This volume collects the most recent essays of Richard Hunter, one of the world's leading experts in the field of Greek and Latin literature. The essays range across all periods of ancient literature from Homer to late antiquity, with a particular focus not just on the texts in their original contexts, but also on how they were interpreted and exploited for both literary and more broadly cultural purposes later in antiquity. Taken together, the essays sketch a picture of a continuous tradition of critical and historical engagement with the literature of the past from the period of Aristophanes and then Plato and Aristotle in classical Athens to the rich prose literature of the Second Sophistic. Richard Hunter's earlier essays are collected in On Coming After (Berlin 2008).

This volume is a collection of fifteen papers written by a team of international experts in the field of Hellenistic literature. In an attempt to reassess methods such as the detection of intertextual allusions or the general notion of neoteric poetics, the authors combine current critical trends (narratology, genre-theory, aesthetics, cultural studies) with a close reading of Hellenistic texts. Contributions address a wealth of topics in a variety of texts which include not only poems by the major Alexandrians but also prose works, epigrams, epigraphic material and scholia. Perspectives range from linguistic analysis to interdisciplinary studies, whereas post-classical literature is also seen against the background of the cultural and ideological contexts of the era. Besides reviewing preconceptions of Hellenistic scholarship, this volume aims at providing fresh insights into Hellenistic literature and aesthetics.

Thousands of Greek verse epitaphs, covering a millennium of history, survive inscribed or painted on stone. These largely anonymous poems shed rich light on areas such as ancient moral values, religious ideas, gender relations and attitudes, as well as on the transmission and reception of 'canonical' poetry; many of these poems are of very high literary quality. This is the first modern commentary on a selection of these poems. Problems of syntax, metre and language are fully explained, accompanied by sophisticated literary discussion of the poems. There is a full introduction to the nature of these poems and to their context within Greek ideas of death and the afterlife. This comprehensive edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.

A key figure in the development of Western literature, the Greek poet Theocritus of Syracuse, was the inventor of "bucolic" or pastoral poetry in the first half of the third century BC. These vignettes of country life, which center on competitions of song and love are the foundational poems of the western pastoral tradition. They were the principal model for Virgil in the Eclogues and their influence can be seen in the work of Petrarch and Milton. Although it is the pastoral poems for which he is chiefly famous, Theocritus also wrote hymns to the gods, brilliant mime depictions of everyday life, short narrative epics, epigrams, and encomia of the powerful. The great variety of his poems illustrates the rich and flourishing poetic culture of what was a golden age of Greek poetry.
Based on the original Greek text, this accurate and fluent translation is the only edition of the complete Idylls currently in print. It includes an accessible introduction by Richard Hunter that describes what is known of Theocritus, the poetic tradition and Theocritus' innovations and what exactly is meant by "bucolic" poetry.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Argonautica is the dramatic story of Jason's quest for the Golden Fleece and his relations with the dangerous Colchian princess, Medea. The only extant Greek epic poem to bridge the gap between Homer and late antiquity, it is a major product of the brilliant world of the Ptolemaic court at Alexandria, written by Apollonius of Rhodes in the 3rd century BC. Apollonius explores many of the fundamental aspects of life in a highly original way: love, deceit, heroism, human ignorance of the diven, the limits of science. This volume offers the first scholarly translation into English prose for many years, combining readability with accuracy and an attention to detail that will appeal to readers both with and without Greek. `Based on a deep understanding of the text, this translation, with informative notes and an excellent introduction, will bring Apollonius to the audience he deserves....' (TLS) ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This volume is a collection of fifteen papers written by a team of international experts in the field of Hellenistic literature. In an attempt to reassess methods such as the detection of intertextual allusions or the general notion of neoteric poetics, the authors combine current critical trends (narratology, genre-theory, aesthetics, cultural studies) with a close reading of Hellenistic texts. Contributions address a wealth of topics in a variety of texts which include not only poems by the major Alexandrians but also prose works, epigrams, epigraphic material and scholia. Perspectives range from linguistic analysis to interdisciplinary studies, whereas post-classical literature is also seen against the background of the cultural and ideological contexts of the era. Besides reviewing preconceptions of Hellenistic scholarship, this volume aims at providing fresh insights into Hellenistic literature and aesthetics.

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A Sermon Preach'd At The Funeral Of The Right Honourable Dorothea Helena, Countess Dowager Of Derby, At The Parish Church Of Ormskirk In Lancashire, On Friday April 16th, 1703. By Richard Hunter, A.M. Richard Hunter printed for A. and J. Churchill, 1703 Religion; Sermons; General; Religion / Sermons / Christian; Religion / Sermons / General

Plutarch's essay 'How to Study Poetry' offers a set of reading practices intended to remove the potential damage that poetry can do to the moral health of young readers. It opens a window on to a world of ancient education and scholarship which can seem rather alien to those brought up in the highly sophisticated world of modern literary theory and criticism. The full Introduction and Commentary, by two of the world's leading scholars in the field, trace the origins and intellectual affiliations of Plutarch's method and fully illustrate the background to each of his examples. As such this book may serve as an introduction to the whole subject of ancient reading practices and literary criticism. The Commentary also pays particular attention to grammar, syntax and style, and sets this essay within the context of Plutarch's thought and writing more generally.

This book is about all of the things you feel when you drive your car and when you interact with other drivers. It explains, what you think and feel when you drive. Not only does it explain the deeply evolved primitive motivations that shape your driving psyche, but it also explains how these primeval urges change your persona while you drive. Some useful tips are included on how idiots should improve their driving. This is done with remarkably dry sarcasm. Chapters are short and easy to read and you will always want to read just one more, before you put the book down.

