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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Aceh, Indonesia. December 2004.
Two teens find each other surrounded by the destruction left in
the wake of the most devastating tsunami the world has ever seen:
Ruslan, a native of Aceh, in search of his missing father, whom he
hopes has not been added to the fallen; and Sarah, an American
girl, who has already lost her mother and is now struggling to find
medical treatment for her sick brother.
Only together can they find what they're searching for.
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In the Same Place (Hardcover)
N. Thomas Johnson-Medland; Photographs by Richard Lewis
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R1,069
R866
Discovery Miles 8 660
Save R203 (19%)
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Ships in 10 - 15 working days
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A major new edition of the classic work that revolutionised the way
business is conducted across cultures and around the globe. It
provides leaders and managers with practical strategies to embrace
differences and successfully work across diverse business cultures.
Capturing the rising influence and the seismic changes throughout
many regions of the world, cross-cultural expert and international
businessman Richard Lewis has significantly broadened the scope of
his seminal work on global business and communication. Thoroughly
updated to include the latest political events and cultural
changes, as well as covering nine new countries to complete Europe,
broadening the scope of the book. Building on his LMR model, Lewis
gives leaders and managers practical strategies to embrace
differences and work successfully across increasingly diverse
business cultures.
This title outlines a set of principles and analytical methods that
can be adapted to different assessment scenarios designed to enable
readers to construct their own effective methods for assessment.
Guidelines for design and methods of planning, choosing and
implementation are provided.
This book is a creative and practical introduction to the field of
digital media for future designers, artists, and media
professionals. It addresses the evolution of the field, its
connections with traditional media, up-to-date developments, and
possibilities for future directions. Logically organized and
thoughtfully illustrated, it provides a welcoming guide to this
emerging discipline. Describing each medium in detail, chapters
trace their history, evolution, and potential applications. The
book also explains important, relevant technologies-such as
digitizing tablets, cloud storage, and 3-D printers-as well as new
and emerging media like augmented and virtual reality. With a focus
on concepts and creative possibilities, the text's software-neutral
exercises provide hands-on experiences with each of the media. The
book also examines legal, ethical, and technical issues in digital
media, explores career possibilities, and features profiles of
pioneers and digital media professionals. Digital Media Foundations
is an ideal resource for students, new professionals, and
instructors involved in fields of graphic and visual arts, design,
and the history of art and design.
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