Practicing Culture seeks to revitalize the field of cultural sociology with an emphasis not on abstract theoretical debates but on showing how to put theoretical sources to work in empirical research. Culture is not just products and representations but practices. It is made and remade in countless small ways and occasional bursts of innovation. It is something people do - and do in rich variety and distinctive contexts as engaging case studies from the book reveal. For example: in Russia's most Western city, Kaliningrad, residents dig for artifacts symbolizing a German past - even though their parents only migrated to what was once Konigsberg after WWII in the USA, fans of professional wrestling pride themselves on being smart enough to know how much is trickery and how the tricks work yet still believe in the contest. Practicing Culture will reshape and invigorate the sociology of culture, not only through internal development, but through enhanced connections to the interdisciplinary social theory and to related fields like the sociology of knowledge and ethnography. It will prove an essential tool for students and researchers of cultural theory, contemporary social theory and cultural sociology.

In 1970, Richard Sennett published the groundbreaking The Uses of Disorder, arguing that the ideal of a planned and ordered city was flawed. Fifty years later, Sennett returns to these still fertile ideas and, alongside campaigner and architect Pablo Sendra, sets out an agenda for the design and ethics of the Open City. The public spaces of our cities are under siege from planners, privatisation and increased surveillance. Our streets are becoming ever more lifeless and ordered. What is to be done? Can disorder be designed? In this provocative essay Sendra and Sennett propose a reorganisation of how we think and plan the social life of our cities. 'Infrastructures of disorder' combine architecture, politics, urban planning and activism in order to develop places that nurture rather than stifle, bring together rather than divide up, remain open to change rather than closed off.

Practicing Culture seeks to revitalize the field of cultural sociology with an emphasis not on abstract theoretical debates but on showing how to put theoretical sources to work in empirical research. Culture is not just products and representations but practices. It is made and remade in countless small ways and occasional bursts of innovation. It is something people do - and do in rich variety and distinctive contexts as engaging case studies from the book reveal. For example;

• in Russia's most Western city, Kaliningrad, residents dig for artifacts symbolizing a German past - even though their parents only migrated to what was once Konigsberg after WWII
• in the USA, fans of professional wrestling pride themselves on being smart enough to know how much is trickery and how the tricks work yet still believe in the contest.

Practicing Culture will reshape and invigorate the sociology of culture not only through internal development but through enhanced connections to the interdisciplinary social theory and to related fields like the sociology of knowledge and ethnography. It will prove an essential tool for students and researchers of cultural theory, contemporary social theory and cultural sociology.

In The Corrosion of Character, Richard Sennett, "among the country's most distinguished thinkers . . . has concentrated into 176 pages a profoundly affecting argument" (Business Week) that draws on interviews with dismissed IBM executives, bakers, a bartender turned advertising executive, and many others to call into question the terms of our new economy. In his 1972 classic, The Hidden Injuries of Class (written with Jonathan Cobb), Sennett interviewed a man he called Enrico, a hardworking janitor whose life was structured by a union pay schedule and given meaning by his sacrifices for the future. In this new book-a #1 bestseller in Germany-Sennett explores the contemporary scene characterized by Enrico's son, Rico, whose life is more materially successful, yet whose work lacks long-term commitments or loyalties. Distinguished by Sennett's "combination of broad historical and literary learning and a reporter's willingness to walk into a store or factory [and] strike up a conversation" (New York Times Book Review), this book "challenges the reader to decide whether the flexibility of modern capitalism . . . is merely a fresh form of oppression" (Publishers Weekly, starred review). Praise for The Corrosion of Character: "A benchmark for our time."-Daniel Bell "[A]n incredibly insightful book."-William Julius Wilson "[A] remarkable synthesis of acute empirical observation and serious moral reflection."-Richard Rorty "[Sennett] offers abundant fresh insights . . . illuminated by his concern with people's struggle to give meaning to their lives."-[Memphis] Commercial Appeal

When first published in 1970, The Uses of Disorder, was a call to arms against the deadening hand of modernist urban planning upon the thriving chaotic city. Written in the aftermath of the 1968 student uprising in the US and Europe, it demands a reimagination of the city and how class, city life and identity combine. Too often, this leads to divisions, such as the middle class flight to the suburbs, leaving the inner cities in desperate straits. In response, Sennett offers an alternative image of a "dense, disorderly, overwhelming cities" that allow for change and the development of community. Fifty years later this book is as essential as it was when it first came out, and remains an inspiration to architects, planners and urban thinkers everywhere.

"The Lonely Crowd . . . remains not only the best-selling book by a professional sociologist in American history, but arguably one that has had the widest influence on the nation at large."-Orlando Patterson, New York Times Considered by many to be one of the most influential books of the twentieth century, The Lonely Crowd opened exciting new dimensions in our understanding of the problems confronting the individual in twentieth-century America. Richard Sennett's new introduction illuminates the ways in which Riesman's analysis of a middle class obsessed with how others lived still resonates in the age of social media. "Indispensable reading for anyone who wishes to understand American society. After half a century, this book has lost none of its capacity to make sense of how we live."-Todd Gitlin "One of the most important books of the twentieth century."-Gideon Lewis-Kraus, New Yorker "Brilliant and original."-Arthur M. Schlesinger, Jr. "The Lonely Crowd remains at least as instructive now as it was in 1950, all the more so as the reality it perceived closes in on us."-Jonathan Yardley, New Republic

In this reissue of the 1972 classic of social anatomy, Richard Sennets adds a new introduction to shows how the injuries of class persist into the 21st century. In this intrepid, groundbreaking book, Richard Sennett and Jonathan Cobb uncover and define a new form of class conflict in America?an internal conflict in the heart and mind of the blue-collar worker who measures his own value against those lives and occupations to which our society gives a special premium.The authors conclude that in the games of hierarchical respect, no class can emerge the victor; and that true egalitarianism can be achieved only by rediscovering diverse concepts of human dignity. Examining personal feelings in terms of a totality of human relations, and looking beyond the struggle for economic survival, The Hidden Injuries of Class takes an important step forward in the sociological critique of everyday life.

