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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Biocompatibility of Dental Biomaterials details and examines the
fundamentals of biocompatibililty, also including strategies to
combat it. As biomaterials used in the mouth are subject to
different problems than those associated with the general in vivo
environment, this book examines these challenges, presenting the
latest research and forward-thinking strategies.
Combining natural history with beguiling autobiographical and
historical narrative, To Sea and Back is a dazzling portrait of a
fish whose story is closely intertwined with our own.
'Indispensable and powerful... To Sea and Back mingles history with
biography and science... Shelton writes with a poet's ear... A
writer to be prized.'-- Tom Adair, Scotsman The Atlantic salmon is
an extraordinary and mysterious fish. In To Sea and Back, Richard
Shelton combines memoir and deep scientific knowledge to reveal,
from the salmon's point of view, both the riverine and marine
worlds in which it lives. He explores this iconic fish's journey to
reach its feeding grounds in the northern oceans before making the
return over thousands of miles to the burns of its birth to
reproduce. Along the way, Shelton describes the feats of
exploration that gave us our first real understanding of the
oceans, and shows how this iconic fish is a vital indicator of the
health of our rivers and oceans. Above all, To Sea and Back is the
story of Richard Shelton's lifelong passion for the sea and his
attempt to solve the perennial enigmas of the salmon's secret life.
In Shelton’s fourth collection of poems, he writes of the desert
Southwest, and through it gives his unique view of the world. The
poems speak of landscape, marriage, freedom, and death.
While Shelton has been known primarily for his poems dealing with
the landscape of the Southwest and the destruction of that
landscape, the poems in this book are much more far-ranging,
including many poems dealing with soocial issues (the issue of
illegal immigration on our southern border, homelessness),
historical events (the war in Iraq, the events of 9/11) and
attitudes concerning politics and the environment. The poems are
filled with sensory images, engaged in the real world, often ironic
or simply off-the-wall, and their tone ranges from deeply sad, as
in a requiem for Glen Canyon on the Colorado River, to the wildly
funny, as in "Brief Communications from My widowed Mother."
Shelton says of his work: "I consider myself a regionalist and a
surrealist. I have lived in the desert for ten years and hope that
my work reflects that fact." In the forty-seven poems in this
collection the poet moves backward and forward through time but
always in the same landscape, the desert-mountains of southern
Arizona, which foster his surrealistic view of his interior
conflict. He is followed by peculiarly insistent voices from the
past.
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