Anglo-Danish Empire is an interdisciplinary handbook for the Danish conquest of England in 1016 and the subsequent reign of King Cnut the Great. Bringing together scholars from the fields of history, literature, archaeology, and manuscript studies, the volume offers comprehensive analysis of England's shift from Anglo-Saxon to Danish rule. It follows the history of this complicated transition, from the closing years of the reign of King AEthelred II and the Anglo-Danish wars, to Cnut's accession to the throne of England and his consolidation of power at home and abroad. Ruling from 1016 to 1035, Cnut drew England into a Scandinavian empire that stretched from Ireland to the Baltic. His reign rewrote the place of Denmark and England within Europe, altering the political and cultural landscapes of both countries for decades to come.

Mark Darrow grows up to become a superb trial lawyer -- thanks to the mentorship of Lionel Farr, a professor at Caldwell, the local college. Now, it's time for Farr to ask his still-youthful protege to return the favour: an embezzlement scandal threatens to destroy Caldwell. Returning to his alma mater as president opens old wounds. Sixteen years before, he discovered the body of a black female student, Angela Hall, at the base of The Spire, the bell tower that dominates the leafy campus. His best friend, Steve Tillman, was charged with Angela's murder and given a life sentence. Darrow begins his own inquiry into the murder, and is soon convinced that the killer is still at large. His own life too may be at risk ...Gripping and razor-sharp, The Spire is a hugely satisfying thriller, a poignant love story -- and Richard North Patterson's most compelling novel in years.

This is the new novel from the thinking man's thriller writer. In a novel of international intrigue, an American lawyer, Damon Pierce, attempts to save Bobby Okari, the West African leader of a protest movement, from execution by the country's corrupt and autocratic leader. Pierce is in a race against time, and as the complex trial - involving terrorism and the geopolitics of oil, missing witnesses and evidence, and the whims of a lawless country - unfolds, bodies fall and fates dangle.Complicating matters further is Okari's wife, Marissa Brand, with whom Pierce had a relationship years before that he's never quite forgotten; she, in fact, persuaded him to take the case in the first place, and it is who she plays a crucial role in the eventual outcome of this taut and atmospheric novel.

Corey Grace--a handsome and charismatic Republican senator from Ohio--is plunged by an act of terrorism into a fierce presidential primary battle with the favorite of the party establishment and a magnetic leader of the Christian right. A decorated Gulf War pilot, Grace insists on voting his own conscience rather than the party line, and this stubborn independence--together with his growing romance with Lexie Hart, an African-American movie star--has earned him a reputation as an unpredictable iconoclast. But Grace is still haunted by a tragic mistake buried deep in his past, and now his integrity will be put to the test in this most brutal of political contests, in which nothing in his past or present life is off-limits.

A vivid and sometimes frightening depiction of contemporary power politics, "The Race" culminates in a deadlocked and febrile party convention where Grace must resolve the conflict between his feelings for Lexie and his presidential ambitions--and decide just who and what he is willing to sacrifice.

This is a general study of the development of higher education in Europe from antiquity until the end of the Middle Ages. It shows how the slender traditions of ancient learning, kept alive in the monastic and cathedral schools, were enriched by an enormous influx of knowledge from the Islamic world and how in consequence the schools developed into universities. Special attention is paid to early intellectual history and the scientific disciplines, and to the everyday life of the students and their teachers.

Heathen gods are hard to find in Old English literature. Most Anglo-Saxon writers had no interest in them, and scholars today prefer to concentrate on the Christian civilization for which the Anglo-Saxons were so famous. Richard North offers an interesting view of Anglo-Saxon and Scandinavian paganism and mythology in the pre-Viking and Viking age. He discusses the pre-Christian gods of Bede's history of the Anglo-Saxon conversion with reference to an orgiastic figure known as Ingui, whom Bede called 'god of this age'. Using expert knowledge of comparative literary material from Old Norse-Icelandic and other Old Germanic languages, North reconstructs the slender Old English evidence in a highly imaginative treatment of poems such as Deor and The Dream of the Rood. Other gods such as Woden are considered with reference to Odin and his family in Old Norse-Icelandic mythology. In conclusion, it is argued that the cult of Ingui was defeated only when the ideology of the god Woden was sponsored by the Anglo-Saxon church. The book will interest students interested in Old English, Old Norse-Icelandic and Germanic literatures, Anglo-Saxon history and archaeology.

