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Granville Barker on Theatre brings together some of the most important critical theatrical writings of Harley Granville Barker, a major figure of 20th-century British theatre. Known as a pioneer of the National Theatre and Repertory Movement, and remembered mainly for his Prefaces to Shakespeare, from the 1900s to his death in the 1940s Granville Barker commented enthusiastically in newspaper items, introductions to plays, articles, essays, articles, and published lectures on a range of topics: the nature of theatre as an art form and as a social medium, the need for ensemble playing in a repertory system, the relationship between the three chief constituents of theatre - the actor, the playwright and the audience. Granville Barker on Theatre makes available again these writings in which Barker dissects the state of theatre as he saw it, with coruscating critiques of the commercial system, the long run and censorship, the vitality of theatre outside Britain, and what he saw as the welcome renaissance of theatre in non-professional groups liberated from the profit motive. These writings show a master practitioner concerned with, above all, promoting a new type of drama; vital not only for its own sake but for the sake of the health of society at large.
This book, written in 1973, is for readers interested in the naval history of the ancient peoples of the Mediterranean. The period covered starts with Greek and Phoenician vessels of 800-700 BC and includes ships up to 800 AD. The aim of the book is to fill a gap by concentrating on the practical aspects of naval warfare in antiquity, and the battles selected for description are intended to show the development of tactics and strategy, rather than illustrate the general history of the period. It includes descriptions of the ships, crews, tactics and campaigns of Greek, Persian, Carthaginian, Hellenic, Roman, Celtic, Germanic, Scandinavian and Byzantine fleets. Long out of print, this reprint brings an important text to modern readers.
A detailed analysis of the nature of organizational capabilities by a team of distinguished international contributors. Offering both theoretical analysis and detailed evidence from a variety of individual firms and sectors, this book presents insights into the relationship between organizational structures and organizational capabilities, the patterns of accumulation of technological knowledge, and the management of competence-building in changing markets.
The first of three volumes that will serve as a comprehensive and inclusive finding tool, this work defines propaganda in an uncertain postmodern information age. Linked to the U.S. Constitution, mass media, and business, the role propaganda plays must be understood in terms of an information-based economy. An extensive chronology of propaganda-related events, plus an A-Z guide defining hundreds of important terms (some ill-defined in context, such as backdoor contact and spin doctor), combine to meet an immediate need for an easy-to-use resource that not only credibly defines the field but stimulates new research. Americans have had a love-hate relationship with propaganda since before the nation itself existed. The thesis of this work is that propaganda is as American as apple pie. The right to persuade and communicate is enshrined in the First Amendment to the U.S. Constitution. The technologies and business aspects of mass media that shape culture around the world were perfected in America; hundreds of thousands of people find employment in various persuasion industries. Propaganda is becoming even more essential to maintaining social cohesion in a multiculturally diverse society. The three volumes in this series act as a finding tool that distinctively crossed over artificial barriers to open new approaches to understanding the phenomenon that defines our time. This work clarifies what propaganda is or is not as it knives through the confusion surrounding the imprecise terminology and lack of historical background to often associated with its study.
The plays of Maria Martinez Sierra were popular in Spain, South America and in translation on Broadway and London's West End in the first half of the 20th century but they were thought to be written by her husband, the celebrated director and playwright Gregorio Martinez Sierra. After his death, the authorship of his work was revealed to be that of Maria, making her one of the most important playwrights of her time. This edited collection features three plays by Maria Martinez Sierra, translated by Helen and Harley Granville-Barker, along with an introduction by Patricia O'Connor, University of Cincinnati, US, which examines Maria's extraordinary life and work, and the battle for her authorship to be recognized in both the Spanish-speaking and anglophone world. This volume focuses on plays centred on strong women; and each is translated by the eminent man of theatre Harley Granville-Barker and his wife, Helen, whose own story holds stark parallels to Maria's in terms of authorship. The collection is edited by playwright Richard Nelson and Professor Colin Chambers, who contribute an essay on the translation work of the Granville-Barkers. The plays are: The Kingdom of God (1928); The Romantic Young Lady (1920) and Take Two From One (1931). Maria Martinez Sierra: A Great Playwright Hidden in Plain Sight recognizes Maria de la O Lejarraga Garcia, to use her birth name, as one of the most important female playwrights, not just in Spain, but globally, in the first half of the 20th century.
These three plays were written and performed over the memorable summer of 2020. Forced into isolation as the pandemic raged and protests against racism spread after the murder of George Floyd, the Apple Family of Rhinebeck, New York, gather over Zoom to share meals and weather the storms. Together, virtually, they swap jokes, stories and their adventures with grocery shopping and dating; they reveal their depression and fears, they mourn lost friends and even watch a dance performance, as the world outside sputters out of control, amidst anger, illness, and a coming election. With an introduction and afterword by the author.
