Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Crime thriller set in Stalin-era Soviet Russia. In a state where crime isn't supposed to exist, pro-Stalin security officer Leo Demidov (Tom Hardy) begins to investigate a series of child murders. For his ignorance and betrayal of state policy, Leo finds himself demoted and exiled from the country he believed he was perfecting. Nevertheless, the persistent war hero pursues the case with only his wife Raisa (Noomi Rapace) for help. With his loyalty and beliefs shattered, Leo must try to find a killer who supposedly doesn't exist before his victim count rises further. But having been denounced, Leo may be in danger from a force far bigger than the free-roaming killer.

Indigeneity is inseparable from empire, and the way empire responds to the Indigenous presence is a key historical factor in shaping the flow of imperial history. This book is about the consequences of the encounter in the early nineteenth century between the British imperial presence and the First Peoples of what were to become Australia and New Zealand. However, the shape of social relations between Indigenous peoples and the forces of empire does not remain constant over time. The book tracks how the creation of empire in this part of the world possessed long-lasting legacies both for the settler colonies that emerged and for the wider history of British imperial culture.

Indigeneity is inseparable from empire, and the way empire responds to the Indigenous presence is a key historical factor in shaping the flow of imperial history. This book is about the consequences of the encounter in the early nineteenth century between the British imperial presence and the First Peoples of what were to become Australia and New Zealand. However, the shape of social relations between Indigenous peoples and the forces of empire does not remain constant over time. The book tracks how the creation of empire in this part of the world possessed long-lasting legacies both for the settler colonies that emerged and for the wider history of British imperial culture.

Beginning with a high schooler mesmerized by a stay on the Navajo and Hopi reservations and running through the founding of a major university department and the aftermath of a decision, a decade later, to forego permanent academic affiliations, Richard Price's story is told with honesty, humor, and insight into the inner workings of academic politics from the 1960s to the present. Inside/Outside relates his life as an anthropologist, historian, and Caribbeanist-from conducting predawn discussions with Maroon historians deep in the rainforest of Suriname to editing the world's first book series on Atlantic history and culture; from weekly meetings with Claude Levi-Strauss in Paris to long-term collaboration with Sidney Mintz; from adventures at sea with Martiniquan fishermen to negotiating the ivory towers of Harvard, Yale, and Johns Hopkins; from explorations of the art of Romare Bearden to number crunching from the Trans-Atlantic Slave Trade Database. It is a tale of life experiences and often-unconventional life decisions, inside (and outside) the academic world. Readers look over Price's shoulders-and those of his wife and research partner, Sally Price-as he developed the ideas for some of the twentieth- and twenty-first century's most important books in the fields of history, anthropology, and Caribbean studies.

For more than four centuries, communities of maroons (men and women who escaped slavery) dotted the fringes of plantation America, from Brazil through the Caribbean to the United States. Today their descendants still form semi-independent enclaves- in Jamaica, Brazil, Colombia, Belize, Suriname, Guyane, and elsewhere-remaining proud of their maroon origins and, in some cases, faithful to unique cultural traditions forged during the earliest days of Afro-American history. In 1986, expelled by the military regime of Suriname, anthropologists Richard and Sally Price turned to neighboring Guyane (French Guiana), where thousands of Maroons were taking refuge from the Suriname civil war. Over the next fifteen years, their conversations with local people convinced them of the need to replace the pervasive stereotypes about Maroons in Guyane with accurate information. In 2003, Les Marrons became a local best seller. In 2020, after a series of further visits, the Prices wrote a new edition taking into account the many rapid changes. Available for the first time in English, Maroons in Guyane reviews the history of Maroon peoples in Guyane, explains how these groups differ from one another, and analyzes their current situations in the bustling, multicultural world of this far-flung outpost of the French Republic. A gallery of the magnificent arts of the Maroons completes the volume.

'A masterpiece' MARTIN AMIS 'The best book about homicide detectives by an American writer' NORMAN MAILER Based on a year on the killing streets of Baltimore, David Simon's true crime masterpiece reveals a city few will ever experience. Day in day out citizens are shot, stabbed, or bludgeoned to death. At the centre of this hurricane of crime is the city's homicide unit, a small brotherhood of men who fight for whatever justice is possible in a deadly world.

