Theology is no laughing matter. Usually. This book gives a concise history of Christian theology based on a mysteriously discovered set of seventy-four limericks. Readers who already know the history of theology will read about it from an unfamiliar perspective - and beginners will learn the basics in an accessible form. The limericks range from Gnostic theology to the early ecumenical councils, then Augustine on the Trinity, Anselm of Canterbury's ontological argument and Thomas Aquinas' series of arguments for the existence of God, through the Reformation, and on to Karl Barth and Paul Tillich. If all of this seems unfamiliar, the accompanying text should help sort it all out.

In popular tradition witches were either practitioners of magic or people who were objectionable in some way, but for early European courts witches were heretics and worshippers of the Devil. This study concentrates on the period between 1300 and 1500 when ideas about witchcraft were being formed and witch-hunting was gathering momentum. It is concerned with distinguishing between the popular and learned ideas of witchcraft. The author has developed his own methodology for distinguishing popular from learned concepts, which provides adequate substantiation for the acceptance of some documents and the rejection of others. This distinction is followed by an analysis of the contents of folk tradition regarding witchcraft, the most basic feature of which is its emphasis on sorcery, including bodily harm, love magic, and weather magic, rather than diabolism. The author then shows how and why learned traditions became superimposed on popular notions - how people taken to court for sorcery were eventually convicted on the further charge of devil worship. The book ends with a description of the social context of witch accusations and witch trials.

In popular tradition witches were either practitioners of magic or people who were objectionable in some way, but for early European courts witches were heretics and worshippers of the Devil. This study concentrates on the period between 1300 and 1500 when ideas about witchcraft were being formed and witch-hunting was gathering momentum. It is concerned with distinguishing between the popular and learned ideas of witchcraft. The author has developed his own methodology for distinguishing popular from learned concepts, which provides adequate substantiation for the acceptance of some documents and the rejection of others.

This distinction is followed by an analysis of the contents of folk tradition regarding witchcraft, the most basic feature of which is its emphasis on sorcery, including bodily harm, love magic, and weather magic, rather than diabolism. The author then shows how and why learned traditions became superimposed on popular notions - how people taken to court for sorcery were eventually convicted on the further charge of devil worship. The book ends with a description of the social context of witch accusations and witch trials.

How was magic practiced in medieval times? How did it relate to the diverse beliefs and practices that characterized this fascinating period? This much revised and expanded new edition of Magic in the Middle Ages surveys the growth and development of magic in medieval Europe. It takes into account the extensive new developments in the history of medieval magic in recent years, featuring new material on angel magic, the archaeology of magic, and the magical efficacy of words and imagination. Richard Kieckhefer shows how magic represents a crossroads in medieval life and culture, examining its relationship and relevance to religion, science, philosophy, art, literature, and politics. In surveying the different types of magic that were used, the kinds of people who practiced magic, and the reasoning behind their beliefs, Kieckhefer shows how magic served as a point of contact between the popular and elite classes, how the reality of magical beliefs is reflected in the fiction of medieval literature, and how the persecution of magic and witchcraft led to changes in the law.

How was magic practiced in medieval times? How did it relate to the diverse beliefs and practices that characterized this fascinating period? This much revised and expanded new edition of Magic in the Middle Ages surveys the growth and development of magic in medieval Europe. It takes into account the extensive new developments in the history of medieval magic in recent years, featuring new material on angel magic, the archaeology of magic, and the magical efficacy of words and imagination. Richard Kieckhefer shows how magic represents a crossroads in medieval life and culture, examining its relationship and relevance to religion, science, philosophy, art, literature, and politics. In surveying the different types of magic that were used, the kinds of people who practiced magic, and the reasoning behind their beliefs, Kieckhefer shows how magic served as a point of contact between the popular and elite classes, how the reality of magical beliefs is reflected in the fiction of medieval literature, and how the persecution of magic and witchcraft led to changes in the law.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

A general introduction to medieval magic, containing a little-known handbook from the late Middle Ages.

Preserved in the Bavarian State Library in Munich is a manuscript that few scholars have noticed and that no one in modern times has treated with the seriousness it deserves. Forbidden Rites consists of an edition of this medieval Latin text with a full commentary, including detailed analysis of the text and its contents, discussion of the historical context, translation of representative sections of the text, and comparison with other necromantic texts of the late Middle Ages. The result is the most vivid and readable introduction to medieval magic now available.

