In this volume, which reaffirms the uncompromising brilliance of his mind, Cioran strips the human condition down to its most basic components, birth and death, suggesting that disaster lies not in the prospect of death but in the fact of birth, "that laughable accident." In the lucid, aphoristic style that characterizes his work, Cioran writes of time and death, God and religion, suicide and suffering, and the temptation to silence. Through sharp observation and patient contemplation, Cioran cuts to the heart of the human experience.

"A love of Cioran creates an urge to press his writing into someone's hand, and is followed by an equal urge to pull it away as poison."--"The New Yorker"
"In the company of Nietzsche and Kierkegaard."--"Publishers Weekly"
"No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion."--"Boston Phoenix
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E. M. Cioran confronts the place of today's world in the context of human history--focusing on such major issues of the twentieth century as human progress, fanaticism, and science--in this nihilistic and witty collection of aphoristic essays concerning the nature of civilization in mid-twentieth-century Europe. Touching upon Man's need to worship, the feebleness of God, the downfall of the Ancient Greeks and the melancholy baseness of all existence, Cioran's pieces are pessimistic in the extreme, but also display a beautiful certainty that renders them delicate, vivid, and memorable. Illuminating and brutally honest, "A Short History of Decay" dissects Man's decadence in a remarkable series of moving and beautiful pieces.

First published in 1977, "Roland Barthes by Roland Barthes "is the great literary theorist's most original work--a brilliant and playful text, gracefully combining the personal and the theoretical to reveal Roland Barthes's tastes, his childhood, his education, his passions and regrets.

"A Lover's Discourse," at its 1978 publication, was revolutionary: Roland Barthes made unprecedented use of the tools of structuralism to explore the whimsical phenomenon of love. Rich with references ranging from Goethe's "Werther "to Winnicott, from Plato to Proust, from Baudelaire to Schubert, "A Lover's Discourse "artfully draws a portrait in which every reader will find echoes of themselves.

In 1790, while serving in the Piedmontese army, the French aristocrat Xavier de Maistre (1763-1852) was punished for dueling and placed under house arrest for forty-two days. The result was a discursive, mischievous memoir Voyage Around My Room, and its sequel, Nocturnal Expedition Around My Room. Admired by Nietzsche and Machado de Assis, Ossian and Susan Sontag, this classic book proves that sitting on the living-room sofa can be as fascinating as crossing the Alps or paddling up the Amazon. In addition to the Voyage and Expedition, this edition also includes the dialogue "The Leper of the City of Aosta," a preface by Xavier's better-known older brother (the royalist philosopher Joseph de Maistre), and an introduction by Richard Howard.

First published in 2002, Clinical Pain Management is a comprehensive textbook for trainee and practicing specialists in Pain Management and related areas, presenting readers with all they need to know to provide a successful pain management service. This major clinical reference work comprises four volumes. Three clinical volumes deal respectively with all aspects of Acute Pain, Chronic Pain and Cancer Pain; from the basic mechanisms underlying the development of pain, to the various treatments that can be applied in different clinical situations. The fourth volume, Practic and Procedures, complements these by providing helpful advice on practical aspects of clinical management and research, including protocols and established clinical guidelines, making it a ready-reference manual for the busy clinician. Innovative features such as evidence scoring and reference annotation are incoproated for ease of reference, and the text is supported throughout with plentiful illustrations and numerous tables. New for this second edition, there is a companion website containing chapters and illustrations from the four volume set. Written and edited by a large team of acknowledged international aspects, the fully updated second edition of Clinical Pain Management remains an authoritative and comprehensive guide to this growing specialty and is an invaluable addition to the bookshelves of anyone training or working in the field of pain management.

