In Hochschulen, Bibliotheken, Erwachsenenbildungseinrichtungen, Bildungs- und Kulturzentren sowie kulturellen Einrichtungen wie Museen werden neue Lernumgebungen sowohl für den physischen als auch den digitalen Raum konzipiert. In dieser Reihe werden nicht nur didaktisch-methodische Settings vorgestellt, sondern auch die organisatorische, bauliche und digitale Gestaltung von Lernräumen. Unter den Perspektiven Lernen, Lehren und Wissensgenerierung entsteht so ein ganzheitliches Verständnis von Lernwelten. Editorial Board Prof. Dr. Karin Dollhausen (Deutsches Institut für Erwachsenenbildung, Bonn) Olaf Eigenbrodt (Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky) Dr. Volker Klotz (Amt für Bibliotheken und Lesen, Bozen) Prof. Dr. Katrin Kraus (Universität Zürich) Dr. Bernd Schmid-Ruhe (Hochschule der Medien Stuttgart) Dr. André Schüller-Zwierlein (Universitätsbibliothek der Universität Regensburg) Prof. Dr. Frank Thissen (Hochschule der Medien, Stuttgart)

The buzzwords "Information Society" and "Age of Access" suggest that information is now universally accessible without any form of hindrance. Indeed, the German constitution calls for all citizens to have open access to information. Yet in reality, there are multifarious hurdles to information access - whether physical, economic, intellectual, linguistic, political, or technical. Thus, while new methods and practices for making information accessible arise on a daily basis, we are nevertheless confronted by limitations to information access in various domains. This book series assembles academics and professionals in various fields in order to illuminate the various dimensions of information's inaccessibility. While the series discusses principles and techniques for transcending the hurdles to information access, it also addresses necessary boundaries to accessibility.

If there is any English critic worth reading on Modernism it is Ford Madox Ford, whose Critical Essays remind us that he was one of the first to admire Joyce's Ulysses and one of the bravest to argue with E.M. Forster. --The Times (London) This collection contains more unexpected fun, more delighted, chatty wisdom, than any other book of criticism you could think of. --The Guardian In Critical Essays, a new selection of Ford's previously uncollected writings on literature and art, there are sweeping dicta aplenty. --The American Scholar Critical Essays showcases a critic whom Ezra Pound called in 1914, the best critic in England, one might say the only critic of any importance. This volume provides access to the best of Ford Madox Ford's essays. The essays are arranged chronologically and span nearly forty years--covering most of Ford's writing life. Saunders and Stang have included essays, literary portraits, and book reviews that Ford published in the English Review, The Tribune, The Bystander, The Outlook, Piccadilly Review, the Transatlantic Review, and the Chicago Tribune Sunday Magazine, among other places.