Like many medieval texts for the use of magicians, this handbook is a miscellany rather than a systematic treatise. It is exceptional, however, in the scope and variety of its contents -- prayers and conjurations, rituals of sympathetic magic, procedures involving astral magic, a catalogue of spirits, lengthy ceremonies for consecrating a book of magic, and other materials.

With more detail on particular experiments than the famous thirteenth-century Picatrix and more variety than the Thesaurus Necromatiae ascribed to Roger Bacon, the manual is one of the most interesting and important manuscripts of medieval magic that has yet come to light.

The Mystical Presence of Christ investigates the connections between exceptional experiences of Christ's presence and ordinary devotion to Christ in the late medieval West. Unsettling the notion that experiences of seeing Christ's figure or hearing Christ speak are simply exceptional events that happen at singular moments, Richard Kieckhefer reveals the entanglements between these experiences and those that occur through the imagery, language, and rituals of ordinary, everyday devotional culture. Kieckhefer begins his book by reconsidering the "who" and the "how" of Christ's mystical presence. He argues that Christ's humanity and divinity were equally important preconditions for encounters, both exceptional and ordinary, which Kieckhefer proposes as existing on a spectrum of experience that moves from presupposition to intuition and finally to perception. Kieckhefer then examines various contexts of Christ manifestations-during prayer, meditation, and liturgy, for example-with attention to gender dynamics and the relationship between saintly individuals and their hagiographers. Through penetrating discussions of a diverse set of texts and figures across the long fourteenth century (Angela of Foligno, the nuns of Helfta, Margery Kempe, Dorothea of Montau, Meister Eckhart, Henry Suso, and Walter Hilton, among others), Kieckhefer shows that seemingly exceptional manifestations of Christ were also embedded in ordinary religious experience. Wide-ranging in scope and groundbreaking in methodology, The Mystical Presence of Christ is a magisterial work that rethinks the interplay between the exceptional and the ordinary in the workings of late medieval religion.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

Thinking about church architecture has come to an impasse. Reformers and traditionalists are talking past each other. In Theology in Stone, Richard Kieckhefer seeks to help both sides move beyond the standoff toward a fruitful conversation about houses of worship. Drawing on a wide range of historical examples with an eye to their contemporary relevance, he offers refreshing new ideas about the meanings and uses of church architecture.

This volume comprises English translations of two fundamentally important texts on magic and witchcraft in the fifteenth century: Johannes Hartlieb's Book of All Forbidden Arts and Ulrich Molitoris's On Witches and Pythonesses. Written by laymen and aimed at secular authorities, these works advocated that town leaders and royalty alike should vigorously uproot and prosecute practitioners of witchcraft and magic. Though inquisitors and theologians promulgated the witch trials of late medieval times, lay rulers saw the prosecutions through. But local officials, princes, and kings could be unreliable; some were skeptical about the reality and danger of witchcraft, while others dabbled in the occult themselves. Borrowing from theological and secular sources, Hartlieb and Molitoris agitated against this order in favor of zealously persecuting occultists. Organized as a survey of the seven occult arts, Hartlieb's text is a systematic treatise on the dangers of superstition and magic. Molitoris's text presents a dialogue on the activities of witches, including vengeful sorcery, the transformation of humans into animals, and fornication with the devil. Taken together, these tracts show that laymen exerted significant influence on ridding society of their imagined threat. Precisely translated by Richard Kieckhefer, Hazards of the Dark Arts includes an insightful introduction that discusses the authors, their sources and historical environments, the writings themselves, and the influence they had in the development of ideas about witchcraft.

Every major religion exalts certain individuals who occupy a dual role. On the one hand they serve as exemplars of virtue to be imitated, and on the other hand they stand removed from other mortals, privileged and unique. Christianity knows them as saints, and in the study of religion the term has been taken over and applied to similar figures in other traditions. The essays in this volume analyze the role of the saint in Judaism, Christianity, Islam, Hinduism, Buddhism, and Confucianism, providing both a comparative and an interpretive view of sainthood.
The notion of sainthood is problematic in two ways. First, can the category be usefully applied to individuals in religious traditions other than Christianity? How has it manifested itself, and what differences are there in the various manifestations of sainthood? Second, where individuals are considered to have risen above the norms in these different traditions, how is it possible to resolve the tension between the saint's imitability and his or her otherness, between imitating and venerating the saint? The authors consider these questions in relation to a wide range of individuals in all the major traditions.