The third instalment in a prize-winning series charting the rise of the House of Medici as they become Masters of Florence and progenitors of the Renaissance. Fontainebleau, 1536. Francis II, Dauphin and heir to the French throne, is dead. Poisoned. And the royal court believe Catherine de' Medici to be the murderer. Catherine's husband Henry will now be the next King of France - and the Medici are known to stop at nothing in the pursuit of power. But not yet queen and without an heir of her own, seventeen-year-old Catherine cannot be sure of securing her family's legacy. To ensure the conception of an heir, she will need to seek help from an unexpected ally: Nostradamus, the reclusive astronomer and purported seer. Dismissed by most as a charlatan and a heretic, Catherine knows he will be her only hope in becoming a mother to the future king. Amid court intrigues, betrayals, and humiliations, Catherine waits. She awaits the death of her father-in-law, King Francis, and the birth of a son to carry her name. For once she is queen, Catherine de' Medici's power will only grow. But that power comes at a heavy cost, one she might ever regret. 'Strukul has a brilliant style and a rare imagination' Tim Willocks 'Matteo Strukul has arrived with a bang. His historical saga, Medici, is a worldwide success' Il Venerdi

The third instalment in a prize-winning series charting the rise of the House of Medici as they become Masters of Florence and progenitors of the Renaissance. Fontainebleau, 1536. Francis II, dauphin of France, is dead. Poisoned. And the royal court believe Catherine de' Medici to be the murderer. With the heir apparent dead, her husband Henry will now be the next King of France - and her queen - and Catherine's family is known to stop at nothing to consolidate their power. But not yet queen and without an heir of her own, Catherine cannot be sure of securing her family's legacy. To ensure the conception of an heir, she will need to seek help from an unexpected ally: Nostradamus, the reclusive astronomer and purported seer. Dismissed by most as a charlatan and a heretic, she knows he will be her only hope in becoming a mother. Amid court intrigues, betrayals and humiliations, Catherine now waits. Awaits the death of her father-in-law, King Francis, and awaits the birth of a son who will carry her name. For once she is queen, Catherine de' Medici's power will only grow. But that power comes at a heavy cost, one she might ever regret.

Winner of the Premio Bancarella, 2017 The second instalment in a prize-winning series charting the rise of the House of Medici as they become Masters of Florence and progenitors of the Renaissance. Florence, 1469.The Medici family is preparing for the marriage of its son and heir Lorenzo. His heart belongs to another, but this union will strengthen the alliance with a powerful Roman family. Torn between love and power, the bounties and the compromises of governing, Lorenzo has become complacent. He has forgotten the bloody path he forged on his ascent to power, and the enemies left in his wake. When the family's historical enemies and shadowy new conspirators put their bloody plot into action, the consequences will be terrible. In order to protect their supremacy, the Medici will enact a violent vengeance from which few will be spared.

We Are the Mutants is a critical reassessment of what is arguably the most discussed and beloved stretch of movies in Hollywood history. Documenting the period between the arrival of US combat troops in Vietnam and the end of President Ronald Reagan's second term, the book forgoes the usual and restrictive exemplars of "auteur cinema," and instead focuses on an eclectic selection of films and genres - horror, documentary, disaster, vigilante action, neo-noir, post-apocalyptic sci-fi - to track this period's tumultuous transformation in American life, culture, and politics. By exploring cult classics like The Texas Chain Saw Massacre and Escape from New York, as well as studio blockbusters like The Exorcist and Fatal Attraction, We Are the Mutants rewrites the history of modern American cinema and, in doing so, the history of America itself.