‘Highly readable and packed with fascinating historical detail, this is the compelling story of a ripsnorting South African cricketer whose career was smothered by the shameless colour prejudice of Cecil John Rhodes and his snobbish cronies. By turns formidable, sad, enlivening and enormously informative, this book pays Hendricks the honour that has long been his due.’  – Bill Nasson
 
William Henry ‘Krom’ Hendricks was the first sportsman to be formally barred from representing South Africa on the basis of race. Hailing from Cape Town’s Bo-Kaap, he played in 1892 for the South African Malay team against the touring English, who insisted that he was among the best fast bowlers in the world. This made his exclusion from South Africa’s tour of England in 1894 all the more unjust.
 
Ranged against Hendricks were virulent racism and a political alliance between arch-imperialist Cecil John Rhodes, Afrikaner Bond leader J.H. Hofmeyr, and William Milton, who controlled cricket at the Cape through the Western Province Cricket Union.  Too Black to Wear Whites  documents Hendricks’s tireless struggle for recognition and the public controversies around his exclusion. The book shows how Hendricks was further sidelined as club teams made up of different races were prevented from playing against one another, saving white players the embarrassment of being shown up by the country’s best fast bowler.
 
Considering his importance in South African sports history, surprisingly little is known about Krom Hendricks. The story of his life is told here for the first time in a fascinating drama that describes the formation of a segregated South Africa through the career of an exceptional cricketer who dared to test the boundaries of the system.

Swallows and Hawke is a captivating account of 80 years of compelling cricket. From South Africa's stunning first ever Test win by one wicket in 1907 to Syd Barnes and Herby Taylor locked in iconic combat in 1914, to Cliff Gladwin's scrambled last-ball victory in 1949, all the standout moments are here. On the pitch, the cricketers faced extreme heat and dust, unplayable wickets and a wily and resilient opposition. Off the pitch they inspected mining compounds, were terrified by Zulu dancers and found themselves in jail or chased by rhinos. Over 15 tours the emissaries of Empire bestrode the pavilions of power with mine-owners and politicians, from Kruger to Verwoerd. They turned a blind eye to oppression and resistance and colluded with a new national mythology of white supremacy featuring ox-wagons and Blood River. The cricketing dramas take place within the perennial African struggles over land, labour and freedom as the cricketing relationship between MCC and South Africa forges the bonds of Empire.

This book explores how cricket in South Africa was shaped by society and society by cricket. It demonstrates the centrality of cricket in the evolving relationship between culture, sport and politics starting with South Africa as the beating heart of the imperial project and ending with the country as an international pariah. The contributors explore the tensions between fragmentation and unity, on and off the pitch, in the context of the racist ideology of empire, its 'arrested development' and the reliance of South Africa on a racially based exploitative labour system. This edited collection uncovers the hidden history of cricket, society, and empire in defining a multiplicity of South African identities, and recognises the achievements of forgotten players and their impact.

Sensory Systems documents an engaging group exhibition presented at the Grundy Art Gallery, Blackpool, in autumn 2015. The exhibition is the first in a new annual programme by the gallery each autumn that will revolve around the theme of light, and timed to coincide with the famous Blackpool Illuminations - a six-mile-long outdoor display of lights that has drawn many visitors to the town each year since it was first switched on in 1912. The exhibition and publication feature works by internationally acclaimed artists interested in the technology and science of light, and how this can be used to affect our perceptual experiences of space. Whether through sculpture, projection or immersive architecture, each artwork presented in the exhibition invited a dialogue with the viewer, utilising colour, pattern, movement and other factors to evoke a variety of spatial and sensory experiences. The selection of prominent figures working internationally today who feature in the exhibition and publication are: Angela Bulloch, Rafael Lozano-Hemmer, Ann Veronica Janssens, Anthony McCall and Conrad Shawcross. Among these, Anthony McCall was one of the early pioneers in the field, alongside figures such as James Turrell, Mary Corse, Robert Irwin, Carlos Cruz-Diez and Dan Flavin. McCall, who moved to New York from England in the early 1970s, was highly influential with his 'solid light' installations. In this exhibition and publication, McCall presents You and I, Horizontal (2005), a slowly evolving, curving sculpture made of light. The publication includes a foreword by Richard Parry, Curator at the Grundy Art Gallery, an essay by Dr. Luke Skrebowski, Director of Studies in History of Art at Churchill College at the University of Cambridge, and has been designed by Joe Gilmore / Qubik. The project has been supported by Blackpool Council, Coastal Communities Fund, Arts Council England, and is co-published by the Grundy Art Gallery and Anomie Publishing. The publication is distributed internationally by Casemate Art.

This book explores the governance of the UK, and the process of constitutional change, between Scotland's independence referendum in September 2014 and the UK general election in May 2015. The book contrasts the attitudes of the public, captured through an original survey, with those of politicians, civil servants, and civic leaders, identified through over forty interviews. It pays particular attention to two case studies involving recent changes to the UK's governing arrangements: the Smith Commission and the transfer of further powers to the Scottish Parliament, and Greater Manchester's devolution deal that has become a model for devolution across England. It also considers the issue of lowering the voting age to 16, contrasting the political attitudes of younger voters in Scotland with those in the rest of the UK. The book will be of interest to students and scholars of UK politics, devolution, constitutional change, public attitudes, and territorial politics.

Too Black to Wear White is the compelling story of Krom Hendricks, the first black South African sporting hero. Co-authors Jonty Winch and Richard Parry explore the colonial roots of racism in cricket and the nefarious role Cecil Rhodes played in the origins of segregation when he barred Krom Hendricks from the South African tour to England in 1894. Hendricks's long struggle for recognition exposed a cruel system. It is a compelling human drama. Hendricks played for the South African 'Malay' team against English professionals in 1892. He was, they said, the best fast bowler in the world. He struck fear into the white establishment and targeted elite South African batsmen who feared his express pace and the prospect of humiliation at the hands of a 'coloured' player. Denied the chance to play Test cricket against Lord Hawke's side, his courage, perseverance and passion for cricket never diminished over several decades; and at the age of 60 he led representative 'coloured' teams in fundraisers during the First World War.