 1977, Roland Barthes began a diary of mourning. For nearly two years, the legendary French theorist wrote about a solitude new to him; about the ebb and flow of sadness; about the slow pace of mourning, and life reclaimed through writing. Named a Top 10 Book of 2010 by "The New York Times" and one of the Best Books of 2010 by "Slate" and "The Times Literary Supplement," "Mourning Diary" is a major discovery in Roland Barthes's work: a skeleton key to the themes he tackled throughout his life, as well as a unique study of grief--intimate, deeply moving, and universal.

We are in the bombed-out Berlin of 1949, after the Second World War, rendered with an atmosphere reminiscent of Orson Welles' The Third Man. Henri Robin, a special agent of the French secret service, arrives in the ruined former capital to which he feels linked by a vague but recurrent childhood memory. But the real purpose of his mission has not been revealed to him, for his superiors have decided to afford him only as much information as is indispensable for the action expected of his blind loyalty. But nothing is what it seems, and matters do not turn out as anticipated. Indeed, the events that punctuate the secret agent's stay in Berlin are liable to abrupt transitions, thrilling and questionable in equal measure: a shooting, a kidnapping, druggings, encounters with pimps and teenage whores, police interrogations, even some elegantly staged torture. These bloody events take place amid thick fog along the city's canals, and even more mysterious narrative tricks. Robin--or is the narrator actually twin brothers?--falls in love with a mysterious woman named Jo Kast (a reference to Oedipus's mother Jocasta). Her teenaged daughter Gegenecke (the German translation of Antigone), a provocative blonde, will form a strange partnership reminiscent of the blind Oedipus led into exile by Antigone. Dupont, the hero of The Erasers, returns here as van Brucke (both names mean "Of the Bridge," one in French, the other in German). In this astonishing fictional cat-and-mouse game, reminiscent of Daedalus's labyrinth, nothing that is remembered can be altogether true, but only what is remembered can be real. Readers of Robbe-Grillet's novel Erasers will recognize, as the secret agent of Repetition slowly becomes aware that he was in Berlin before--as a child, with his mother, perhaps looking for his father--the same allusions to bits and pieces of the Oedipus story built into the hero's own. Indeed "erasing" a story by retelling it is the central motif of all Robbe-Grillet's fiction and films, of which this latest and probably last novel is in many ways the most revealing and triumphant version.

After a failed attempt on his life by an unknown terrorist cell, Professor Daniel Dupont decides to fake his own death. The government authorities, believing that the attack is part of a series of political assassinations, send Wallas, a recently promoted special investigator, to the provincial town where the crime took place. As he wanders the confusing streets of the town, he finds himself increasingly lost in a web of conspiracies, doppelgangers and memories. Cleverly deconstructing the detective genre, The Erasers, Alain Robbe-Grillet's first published novel, shifts between various characters and time frames, while maintaining the suspense of a conventional thriller. The result is an engrossing examination of consciousness and reality which is also one the founding texts of the nouveau roman school.

Nadja, André Breton’s most frankly autobiographical book, is the quintessential Surrealist romance. With its blend of intimate confession and sense of the marvellous, Nadja weaves a mysterious and compelling tapestry of daily life as seen through a uniquely magical perspective.

The core of Nadja is Breton’s complex relationship with an unpredictable and unconventional young woman, ‘the extreme limit of the Surrealist aspiration’. Combining autobiographical fact with memory and imagination, Breton both spins one of the most unusual love stories in modern literature and illustrates the notion of ‘petrifying coincidence’, a cornerstone of Surrealist thought.

First published in 1928, Nadja has long been regarded as the most important and influential work to emerge from Surrealism. This edition features Richard Howard’s masterful translation and a new introduction by Breton biographer Mark Polizzotti that details the circumstances of the book’s composition.

Covering the story of prejudice against Jews from the time of Christ through the rise of Nazi Germany, "The History of Anti-Semitism" presents in elegant and thoughtful language a balanced, careful assessment of this egregious human failing that is nearly ubiquitous in the history of Europe.
"From the Time of Christ to the Court Jews" systematically traces the twists and turns of hatred against Jews as it developed from Roman times to the end of the eighteenth century. Chiefly the history of prejudice against the Ashkenazim, this volume demonstrates that organized anti-Semitism was unknown until the First Crusade, an event that marked the beginning of systematic genocide and mass expulsions in Europe. Jews were accused of countless crimes, from causing the Black Death to practicing ritual murder, and the author attempts throughout to reveal the sociological and psychological forces behind these irrational charges.

"For Perse these lines are brief, but they are as fine as anything he has done." With these words The Times Literary Supplement greeted the publication in France of the last four poems written by the Nobel Prize winner before his death in 1975. This volume provides their French texts with an English translation by Richard Howard, completing the publication in Bollingen Series of the collected poetry of St.-John Perse. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.