"The Nature of Roman Comedy remains the single most comprehensive guide to Roman comedy, and I do not see a rival work on the horizon. It places the genre in both a literary and a scholarly context. It provides a reliable introduction to the genre's main features and raises questions and problems in the genre's interpretation that remain relevant today....We could use such a classic on the shelf."-Sander M. Goldberg, University of California, Los Angeles Originally published in 1952, The Nature of Roman Comedy is still the fullest and most accessible introduction to the plays of Plautus and Terence, which constitute the corpus of Roman comedy. With attention to the specific aspects (such as staging conventions, plot structure, and character delineation) of each play, George E. Duckworth provides a readable synthesis that emphasizes the dramatic and humorous significance of the Roman comedies. Duckworth explains why these plays are important -and funny through discussion of suspense and irony, moral tone, and the humorous aspects of situation, character, and language. He places the comedies in the history of drama, extending from their bases in the lost Greek comedies to their influence on sixteenth-and seventeenth-century European playwrights including Moliere, Shakespeare, and Ben Johnson. Included are eight plates depicting scenes and characters from the comedies. For the second edition, Richard Hunter supplies a foreword and a bibliographical appendix, bringing up-to-date this enduring classic. George E. Duckworth was Professor of Latin at Princeton University.Richard Hunter is University Lecturer in Classics at Cambridge University. He is the author of The New Comedy of Greece and Rome.

If you're a general manager or CFO, do you feel you're spending too much on IT or wishing you could get better returns from your IT investments? If so, it's time to examine what's behind this IT-as-cost mind-set. In The Real Business of IT, Richard Hunter and George Westerman reveal that the cost mind-set stems from IT leaders' inability to communicate about the business value they create-so CIOs get stuck discussing budgets rather than their contributions to the organization. The authors explain how IT leaders can combat this mind-set by first using information technology to generate three forms of value important to leaders throughout the organization: -Value for money when your IT department operates efficiently and effectively -An investment in business performance evidenced when IT helps divisions, units, and departments boost profitability -Personal value of CIOs as leaders whose contributions to their enterprise go well beyond their area of specialization The authors show how to communicate about these forms of value with non-IT leaders-so they understand how your firm is benefiting and see IT as the strategic powerhouse it truly is.

Thousands of Greek verse epitaphs, covering a millennium of history, survive inscribed or painted on stone. These largely anonymous poems shed rich light on areas such as ancient moral values, religious ideas, gender relations and attitudes, as well as on the transmission and reception of 'canonical' poetry; many of these poems are of very high literary quality. This is the first modern commentary on a selection of these poems. Problems of syntax, metre and language are fully explained, accompanied by sophisticated literary discussion of the poems. There is a full introduction to the nature of these poems and to their context within Greek ideas of death and the afterlife. This comprehensive edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.

This book offers a series of studies of the idea and practice of reperformance as it affects ancient lyric poetry and drama. Special attention is paid to the range of phenomena which fall under the heading 'reperformance', to how poets use both the reality and the 'imaginary' of reperformance to create a deep temporal sense in their work and to how audiences use their knowledge of reperformance conditions to interpret what they see and hear. The studies range in scope from Pindar and fifth-century tragedy and comedy to the choral performances and reconstructions of the Imperial Age. All chapters are informed by recent developments in performance studies, and all Greek and Latin is translated.

Euripides' Cyclops is the only example of Attic satyr-drama which survives intact. It is a brilliant dramatisation of the famous story from Homer's Odyssey of how Odysseus blinded the Cyclops after making him drunk. The play has much to teach us, not just about satyr-drama, but also about the reception and adaptation of Homer in classical Athens; the brutal savagery of the Homeric monster is here replaced by an ironised presentation of Athenian social custom. Problems of syntax, metre and language are fully explained, and there is a sophisticated literary discussion of the play. This edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.

This is a series of innovative studies in the textual and literary criticism of Latin literature, exploring how these two branches of the discipline are mutually supportive. The contributors include many leading scholars in the field. Individual essays are devoted to Catullus, Cicero, Horace, Lucretius, Ovid, Tacitus and Virgil, and there are also essays on the Renaissance reception of Virgil and on principles of editorial practice. The collection celebrates the extraordinary contribution which Michael Reeve has made and continues to make to Latin studies.

The Greek author Dionysius of Halicarnassus came to Rome in 30/29 BC. He learnt Latin, developed a network of students, patrons and colleagues, and started to teach rhetoric. He published a history of early Rome (Roman Antiquities), and essays on rhetoric and literary criticism, including On the Ancient Orators, On Composition, and several letters. This volume examines how Dionysius' critical and rhetorical works are connected with his history of Rome, and the complex ways in which both components of this dual project - rhetorical criticism and historiography - fit into the social, intellectual, literary, cultural and political world of Rome under Augustus. How does Dionysius' interpretation of the earliest Romans resonate with the political reality of the Principate? And how do his views relate to those of Cicero, Livy and Horace? This volume casts new light on ancient rhetoric, literary criticism, historiography and the literary culture of Augustan Rome.

Through a series of innovative critical readings Richard Hunter builds a picture of how the ancients discussed the meaning of literary works and their importance in society. He pays particular attention to the interplay of criticism and creativity by not treating criticism in isolation from the works which the critics discussed. Attention is given both to the development of a history of criticism, as far as our sources allow, and to the constant recurrence of similar themes across the centuries. At the head of the book stands the contest of Aeschylus and Euripides in Aristophanes' Frogs which foreshadows more of the subsequent critical tradition than is often realised. Other chapters are devoted to ancient reflection on Greek and Roman comedy, to the Augustan critic Dionysius of Halicarnassus, to 'Longinus', On the Sublime, and to Plutarch. All Greek and Latin is translated.