This book argues that the current international intellectual property rights regime, led by the World Trade Organization (WTO), has evolved over the past three decades toward overemphasizing private interests and seriously hampering public interests in access to knowledge and innovation diffusion. This approach concentrates on tangible and codified knowledge creation and diffusion in research and development (R&D) that can be protected via patents and other intellectual property rules and regulations. In terms of global policy initiatives, however, it is becoming increasingly clear that the WTO in particular is mostly a conflict-resolution facility rather than a global governance body able to generate cooperation and steer international coordinated policy action. At the same time, rent extraction and profits streaming from legal hyperprotection have become pervasively important for firm strategies to compete in a globalized marketplace. "Knowledge Governance: Reasserting the Public Interest" offers a novel approach - knowledge governance - in order to move beyond the current regime.
The poster as we know it dates from the Industrial Revolution, although one form of outdoor advertising has existed for many centuries. Industrialisation meant that producer became separated from consumer while production for mass consumption rapidly increased, so that a development was necessary in the methods employed in bringing to public notice the merits and very existence of many goods. Billsticking began, a business rife with skulduggery, and in the second half of the nineteenth century an enterprising billposter took the step that changed outdoor advertising forever: he rented a site. From there the industry has grown apace, and Outdoor Advertising makes sense of these changes by looking at its practical side, the contractor, the agent, the designer, and the planning side, including site selection, as well as looking at specific campaigns and how their audience have received them. This, then, is a book about outdoor advertising, its design and colourful presentation, its place in the advertising and marketing story. First published in 1953.
"Human Relationship Skills: Coaching and Self-Coaching" presents a
practical "how to" guide to relationship skills, showing how
readers can improve and, where necessary, repair relationships.
This thoroughly revised and updated 4th edition reflects the
increased interest in coaching, showing how it can be applied to
everyday life.
This book helps the reader identify commom fossils found in Arizona. Includes common vocabulary, examples of fossil forms, and drawings.
Concise guide to common species found along California's coastline.
The poster as we know it dates from the Industrial Revolution, although one form of outdoor advertising has existed for many centuries. Industrialisation meant that producer became separated from consumer while production for mass consumption rapidly increased, so that a development was necessary in the methods employed in bringing to public notice the merits and very existence of many goods. Billsticking began, a business rife with skulduggery, and in the second half of the nineteenth century an enterprising billposter took the step that changed outdoor advertising forever: he rented a site. From there the industry has grown apace, and Outdoor Advertising makes sense of these changes by looking at its practical side, the contractor, the agent, the designer, and the planning side, including site selection, as well as looking at specific campaigns and how their audience have received them. This, then, is a book about outdoor advertising, its design and colourful presentation, its place in the advertising and marketing story. First published in 1953.
General Andrew J. Goodpaster (1915-2005) was a brilliant military leader, a scholar and, most of all, an exceptional presidential adviser who served under seven successive administrations. A respected strategist, he participated at the highest levels of government in many of the most important decisions of the second half of the twentieth century. As President Eisenhower's Staff Secretary, he was the de facto originator of the National Security Council process and served as a mentor and role model to his successors down to the present day. He was involved in many security challenges, such as establishing and sustaining NATO, planning for nuclear weapons and arms control, and implementing detente. He developed a collaborative method of approaching national security affairs -a style that reflected a strong capacity to engage effectively the necessary people to work together to achieve the best possible outcomes. In doing so, he learned and taught best practices in national security that still influence decision making today. This biography shows the importance of experienced soldier-scholars with high integrity on national security teams and provides the first systematic mining of the documents Goodpaster wrote on national security. Organized chronologically, it demonstrates how Goodpaster was able to adapt best practices to a constantly changing political, military, economic and technological environment. It also explains why he was so frequently selected as an insider in national security decision making. His life and work reveal how best to approach complex national security problems and the kind of collaborative leadership needed to get the job done. Still today, his method confirms General Scowcroft's view that Goodpaster is "too important to ignore."
In clear and concise language and drawings, these booklets describe the common species the reader is likely to come across in Southwestern terrain.
Book by Richard Nelson. Lyrics by Tim Rice. Music by Bjorn Ulvaeus and Benny Andersson Musical / 9m, 2f, 1f child, plus ensemble / Scenery: Var. sets. The collaborators on Chess are giants of rock music and rock musicals and they have created a complex rock opera that played to full Broadway houses and standing ovations. Here the ancient game becomes a metaphor for romantic rivalries, competitive gamesmanship, super power politics and international intrigues. The pawns in this drama form a love triangle: the loutish American chess star, the earnest Russian champion and a Hungarian American female assistant who arrives at the international chess match in Bangkok with the American but falls for the Russian. From Bangkok to Budapest the players, lovers, politicians, and spies manipulate and are manipulated to the pulse of a monumental rock score that includes "One Night in Bangkok" and "Heaven Help My Heart." "One of the best rock scores ever produced. This is an angry, difficult, demanding and rewarding show."- Time
In clear and concise language and drawings, these booklets describe the common species the reader is likely to come across in Southwestern terrain.
In clear and concise language and drawings, these booklets describe the common species the reader is likely to come across in South-western terrain.
In clear and concise language and drawings, these booklets describe the common species the reader is likely to come across in Southwestern terrain. |
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