The Longman Anthology of Old English, Old Icelandic and Anglo-Norman Literatures provides a scholarly and accessible introduction to the literature which was the inspiration for many of the heroes of modern popular culture, from The Lord of the Rings to The Chronicles of Narnia, and which set the foundations of the English language and its literature as we know it today.

Edited, translated and annotated by the editors of Beowulf & Other Stories, the anthology introduces readers to the rich and varied literature of Britain, Scandinavia and France of the period in and around the Viking Age. Ranging from the Old English epic Beowulf through to the Anglo-Norman texts which heralded the transition Middle English, thematically organised chapters present elegies, eulogies, laments and followed by material on the Viking Wars in the Anglo-Saxon Chronicle, Vikings gods and Icelandic sagas, and a final chapter on early chivalry introduces the new themes and forms which led to Middle English literature, including Arthurian Romances and Chaucer's Canterbury Tales.

Laying out in parallel text format selections from the most important Old English, Old Icelandic and Anglo-Norman works, this anthology presents translated and annotated texts with useful bibliographic references, prefaced by a headnote providing useful background and explanation.

The Longman Anthology of Old English, Old Icelandic and Anglo-Norman Literatures provides a scholarly and accessible introduction to the literature which was the inspiration for many of the heroes of modern popular culture, from The Lord of the Rings to The Chronicles of Narnia, and which set the foundations of the English language and its literature as we know it today. Edited, translated and annotated by the editors of Beowulf and Other Stories, the anthology introduces readers to the rich and varied literature of Britain, Scandinavia and France of the period in and around the Viking Age. Ranging from the Old English epic Beowulf through to the Anglo-Norman texts which heralded the transition Middle English, thematically organised chapters present elegies, eulogies, laments and followed by material on the Viking Wars in the Anglo-Saxon Chronicle, Vikings gods and Icelandic sagas, and a final chapter on early chivalry introduces the new themes and forms which led to Middle English literature, including Arthurian Romances and Chaucer's Canterbury Tales. Laying out in parallel text format selections from the most important Old English, Old Icelandic and Anglo-Norman works, this anthology presents translated and annotated texts with useful bibliographic references, prefaced by a headnote providing useful background and explanation.

Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self. Michael D.J. Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University; Thomas J.T. Williams is a doctoral researcher at UCL's Institute of Archaeology. Contributors: Noel Adams, John Baker, Michael D. J. Bintley, Sue Brunning, Laszlo Sandor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams

This book suggests that the Old English epic Beowulf was composed in the winter of 826-7 as a requiem for King Beornwulf of Mercia on behalf of Wiglaf, the ealdorman who succeeded him. The place of composition is given as the minster of Breedon on the Hill in Leicestershire (now Derbyshire) and the poet is named as the abbot, Eanmund. As well as pinpointing the poem's place and date of composition, Richard North raises some old questions relating to the poet's influences from Vergil and from living Danes. Norse analogues are discussed in order to identify how the poet changed his heroic sources while four episodes from Beowulf are shown to be reworked from passages in Vergil's Aeneid. One chapter assesses how the poem's Latin sources might correspond with what is known of Breedon's now-lost library while another seeks to explain Danish mythology in Beowulf by arguing that Breedon hosted a meeting with Danish Vikings in 809. This fascinating and challenging new study combines careful detective work with meticulous literary analysis to form a case that no future investigation will be able to ignore.

A young college president struggles to save his once prestigious alma mater, Caldwell College, from a financial scandal which may be linked to the murder of a student, some seventeen years previously.

The Caldwell campus is dominated by a large bell tower known as The Spire. The Spire ornaments the school yearbook, stationary, all publications. Steeped in lore, it tolls every hour of the school day; or to mark notable events such as athletic triumphs. But in 1993, the body of Angela Hall, a black student, was found at the foot of the Spire. Raped and murdered, she seemed oddly like a sacrifice to the newly-ominous college landmark…

Gripping and razor-sharp, The Spire is both a hugely satisfying thriller and a poignant love story. Richard North Patterson has outdone himself - this is his most compelling novel in years.

Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self. MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London; THOMAS WILLIAMS is a former curator of Early Medieval Coins at the British Museum. Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams

Heathen gods are hard to find in Old English literature. Most Anglo-Saxon writers had no interest in them, and scholars today prefer to concentrate on the Christian civilization for which the Anglo-Saxons were so famous. Richard North offers an interesting view of Anglo-Saxon and Scandinavian paganism and mythology in the pre-Viking and Viking age. He discusses the pre-Christian gods of Bede's history of the Anglo-Saxon conversion with reference to an orgiastic figure known as Ingui, whom Bede called 'god of this age'. Using expert knowledge of comparative literary material from Old Norse-Icelandic and other Old Germanic languages, North reconstructs the slender Old English evidence in a highly imaginative treatment of poems such as Deor and The Dream of the Rood. Other gods such as Woden are considered with reference to Odin and his family in Old Norse-Icelandic mythology. In conclusion, it is argued that the cult of Ingui was defeated only when the ideology of the god Woden was sponsored by the Anglo-Saxon church. The book will interest students interested in Old English, Old Norse-Icelandic and Germanic literatures, Anglo-Saxon history and archaeology.

This is the first edition of Andreas for 55 years, also the first to present the Anglo-Saxon, or rather Old English, text with a parallel Modern English poetic translation. The book aims not only to provide both students and scholars with an up-to-date text and introduction and notes, but also to reconfirm the canonical merit of Andreas as one of the longest and most important works in Old English literature. The introduction to our text is substantial, re-positioning this poem in respect of nearly six decades' progress in the palaeography, sources and analogues, language, metrics, literary criticism and archaeology of Andreas. The book argues that the poet was Mercian, that he was making ironic reference to Beowulf and that his story of St Andrew converting pagan Mermedonian cannibals was coloured by King Alfred's wars against the Danes (871-9, 885-6, 892-6). Andreas is here dated to Alfred's later reign with such analysis of contexts in history and ideology that the author's name is also hypothesized. The Old English text and Modern English translation of Andreas are presented in a split-page format, allowing students at whatever level of familiarity with the Anglo-Saxon vernacular to gain a direct access to the poem in close to its original form. The translation follows the poem's word order and style, allowing modern readers to feel the imagination, ideology and humour of Andreas as closely as possible. The text of the Old English poem is accompanied by a full set of supporting notes, and a glossary representing the translation.

This is a general study of the development of higher education in Europe from antiquity until the end of the Middle Ages, set against a background of the social and political history of the period. It shows how the slender traditions of ancient learning, kept alive in the monastic and cathedral schools, was enriched by an enormous influx of knowledge from the Islamic world and how in consequence the schools developed into universities. These early institutions are examined from a variety of points of view, as institutions, as places where ideas spread and as points of interaction with local and national authority. Special attention is paid to early intellectual history and to the scientific disciplines and to the everyday life of the students and their teachers. The book is intended as a broad introduction to the subject for students of the history of education, but it will also attract general readers with only a slight knowledge of the subject.

A family of lawyers races to prove the innocence of a convicted killer and halt an execution, in this powerful novel of justice and death-row politics from the #1 New York Times bestselling author of Balance of Power.

Steelton, a struggling midwestern town trying to save its decaying inner city by building a major league baseball stadium. Dark Lady introduces Assistant County Prosecutor Stella Marz, who has escaped her alcoholic father and working class background to become Head of the Prosecutor's homicide unit. Her ambition is to become County Prosecutor. But this ambition, indeed her very survival, is threatened when her ex-lover Jack Kovak, a drug lawyer, is murdered, and Stella leads the investigation. There are more deaths and revelations about Jack Kovak's dealings with the city's crime lord and a trail of wrong-doing that implicates officers of law enforcement, possibly within her own office. As her inquiry draws her into a re-examination of her own complex past, her certainty that she is being watched and followed leads her to fear for her own future.

