This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ On The Gift Of The Sheepshanks Collection: With A View To The Formation Of A National Gallery Of British Art Richard Redgrave Chapman and Hall, 1857 Art; Collections, Catalogs, Exhibitions; Art / Collections, Catalogs, Exhibitions; Art / European; Art museums; Art, British

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER II. WILLIAM HOGARTH. The great Founder of the English School?His personal Appearance and Character?The true Originality of his Art?The " Marriage a la Mode " described?Its clever Accessaries and Storied Back-grounds?The First and Last Scenes analysed?His great Merits as an Artist? Invention?Colour and Characterstic Drawing?Description of an Interesting Work in Hogarth's Manner hitherto overlooked. In the preceding chapter, reserving one great name for separate consideration in this, we have traced the progress of art, and have described the state into which, during the first part of the last century, it had fallen in this country?fallen step by step lower and lower as each succeeding painter studied his predecessor rather than nature?either painting by the yard on the walls of hall or palace worn-out allegories, compounded of vapid commonplaces which had formed the stock properties of a long succession of mere decorators; or, in portrait, striving to catch the fashionable manner, the stale airs and graces of poor humanity, rather than honest individual expression, which, be it noble or mean, has in its native truth a charm that fashion cannot improve, but surely destroys. "When things are at the worst they will mend," and truly things were at the worst, so far as art goes, when sturdy William Hogarth (born in London in 1697), HOGARTH, THE REFORMER OF ART. 45 after passing honestly through his seven years' apprenticeship as an engraver on silver plate, began to think for himself, and found that copper, under the influence of true art, far transcended silver merely graven with fine lines and dead repetitions. Began to think for himself !?here is the true master-key?began to look at the world around him instead of at dark canvases, pictures over which Time h...