Provocative and enlightening, Richard Sennett's The Craftsman is an exploration of craftsmanship - the desire to do a job well for its own sake - as a template for living. Most of us have to work. But is work just a means to an end? In trying to make a living, have we lost touch with the idea of making things well? Pure competition, Sennett shows, will never produce good work. Instead, the values of the craftsman, whether in a Stradivari violin workshop or a modern laboratory, can enrich our lives and change the way we anchor ourselves in the world around us. The past lives of crafts and craftsmen show us ways of working - using tools, acquiring skills, thinking about materials - which provide rewarding alternative ways for people to utilise their talents. We need to recognize this if motivations are to be understood and lives made as fulfilling as possible. 'Lively, engaging and pertinent ... a lifetime's learning has gone into the writing of this book' Roger Scruton, Sunday Times 'An enchanting writer with important things to say' Fiona MacCarthy, Guardian 'Enthralling ... Sennett is keen to reconnect thinking with making, to revive the simple pleasure in the everyday object and the useful task. There is something here for all of us' Edwin Heathcote, Financial Times 'A masterpiece' Boyd Tonkin, Independent Richard Sennett's previous books include The Fall of Public Man, The Corrosion of Character, Flesh and Stone and Respect. He was founder director of the New York Institute for the Humanities, and is now University Professor at New York University and Academic Governor and Professor of Sociology at the London School of Economics.

An exploration of public performance in everyday life, by the leading cultural and social thinker 'All the world's a stage' declares the melancholy Jacques in Shakespeare's As You Like It. Today that's an unhappy thought. A cluster of demagogues has recently dominated the public realm through their powers as actors; they are brilliant performers. More unsettling, the demagogue, the dancer, the musician all share the same non-verbal realm of bodily gestures, lighting and blocking, costuming, stage architecture. So too, the roles and rituals of everyday life and everyday acting can be malign or sublime, repressive or liberating. Performing constitutes one art - an ambiguous art. In this book, the acclaimed sociologist Richard Sennett explores uncomfortable connections between performances in life, art, and politics. He draws on his own early career as a professional cellist as well on histories both Western and non-Western. He is not a pessimist; at the end of his study, he shows how this ambiguous art might become more ethical.

A sweeping, farsighted study of the changing nature of public culture and urban society, The Fall of Public Man spans more than two centuries of Western sociopolitical evolution and investigates the causes of our declining involvement in political life. Richard Sennett’s insights into the danger of the cult of individualism remain thoroughly relevant to our world today. In a new epilogue, he extends his analysis to the new “public” realm of social media, questioning how public culture has fared since the digital revolution.

Are we now so self-absorbed that we take little interest in the world beyond our own lives? Or has public life left no place for individuals to participate?

The Fall of Public Man examines the imbalance between private and public experience, and the decline of involvement in political life in recent decades. Tracing the changing nature of urban society from the eighteenth century to the world we now live in, Richard Sennett discusses the causes of our social withdrawal and asks what can bring us to reconnect with our communities. His landmark study of the imbalance of modern civilization provides a fascinating perspective on the relationship between public life and the cult of the individual.

Living with people who differ - racially, ethnically, religiously or economically - is one of the most urgent challenges facing civil society today. Together argues that co-operation needs more than good will: it is a craft that requires skill. In modern society traditional bonds are waning, and we must develop new forms of secular, civic ritual that make us more skilful in living with others. From Medieval guilds to today's social networks, Richard Sennett's visionary book explores the nature of co-operation, why it has become weak and how it can be strengthened.

Richard Sennett's Respect: The Formation of Character in an Age of Equality is a provocative and timely examination of the forces that erode respect in modern society. 'Unlike food, respect costs nothing. Why, then, should it be in short supply?' Respect can be attained by gaining success, by developing talents, through financial independence and by helping others. But, Sennett argues, many who are not able to achieve the demands of today's meritocracy lose the esteem that should be given to them. From his childhood in a poor Chicago housing project to the contrasting methods of care practised by a nun and a social worker, from the harmonious interaction of musicians to the welfare system, Sennett explores the ways in which mutual respect can forge bonds across the divide of inequality. 'One of the boldest social thinkers of his generation ... [Sennett] has a genius for revealing the roots of our discontents' Boyd Tonkin, Independent 'Dazzling ... an elegant mix of interview, anecdote and wide research' Jenny Turner, Guardian 'This is the voice of a prophet' Scott McLemee, Washington Post 'Wise and humane ... Sennett has set his sights on that most daring of missions: to make the world a better place' Alain de Botton, Daily Telegraph 'Wholly engrossing ... [Sennett] explores ways of preserving an equality of respect' Alan Ryan, New York Review of Books Richard Sennett's previous works include The Fall of Public Man, The Corrosion of Character, Respect, Flesh and Stone and The Craftsman. He taught for many years at the New York Institute of the Humanities and is now a Professor at the London School of Economics.