Environmental Impact Assessment (EIA) is one of the most important tools employed in contemporary environmental management. Presenting the component activities of EIA within a coherent methodological framework, Environmental Impact Assessment: A Methodological Approach provides students and practitioners alike with a rigorous grounding in EIA theory, including biophysical, social, strategic and cumulative assessment activities, and examines the crucial role, and limitations, of the science of EIA. Deliberately designed to be relevant world-wide, the author focuses on the common skills and generic aspects of EIA that underpin all impact assessment work, independent of country or jurisdiction, such as screening and scoping, impact identification, public involvement, prediction and monitoring, evaluation, and quality control. The variety of approaches are identified along with their associated strengths and weaknesses, enabling potential, new and experienced practitioners to make informed choices and to improve their working practices through a better understanding of EIA activity. The ultimate aim of this book is to move from the notion of EIA as a technical procedure towards a concept of EIA as a particular form of problem-solving with varied methodological requirements.

Environmental Impact Assessment (EIA) is one of the most important tools employed in contemporary environmental management. Presenting the component activities of EIA within a coherent methodological framework, Environmental Impact Assessment: A Methodological Approach provides students and practitioners alike with a rigorous grounding in EIA theory, including biophysical, social, strategic and cumulative assessment activities, and examines the crucial role, and limitations, of the science of EIA. Deliberately designed to be relevant world-wide, the author focuses on the common skills and generic aspects of EIA that underpin all impact assessment work, independent of country or jurisdiction, such as screening and scoping, impact identification, public involvement, prediction and monitoring, evaluation, and quality control. The variety of approaches are identified along with their associated strengths and weaknesses, enabling potential, new and experienced practitioners to make informed choices and to improve their working practices through a better understanding of EIA activity. The ultimate aim of this book is to move from the notion of EIA as a technical procedure towards a concept of EIA as a particular form of problem-solving with varied methodological requirements.

From the world of the best-selling trilogy of books and the hit Netflix show comes a new chapter in the ALTERED CARBON universe! In the future, bodies can be changed like clothes, giving life an entirely new meaning-or lack of meaning. Takeshi Kovacs-once a member of the Envoy Corps, the elite, deadly troops of the Interstellar Earth Protectorate-now finds himself imprisoned . . . both in a jail and in an extremely weak body. When he learns that Envoys he served with in a battle he somehow can't remember have been stolen and sold to one of the richest people in the universe, Kovacs vows to rescue them and get revenge. Leaving behind a staggering body count as he blazes across the galaxy, he wonders why he has a hole in his memory . . . and what secrets that gap holds for understanding his future and himself. ALTERED CARBON writer/creator RICHARD K. MORGAN is joined by writer SCOTT BRYAN WILSON (Batman Annual, Batman: Gotham Nights) and artist MAX FUCHS (Halcyon Days) to deliver the original graphic novel ALTERED CARBON: ONE LIFE, ONE DEATH, a violent, galaxy-spanning adventure of prison breaks, political intrigue, and sinister machinations.

In the twenty-fifth century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person’s consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or “sleeve”) making death nothing more than a minor blip on a screen.

Ex-U.N. envoy Takeshi Kovacs has been killed before, but his last death was particularly painful. Dispatched one hundred eighty light-years from home, re-sleeved into a body in Bay City (formerly San Francisco, now with a rusted, dilapidated Golden Gate Bridge), Kovacs is thrown into the dark heart of a shady, far-reaching conspiracy that is vicious even by the standards of a society that treats “existence” as something that can be bought and sold. For Kovacs, the shell that blew a hole in his chest was only the beginning. . . .

The future isn't what it used to be since Richard K. Morgan arrived on the scene. He unleashed Takeshi Kovacs-private eye, soldier of fortune, and all-purpose antihero-into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.
Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth's distant, desolate Mars colony. But Marsalis found a way to slip back-and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison-a fate worse than Mars, and much more dangerous.
Luckily, his "enhanced" life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He's another Thirteen-one who's already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there's no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane-and alive-long enough to succeed?

"From the Hardcover edition."