Byron's poetic reputation has been established in his comic epic Don Juan and its cognates Beppo and The Vision of Judgment. Poems lying outside this group are still regarded with some uncertainty. This study demonstrates that some of Byron's most deeply held critical and political convictions - but also certain aspects of his experience over which he had comparatively little conscious control - found expression in his historical dramas of 1820-21: Marino Faliero, Sardanapalus, and The Two Foscari. In these plays we find Byron responding with the fullest degree of imaginative intelligence to his work on the management subcommittee at the Theatre Royal, Drury Lane, the background to which is given its most extensive treatment yet; to his involvement with the Italian nationalist movement; to his advocacy of neo-classical dramatic form and above all to his understanding of Shakespeare and of Shakespeare's reputation among Romantic critics. In this pioneering study Richard Lansdown sheds fresh critical and biographical light on Byron's contribution to the theatre, which will be of great interest to many studying the Romantics.

Author of the most influential long poem of its era (Childe Harold's Pilgrimage) and the funniest long poem in European literature (Don Juan), Lord Byron was also the literary superstar of Romanticism, whose effect on nineteenth-century writers, artists, musicians and politicians - but also everyday readers - was second to none. His poems seduced and scandalized readers, and his life and legend were correspondingly magnetic, given added force by his early death in the Greek War of Independence. This introduction compresses his extraordinary life to manageable proportions and gives readers a firm set of contexts in the politics, warfare, and Romantic ideology of Byron's era. It offers a guide to the main themes in his wide-ranging oeuvre, from the early poems that made him famous (and infamous) overnight, to his narrative tales, dramas and the comic epic left incomplete at his death.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of John Ruskin (1819-1900). The edition represents Ruskin's extraordinary literary output, ranging from lectures, essays, and treatises to reviews, correspondence, and critical notes. Ruskin has been called 'the most powerful and original thinker of the nineteenth century' and yet, like his two fellow Victorian Sages, Thomas Carlyle and Matthew Arnold, his work remains obscure to modern readers. This anthology hopes to remedy this situation by presenting the immense range of Ruskin's interests, from art to politics, museology to ornithology, architecture to geology, and morals to economics-all of which interests were indivisible in his view. Here are rapturous accounts of Turner, the Alps, Renaissance painters, and Gothic architecture; but here, too, are urgently dystopian analyses of the modern culture that we continue to inhabit: vacuousness in communication, callousness in labour relations, amoral sophistication in art, and rationalism in all its various delusory forms in politics, society, and the economy. There are special stresses on cultural preservation and the illusions that it both fosters and depends upon; the status of women in society, which Ruskin reflected on constantly; nature, wilderness, and eco-catastrophism; and the role of artists like the Pre-Raphaelites in a society mostly given over to Philistinism. In short, the nineteenth century continues to cast an interrogatory shadow over the twenty-first, and Ruskin is its most vital and critical antagonist in the English language, inspiring intellectuals as diverse as Tolstoy, Proust, and Gandhi during his lifetime and afterwards. He was, this collection suggests, nothing like a 'sage', but something much more important and much more like those impossible things, a Victorian Renaissance man, an English Rousseau, and a post-religious Jeremiah. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Ruskin, and a Chronology.

Alongside Jane Austen, the Bronte sisters, and Oscar Wilde, Lord Byron possesses a star-quality unlike other classic British authors. His life as poet, philanderer, homosexual, and freedom fighter is legendary, and this new selection from his powerful letters and journals tells the story from the inside, in Byron's own racy and passionate style. Though Byron is chiefly known as a poet, his letters and journals are one of the glories of English prose literature, and one of the greatest British acts of autobiography, alongside Pepys' Diary and Boswell's Journal. This new selection, taken from the authoritative and unbowdlerized edition prepared by Leslie Marchand in the 1970s, not only provides the cream of his informal prose; it amounts to a biography in Byron's own words. No other English writer lived so remarkable an existence, from rented rooms in Aberdeen to a Nottinghamshire peerage, from European fame to English infamy, and notorious Italian exile to a glorious death in the Greek War of Independence.The letters and journals are selected, introduced, and annotated to provide a running narrative of the life and career of his remarkable man in his own unmistakable words.