Late Gifts is a joyful and anxious book. The eponymous late gift, this book's occasion, is a son, born to a middle-aged father. How does this change his sense of present and future, of time itself? The poet focuses on this demanding and joyful relationship in terms that are funny and re-energising, his world renewed. The child’s future makes more urgent environmental and politics themes that have long been a concern for the poet. Price, a versatile and experimental writer, develops new forms for his subject matter. The lyric investigates the visual disposition of the poem – the use of white spaces – and the possibilities of the prose poem. This, Price's first collection in six years, is direct and idiomatic in style.

A postmodern romp through the rain forest, "Equatoria" is both travelog and cultural critique. On the right-hand pages, the Prices chronicle their 1990 artefact-collecting expedition up the rivers of French Guiana, and on the left, they feature extracts from the works of Jonathan Swift, Joseph Conrad, Gabriel Garcia-Marquez, Alex Haley, James Clifford, Eric Hobsbawm, Germaine Greer and even the noted anthropologist James Goodfellow (who asks for more sex). Also included are quotes from the nurses, doctors, tourists, convicts and countless others who live in the French penal colony-turned-space center in tropical South America. Charged with acquiring objects for a new museum, the Prices kept a log of their day-to-day adventures and misadventures, constantly confronting their ambivalence about the act of collecting, the very possibility of exhibiting cultures and the future of anthropology.

When Richard and Sally Price stepped out of the canoe to begin their fieldwork with the Saamaka Maroons of Suriname in 1966, they were met with a mixture of curiosity, suspicion, ambivalence, hostility, and fascination. With their gradual acceptance into the community they undertook the work that would shape their careers and influence the study of African American societies throughout the hemisphere for decades to come. In Saamaka Dreaming they look back on the experience, reflecting on a discipline and a society that are considerably different today. Drawing on thousands of pages of field notes, as well as recordings, file cards, photos, and sketches, the Prices retell and comment on the most intensive fieldwork of their careers, evoke the joys and hardships of building relationships and trust, and outline their personal adaptation to this unfamiliar universe. The book is at once a moving human story, a portrait of a remarkable society, and a thought-provoking revelation about the development of anthropology over the past half-century.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

In the 1970s, Frank Lucas was the king of the Harlem drug trade, bringing in more than a million dollars a day. There were so many heroin addicts buying from him on 116th Street that he claimed the Transit Authority had to change the bus routes to avoid them. He lived a glamorous life, hobnobbing with athletes, musicians, and politicians, but Lucas was also a ruthless gangster. He was notorious for using the coffins of dead GIs to smuggle heroin into the United States and before his fall, when he was sentenced to seventy years in prison, he played a major role in the near death of New York City. In American Gangster, Mark Jacobson's captivating account of the life of Frank Lucas (the basis for the forthcoming major motion picture) joins other tales of New York City from the past thirty years. The collection features a number of Jacobson's most famous essays, as well as previous unpublished work and recent articles on 9/11 conspiracy theorists, America's #1 escort, and Harlem's own Charlie Rangel, the new chairman of the House Ways and Means Committee. American Gangster is a vibrant, intoxicating, many-layered portrait of one of the most fascinating cities in the world, by one of the most acclaimed journalists of our time.

A The Scotsman Book of the Year 2021. In re-telling the Inuit stories included here, Richard Price opens out remarkable northern vistas and unfamiliar narratives, strange gods and unforgettable characters. Carol Rumens described Price as a poet who is 'brilliant quietly: inventive, sometimes dazzling, but never merely showy': precisely the talents for rendering, rather than appropriating these great story-cycles of Inuit culture. Here we learn of 'Sedna the Sea Goddess' and 'Kiviuq the Hunter', the central protagonists of the book's remarkable stories. They are rich in extraordinary incident. In Sedna's world women can marry dogs and have half-puppy, half-human children; birds beat their wings so hard they call down a storm on a fugitive kayak; walruses originate from... well that would be telling. Each story-cycle abounds in natural wonder, celebrating our creaturely relations with our fellow inhabitants of land and sea. 'The Old Woman Who Changed Herself into a Man', a short narrative, bridges the major sequences, telling the story of an older woman and a younger one who become lovers in the isolation of their remote home.