The celebrated, National Book Award winning, translation of Baudelaire's masterpiece. "It is the English edition to acquire."-Washington Post Pulitzer Prize winning poet and translator, Richard Howard, gives readers the true voice of Baudelaire in this masterful translation. Charles Baudelaire's 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, Les Fleurs Du Mal (The Flowers of Evil) remains powerful and relevant for our time. In "Spleen et ideal," Baudelaire dramatizes the erotic cycle of ecstacy and anguish-of sexual and romantic love. "Tableaux Parisiens" condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. "Le Vin" centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of "Fleurs du Mal" while rebellion is at the heart of "Revolte." "Howard's achievement is such that we can be confident that his Flowers of Evil will long stand as definitive, a superb guide to France's greatest poet."-The Nation

A graceful, contemplative volume, "Camera Lucida "was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established "Camera Lucida "as one of the most important books of theory on the subject, along with Susan Sontag's "On Photography."

Is it possible to die a happy death?
This is the central question of Camus's astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man.

In many ways A Happy Death is a fascinating first sketch for The Outsider, but it can also be seen as a candid self-portrait, drawing on Camus's memories of his youth, travels and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die 'without anger, without hatred, without regret'.

"In the sentence 'She's no longer suffering, ' to what, to whom does 'she' refer? What does that present tense mean?" --Roland Barthes, from his diary
The day after his mother's death in October 1977, Roland Barthes began a diary of mourning. For nearly two years, the legendary French theorist wrote about a solitude new to him; about the ebb and flow of sadness; about the slow pace of mourning, and life reclaimed through writing. Named a Top 10 Book of 2010 by "The New York Times" and one of the Best Books of 2010 by "Slate" and "The Times Literary Supplement," "Mourning Diary" is a major discovery in Roland Barthes's work: a skeleton key to the themes he tackled throughout his life, as well as a unique study of grief--intimate, deeply moving, and universal.

Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogs his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spreads at the bottom of the viscous puddle, at the bottom of our time -- the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain."

Winner of the 1964 Nobel Prize in Literature (though he declined to accept it), Jean-Paul Sartre -- philosopher, critic, novelist, and dramatist -- holds a position of singular eminence in the world of French letters. La Nausee, his first and best novel, is a landmark in Existential fiction and a key work of the twentieth century.

Volume 178 in the North Carolina Studies in the Romance Languages and Literatures series.

Science fiction might not be the first thing that springs to mind when we think of Irish literature. But in the post-war period in Belfast, two authors, Bob Shaw and James White, began producing science fiction stories, eventually selling them to international markets and gaining the respect of luminaries such as Arthur C. Clarke, Brian Aldiss and Stanley Kubrick. Although lauded in the international science fiction scene for their innovations in the genre, Shaw and White's work has been relatively ignored within Irish Studies. This book connects the emergence of science fiction in Belfast with the position of the city as the locus of technological development on the island of Ireland, and the development of a corresponding technological imaginary. Breaking new ground in the study of Irish modernity, Richard Howard draws parallels between the narratives of Shaw and White and the persistent influence of historical narratives embodied by the two-traditions paradigm in the region, as well as exploring the figure of the alien both in science fiction and in the history of Northern Ireland. He also considers the works of Shaw and White as utopian gestures against the backdrop of the Irish Troubles, finding both repressive and redemptive elements therein. The book makes an important contribution to the growing conversation about Irish science fiction and our understanding of modernity in Ireland.

The bilingual, illustrated, and National Book Award-winning edition of Charles Baudelaire’s masterpiece. The complete French text is accompanied with an English translation by Richard Howard. Charles Baudelaire’s 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, Les Fleurs Du Mal (The Flowers of Evil) remains powerful and relevant for our time. In “Spleen et idéal,� Baudelaire dramatizes the erotic cycle of ecstacy and anguish—of sexual and romantic love. “Tableaux Parisiens� condemns the crushing effects of urban planning on a city’s soul and praises the city’s anti-heroes including the deranged and derelict. “Le Vin� centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of “Fleurs du Mal� while rebellion is at the heart of “Révolte.� The voice of Baudelaire lives in this award-winning edition that includes monotypes by artist, Michael Mazur. “Howard’s achievement is such that we can be confident that this Fleurs du Mal will long stand as definitive, a superb guide to France’s greatest poet.�—The Nation

How extraordinary that the only poetry collection devoted to the trials and tribulations of an entire class of sixth graders is written by the eighty-five-year-old MacArthur Grant and Pulitzer Prize-winning poet Richard Howard

Although loosely based on the poet's own progressive education in Cleveland, Ohio, in the 1940s, the poems are set mostly in the present day.