Author of the most influential long poem of its era (Childe Harold's Pilgrimage) and the funniest long poem in European literature (Don Juan), Lord Byron was also the literary superstar of Romanticism, whose effect on nineteenth-century writers, artists, musicians and politicians - but also everyday readers - was second to none. His poems seduced and scandalized readers, and his life and legend were correspondingly magnetic, given added force by his early death in the Greek War of Independence. This introduction compresses his extraordinary life to manageable proportions and gives readers a firm set of contexts in the politics, warfare, and Romantic ideology of Byron's era. It offers a guide to the main themes in his wide-ranging oeuvre, from the early poems that made him famous (and infamous) overnight, to his narrative tales, dramas and the comic epic left incomplete at his death.

Alongside Jane Austen, the Bronte sisters, and Oscar Wilde, Lord Byron possesses a star-quality unlike other classic British authors. His life as poet, philanderer, homosexual, and freedom fighter is legendary, and this new selection from his powerful letters and journals tells the story from the inside, in Byron's own racy and passionate style. Though Byron is chiefly known as a poet, his letters and journals are one of the glories of English prose literature, and one of the greatest British acts of autobiography, alongside Pepys' Diary and Boswell's Journal. This new selection, taken from the authoritative and unbowdlerized edition prepared by Leslie Marchand in the 1970s, not only provides the cream of his informal prose; it amounts to a biography in Byron's own words. No other English writer lived so remarkable an existence, from rented rooms in Aberdeen to a Nottinghamshire peerage, from European fame to English infamy, and notorious Italian exile to a glorious death in the Greek War of Independence.The letters and journals are selected, introduced, and annotated to provide a running narrative of the life and career of his remarkable man in his own unmistakable words.

This volume in the 21st Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of John Ruskin (1819-1900). The edition represents Ruskin's extraordinary literary output, ranging from lectures, essays, and treatises to reviews, correspondence, and critical notes. Ruskin has been called 'the most powerful and original thinker of the nineteenth century' and yet, like his two fellow Victorian Sages, Thomas Carlyle and Matthew Arnold, his work remains obscure to modern readers. This anthology hopes to remedy this situation by presenting the immense range of Ruskin's interests, from art to politics, museology to ornithology, architecture to geology, and morals to economics-all of which interests were indivisible in his view. Here are rapturous accounts of Turner, the Alps, Renaissance painters, and Gothic architecture; but here, too, are urgently dystopian analyses of the modern culture that we continue to inhabit: vacuousness in communication, callousness in labour relations, amoral sophistication in art, and rationalism in all its various delusory forms in politics, society, and the economy. There are special stresses on cultural preservation and the illusions that it both fosters and depends upon; the status of women in society, which Ruskin reflected on constantly; nature, wilderness, and eco-catastrophism; and the role of artists like the Pre-Raphaelites in a society mostly given over to Philistinism. In short, the nineteenth century continues to cast an interrogatory shadow over the twenty-first, and Ruskin is its most vital and critical antagonist in the English language, inspiring intellectuals as diverse as Tolstoy, Proust, and Gandhi during his lifetime and afterwards. He was, this collection suggests, nothing like a 'sage', but something much more important and much more like those impossible things, a Victorian Renaissance man, an English Rousseau, and a post-religious Jeremiah. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Ruskin, and a Chronology.

'"Don't you care for human progress?" Miss Chancellor went on. "I don't know - I never saw any. Are you going to show me some?"'

In The Bostonians, Henry James tackled one of the burning issues of his day - 'the woman question'. The story centres on the struggle between Basil Ransom, a young Mississippi lawyer, and Olive Chancellor, a wealthy feminist, for exclusive possession of the beautiful Verena Tarrant. One of the most humorous and most vibrant of James's novels, The Bostonians is, as Richard Lansdown says, also one of his most contentious: 'In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old.'

This edition contains a new introduction, explanatory notes, and two appendices: an extract from De Tocqueville on democratic despotism and extracts from James's American Scene. It is also the only current edition which retains the three-book division of the novel which James intended.