"A face looked into mine, and, in front of me, were those dreadful eyes. Then, whether I was dead or living, I said to myself that this could be nothing human, -nothing fashioned in God's image could wear such a shape as that. Fingers were pressed into my cheeks, they were thrust into my mouth, they touched my staring eyes, shut my eyelids, then opened them again, and-horror of horrors -the blubber lips were pressed to mine-the soul of something evil entered into me in the guise of a kiss."

"A face looked into mine, and, in front of me, were those dreadful eyes. Then, whether I was dead or living, I said to myself that this could be nothing human,-nothing fashioned in God's image could wear such a shape as that. Fingers were pressed into my cheeks, they were thrust into my mouth, they touched my staring eyes, shut my eyelids, then opened them again, and-horror of horrors!-the blubber lips were pressed to mine-the soul of something evil entered into me in the guise of a kiss."

'The Beetle' tells the story of a fantastical creature, "born of neither god nor man," with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siecle London in search of vengeance for the defilement of a sacred tomb in Egypt. Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense. Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann

The final volume of a unique collection of bizarre tales from a master of the genre
Richard Marsh was the pseudonym of British born author Richard Bernard Heldman (1857-1916). His most famous work of supernatural fiction, The Beetle, was published in 1897, the same year as Bram Stoker's tale of the vampire Count Dracula, and it is believed that initially Marsh's book, which also features a bizarre and sinister figure capable of 'shape shifting, ' was even more popular with readers than Stoker's. Today Marsh's book is still widely regarded as a classic of its genre. Although a prolific author who wrote in a number of genres including adventure fiction under his real name, Marsh is principally remembered as a writer of supernatural thrillers and his output in this field was prodigious. Most aficionados of the genre have heard of The Beetle, but this special Leonaur collection of the author's excursions into the other worldly and strange extends to six satisfyingly substantial volumes containing many tales that will be unfamiliar to modern readers.
In this final volume readers will find one novel, 'The Magnetic Girl, ' and eighteen short stories of the strange and unusual.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The fifth volume of a unique collection of bizarre tales from a master of the genre
Richard Marsh was the pseudonym of British born author Richard Bernard Heldman (1857-1916). His most famous work of supernatural fiction, The Beetle, was published in 1897, the same year as Bram Stoker's tale of the vampire Count Dracula, and it is believed that initially Marsh's book, which also features a bizarre and sinister figure capable of 'shape shifting, ' was even more popular with readers than Stoker's. Today Marsh's book is still widely regarded as a classic of its genre. Although a prolific author who wrote in a number of genres including adventure fiction under his real name, Marsh is principally remembered as a writer of supernatural thrillers and his output in this field was prodigious. Most aficionados of the genre have heard of The Beetle, but this special Leonaur collection of the author's excursions into the other worldly and strange extends to six satisfyingly substantial volumes containing many tales that will be unfamiliar to modern readers.
This penultimate volume includes two novels, 'The Death Whistle' and 'The Chase of the Ruby, ' and four short stories stories of the strange and unusual.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The fourth volume of a unique collection of bizarre tales from a master of the genre
Richard Marsh was the pseudonym of British born author Richard Bernard Heldman (1857-1916). His most famous work of supernatural fiction, The Beetle, was published in 1897, the same year as Bram Stoker's tale of the vampire Count Dracula, and it is believed that initially Marsh's book, which also features a bizarre and sinister figure capable of 'shape shifting, ' was even more popular with readers than Stoker's. Today Marsh's book is still widely regarded as a classic of its genre. Although a prolific author who wrote in a number of genres including adventure fiction under his real name, Marsh is principally remembered as a writer of supernatural thrillers and his output in this field was prodigious. Most aficionados of the genre have heard of The Beetle, but this special Leonaur collection of the author's excursions into the other worldly and strange extends to six satisfyingly substantial volumes containing many tales that will be unfamiliar to modern readers.
In this fourth volume readers will find two novels, 'Tom Ossington's Ghost' and 'The House of Mystery, ' and six short stories of the strange and unusual.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The third volume of a unique collection of bizarre tales from a master of the genre
Richard Marsh was the pseudonym of British born author Richard Bernard Heldman (1857-1916). His most famous work of supernatural fiction, The Beetle, was published in 1897, the same year as Bram Stoker's tale of the vampire Count Dracula, and it is believed that initially Marsh's book, which also features a bizarre and sinister figure capable of 'shape shifting, ' was even more popular with readers than Stoker's. Today Marsh's book is still widely regarded as a classic of its genre. Although a prolific author who wrote in a number of genres including adventure fiction under his real name, Marsh is principally remembered as a writer of supernatural thrillers and his output in this field was prodigious. Most aficionados of the genre have heard of The Beetle, but this special Leonaur collection of the author's excursions into the other worldly and strange extends to six satisfyingly substantial volumes containing many tales that will be unfamiliar to modern readers.
In volume three readers will find two novels, A Second Coming and A Duel, one novelette, 'The Strange Occurrences in Canterstone Jail, ' and three short stories of the strange and unusual.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The second volume of a unique collection of bizarre tales from a master of the genre
Richard Marsh was the pseudonym of British born author Richard Bernard Heldman (1857-1916). His most famous work of supernatural fiction, The Beetle, was published in 1897, the same year as Bram Stoker's tale of the vampire Count Dracula, and it is believed that initially Marsh's book, which also features a bizarre and sinister figure capable of 'shape shifting, ' was even more popular with readers than Stoker's. Today Marsh's book is still widely regarded as a classic of its genre. Although a prolific author who wrote in a number of genres including adventure fiction under his real name, Marsh is principally remembered as a writer of supernatural thrillers and his output in this field was prodigious. Most aficionados of the genre have heard of The Beetle, but this special Leonaur collection of the author's excursions into the other worldly and strange extends to six satisfyingly substantial volumes containing many tales that will be unfamiliar to modern readers.
Volume two contains three novels, The Devil's Diamond, The Mahatma's Pupil and The Goddess a Demon, and four short stories of the strange and unusual.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The first volume of a unique collection of bizarre tales from a master of the genre
Richard Marsh was the pseudonym of British born author Richard Bernard Heldman (1857-1916). His most famous work of supernatural fiction, The Beetle, was published in 1897, the same year as Bram Stoker's tale of the vampire Count Dracula, and it is believed that initially Marsh's book, which also features a bizarre and sinister figure capable of 'shape shifting, ' was even more popular with readers than Stoker's. Today Marsh's book is still widely regarded as a classic of its genre. Although a prolific author who wrote in a number of genres including adventure fiction under his real name, Marsh is principally remembered as a writer of supernatural thrillers and his output in this field was prodigious. Most aficionados of the genre have heard of The Beetle, but this special Leonaur collection of the author's excursions into the other worldly and strange extends to six satisfyingly substantial volumes containing many tales that will be unfamiliar to modern readers.
Volume one includes two novels, The Beetle: a Mystery and The Joss: a Reversion, and one short story, 'The Haunted Chair, ' of the strange and unusual.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.