From one of the great comic innovators, the long-awaited fulfillment of his pioneering comic vision.
Richard McGuire's "Here" is the story of a corner of a room and the events that happened in that space while moving forward and backward in time. The book experiments with formal properties of comics, using multiple panels to convey the different moments in time. Hundreds of thousands of years become interwoven. A dinosaur from 100,000,000 BCE lumbers by, while a child is playing with a plastic toy that resembles the same dinosaur in the year 1999. Conversations appear to be happening between two people who are centuries apart. Someone asking, "Anyone seen my car keys?" can be "answered" by someone at a future archaeology dig. Cycles of glaciers transform into marshes, then into forests, then into farmland. A city develops and grows into a suburban sprawl. Future climate changes cause the land to submerge, if only temporarily, for the long view reveals the transient nature of all things. Meanwhile, the attention is focused on the most ordinary moments and appreciating them as the most transcendent.
(With full-color illustrations throughout.)

Fans of illustrator Richard McGuire will delight in this 25th-anniversary deluxe reissue of his iconic Go Fish card game. A giftable, must-have tin package contains cards infused with humour, verve, and bright pops of Pantone colours. Quirky and compelling characters grace each card, resulting in a singular-and unforgettable-Go Fish experience!

Claw your way to the top of the animal kingdom! Fans of beloved illustrator Richard McGuire will revel in this wild deck featuring animals from a range of environments (ocean, forest, jungle, savannah, and Arctic), ranked by their order in the food chain. The highest cards take the lowest cards, but the "Wild Cards" take all! An irresistible tin package, cards adorned with striking art, and brilliant pops of Pantone colors serve up a card game experience that can't be tamed!

Richard McGuire has been an illustrator at the world-renowned New Yorker magazine for over a decade. In this time he has used his one-panel 'spots' as a unique canvas upon which to practice the art of the graphic miniseries. Here these series are collected for the first time, as a charming, joyful and witty 'short story' collection.

The Republic of Ireland left the British Commonwealth in 1949. It was traditionally overlooked by developing trends of Commonwealth literary studies from the 1960s, which tended to examine the cultural production of countries still under Commonwealth rule. From the late 1960s onwards, however, scholars of Irish literature and indeed across postcolonial studies have examined Ireland's unique and comparative literary, historical, cultural and geographical features in relation to the contexts of broader postcolonial debates. To date, nonetheless, there has yet to be a dedicated comparative study of how the specific genre of the Irish novel developed throughout the twentieth century as a means of giving imaginative expression to particular decolonizing processes in Ireland as it disengaged from the dominant discourses of British colonial rule. Ireland's history is clearly different from that of the former colonies of the British West Indies. Richard McGuire takes this point into account, and in Parallel Visions, Confluent Worlds he investigates how extensively the Irish novel, particularly from the 1920s, expresses forms and themes recognized by many scholars and critics to be key postcolonial concerns in West Indian novels of the same period. The British West Indies serves as a strong suitable comparative case for examination, since it has such an established wealth of study in relation to its postcolonial dimensions. This book compares five pairings of Irish and Caribbean texts that explore issues such as evolving representations of "native" peoples, late-colonial anxiety, the subversive power of women in a patriarchal-imperialist society. Migration, and the experience of growing up amid anti-colonial violence.