William Lasko is a self-made millionaire with an eye for wealth and influence, the ear of the president, and a talent for using both to get what he wants. Now the Economic Crime Commission wants Lasko brought down, and US Attorney Christopher Paget is tipped to take on the job.

Two months after the suspicious and much-publicized death of his father on the island of Martha's Vineyard, it is taking all of Adam Blaine's character to suture the deep wounds - both within his family and himself - torn open by the tragedy. Moreover, as the court inquest into Benjamin Blaine's death continues, it is taking all of Adam's cunning to protect those closest to him from figures who still suspect that Adam's father was murdered by one of his kin. But the sternest test of all is Adam's proximity to Carla Pacelli - his late father's mistress; and a woman who, despite being pivotal to his family's plight, Adam finds himself increasingly drawn to. The closer he gets to this beautiful, mysterious woman, the further Adam feels from his troubles. Yet the closer he also comes to revealing the secrets he's strived to conceal, and condemning the people he's fought so hard to protect.

'On September 11, we will destroy one of your cities with a nuclear weapon.' A nuclear warhead disappears. A chilling broadcast follows. A country waits in fear. Yet the broadcast deceives. And, with the world's eyes fixed on America, the true target is dangerously exposed. Agent Brooke Chandler senses the decoy and raises his concern. His superiors are not prepared to listen. Unless he can convince them, one cataclysmic flash of light will signal a dark new dawn of civilization.

"Beowulf & Other Stories "was first conceived in the belief that the study of Old English and its close cousins, Old Icelandic and Anglo-Norman can be a genuine delight, covering a period as replete with wonder, creativity and magic as any other in literature. Now in a fully revised second edition, the collection of essays written by leading academics in the field is set to build upon its established reputation as the standard introduction to the literatures of the time.

"Beowulf & Other Stories" captures the fire and bloodlust of the great epic, Beowulf, and the sophistication and eroticism of the Exeter Riddles. Fresh interpretations give new life to the spiritual ecstasy of The Seafarer and to the imaginative dexterity of The Dream of the Rood, andprovide the student and general reader with all they might need to explore and enjoy this complex but rewarding field. The book sheds light, too, on the shadowy contexts of the period, with suggestive and highly readable essays on matters ranging from the dynamism of the Viking Age to Anglo-Saxon input into The Lord of the Rings, from the great religious prose works to the transition from Old to Middle English. It also branches out into related traditions, with expert introductions to the Icelandic Sagas, Viking Religion and Norse Mythology. Peter S. Baker provides an outstanding guide to taking your first steps in the Old English language, while David Crystal provides a crisp linguistic overview of the entire period.

With a new chapter by Mike Bintley on Anglo-Saxon archaeology and a revised chapter by Stewart Brookes on the prose writers of the English Benedictine Reform, this updated second edition will be essential reading for students of the period."

This is the first edition of Andreas for 55 years, also the first to present the Anglo-Saxon, or rather Old English, text with a parallel Modern English poetic translation. The book aims not only to provide both students and scholars with an up-to-date text and introduction and notes, but also to reconfirm the canonical merit of Andreas as one of the longest and most important works in Old English literature. The introduction to our text is substantial, re-positioning this poem in respect of nearly six decades' progress in the palaeography, sources and analogues, language, metrics, literary criticism and archaeology of Andreas. The book argues that the poet was Mercian, that he was making ironic reference to Beowulf and that his story of St Andrew converting pagan Mermedonian cannibals was coloured by King Alfred's wars against the Danes (871-9, 885-6, 892-6). Andreas is here dated to Alfred's later reign with such analysis of contexts in history and ideology that the author's name is also hypothesized. The Old English text and Modern English translation of Andreas are presented in a split-page format, allowing students at whatever level of familiarity with the Anglo-Saxon vernacular to gain a direct access to the poem in close to its original form. The translation follows the poem's word order and style, allowing modern readers to feel the imagination, ideology and humour of Andreas as closely as possible. The text of the Old English poem is accompanied by a full set of supporting notes, and a glossary representing the translation.