Richard Howard is a poet of personality, of history, and of a sensibility rooted in knowledge. In his fifteenth collection, Howard captivates the reader as he and the class grapple with science and literature, teacher and principal, and the hard facts and comic fancies of life itself.

Nadja, André Breton’s most frankly autobiographical book, is the quintessential Surrealist romance. With its blend of intimate confession and sense of the marvellous, Nadja weaves a mysterious and compelling tapestry of daily life as seen through a uniquely magical perspective.

The core of Nadja is Breton’s complex relationship with an unpredictable and unconventional young woman, ‘the extreme limit of the Surrealist aspiration’. Combining autobiographical fact with memory and imagination, Breton both spins one of the most unusual love stories in modern literature and illustrates the notion of ‘petrifying coincidence’, a cornerstone of Surrealist thought.

First published in 1928, Nadja has long been regarded as the most important and influential work to emerge from Surrealism. This edition features Richard Howard’s masterful translation and a new introduction by Breton biographer Mark Polizzotti that details the circumstances of the book’s composition.

Covering the story of prejudice against Jews from the time of Christ through the rise of Nazi Germany, "The History of Anti-Semitism" presents in elegant and thoughtful language a balanced, careful assessment of this egregious human failing that is nearly ubiquitous in the history of Europe.
"From the Time of Christ to the Court Jews" systematically traces the twists and turns of hatred against Jews as it developed from Roman times to the end of the eighteenth century. Chiefly the history of prejudice against the Ashkenazim, this volume demonstrates that organized anti-Semitism was unknown until the First Crusade, an event that marked the beginning of systematic genocide and mass expulsions in Europe. Jews were accused of countless crimes, from causing the Black Death to practicing ritual murder, and the author attempts throughout to reveal the sociological and psychological forces behind these irrational charges.

A poetic meditation on professional sport by one of the major figures of twentieth-century French Literature and thought, published in an elegant paperback gift edition A little-known gem, the text of Barthes's What Is Sport? was never reprinted in the Seuil editions of his Complete Works-neither the three-volume version nor the later five-volume edition. It is published here in a graceful and faithful English translation by Pulitzer Prize winner Richard Howard. Originally commissioned by the Canadian Broadcasting Corporation as the text for a documentary film directed by Hubert Aquin, What Is Sport? was written three years after the publication of Barthes's Mythologies (1957) and bears considerable resemblance to that work. Some of Barthes's best writing seems to have been inspired by popular culture. Once again blurring the distinction between high and low, the great French literary theorist muses philosophically on the question: What is sport? In investigating the phenomenon of sport, Barthes considers five national sports: bullfighting (Spain), car racing (America), cycling (France), hockey (Canada), and soccer (England). For Barthes, sport is spectacle and serves the primary social function that theater once did in antiquity, collecting a city or nation within a shared experience. The real pleasure of this book, however, lies less in its generalities than in its fleeting, strangely haunting moments of insight. It makes an appropriate gift for any sport enthusiast as well as those interested in the writing of Roland Barthes.

In Swann’s Way, the themes of Proust’s masterpiece are introduced, and the narrator’s childhood in Paris and Combray is recalled, most memorably in the evocation of the famous maternal good-night kiss. The recollection of the narrator’s love for Swann’s daughter Gilberte leads to an account of Swann’s passion for Odette and the rise of the nouveaux riches Verdurins.

For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

In his most famous and perhaps most typical work, Robbe-Grillet explores his principal preoccupation: the meaning of reality. The novel is set on a tropical banana plantation, and the action is seen through the eyes of a narrator who never appears in person, never speaks and never acts. He is a point of observation, his personality only to be guessed at, watching every movement of the other characters' actions as they flash like moving pictures across the distorting screen of a jealous mind. The result is one of the most important and influential books of our time, a completely integrated masterpiece that has already become a classic.