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Blood Wedding. Concerned with love that cannot become marriage
among the primitive hill people of Castile, this is a play of the
workings of tremendous passions and tribal ritual toward an
inescapable tragic end. Yerma. “The whole tragic burden of Yerma
is measured by the deepening of her struggle with the problem of
frustrated motherhood.” —From García Lorca, by Edwin Honig.
The House of Bernarda Alba. Again about “women whom love moves to
tragedy,” Bernarda Alba tells of the repression of five daughters
by a domineering mother, of how their natural spirits circumvent
her but bring violence and death.
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