Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

(Vocal Collection). This collection for progressing students includes art songs, as well as arrangements of folksongs and spirituals. ART SONGS Anonymous: Pastime with good company * Campian: Jack and Joan * Dowland: Come again, sweet love * Dowland: What if I never speed * Gibbons: The Silver Swan * Ireland: Spring Sorrow * Lawes: How happy art thou * Morley: It was a lover and his lass * Morley: Now is the month of Maying * Purcell: I attempt from love's sickness * Purcell: Nymphs and Shepherds * Quilter: Weep you no more * Vaughan Williams: The Call * Vaughan Williams: Bright is the ring of words * FOLKSONGS/SPIRITUALS All Through the Night (arr. Nicholl) * The Gospel Train (Walters) * Greensleeves (arr. Stanley) * He's Got the Whole World in His Hands (arr. Boyd) * How Can I Keep from Singing (arr. Ruck) * I gave my love a cherry (arr. Dean) * Jacob's Ladder (arr. Walters) * My Lord, What a Mornin' (arr. Burleigh) * Shenandoah (arr. Walters) * Sometimes I Feel Like a Motherless Child (arr. Walters) * This Little Light of Mine (arr. Ruck).

(Vocal Collection). The world's most trusted source for authentic editions of theatre music for singers has expanded with yet another volume. Many of the songs are found in no other collections. The 40 songs in each volume are in the original keys, excerpted from vocal scores and piano/conductor rehearsal scores. Includes both recent shows and a deeper look into classic musicals. Includes: THE APPLE TREE: What Makes Me Love Him * BARNUM: Love Makes Such Fools of Us All * CANDIDE: Glitter and Be Gay * DIRTY ROTTEN SCOUNDRELS: Nothing Is Too Wonderful to Be True * DO RE MI: Cry like the Wind * THE DROWSY CHAPERONE: Bride's Lament * FIDDLER ON THE ROOF: Matchmaker * FUNNY FACE: He Loves and She Loves * GREY GARDENS: Daddy's Girl * Will You? * Around the World * Another Winter in a Summer Town * JUBILEE: Begin the Beguine * KISMET: Baubles, Bangles and Beads * LADY, BE GOOD : Fascinating Rhythm * The Man I Love * THE LIFE: I'm Leaving You * THE LIGHT IN THE PIAZZA: The Beauty Is * Fable * LITTLE WOMEN: Some Things Are Meant to Be * MARY POPPINS: Practically Perfect * Anything Can Happen * MR. PRESIDENT: The Secret Service * MYTHS AND HYMNS: How Can I Lose You? * OKLAHOMA : People Will Say We're in Love * ON THE TWENTIETH CENTURY: Never * PETER PAN: Who Am I? * My House * ROSALIE: How Long Has This Been Going On? * SHE LOVES ME: No More Candy * 1600 PENNSYLVANIA AVENUE: Take Care of This House * SONGS FOR A NEW WORLD: The Flagmaker, 1775 * SPRING AWAKENING: Whispering * STRIKE UP THE BAND: I've Got a Crush on You * SUNSET BOULEVARD: Too Much in Love to Care * WEST SIDE STORY: I Feel Pretty * Somewhere * WICKED: Let Us Be Glad * Thank Goodness * not from a show: The Girl in 14G.

The world's most trusted source for great theatre literature for singing actors. The CDs include piano accompaniments. The book features authentic editions of each song in the original keys. The songs have been carefully chosen for each voice type and are culled from a wide selection of classic and contemporary shows.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1781 edition. Excerpt: ... the Commodore could proceed . to England, without laying in a large quantity both of provisions and naval stores for his use during the voyage. The procuring this supply was attended with much perplexity; for there were people at Canton who had undertaken to surniih him with biscuit, and whatever else he wanted; and nis linguist, towards the middle of September, had assured him from day to day, that all w DEGREESs ready, and would be sent on board him immediately. But a fortnight being elapsed, and nothing brought, the Commodore lent to Canton, to enquire more particularly into the reasons of this difappointment: and he had soon the vexation to be informed, that the whole was an illusion; that no order had been procured from the viceroy, to furnish him with his sea stores, as had been pretended; that there was no biscuit baked, nor any one of the articles in readiness, which had been promised him, nor did it appear that the contractors had taken the least step to comply with their agreement. This was most difagreeable news, and made it suspected, that the surnishing the Centurion for her return to Great Britain might prove a more troublesome matter than had been hitherto imagined, especially too, as the month of September was nearly ended, without Mr Anson's having received any message fronAhe viceroy of Canton. And here, perhaps it might be expected, that a satisfactory account should be given of the motives of the Chinese for this faithltss procedure. However, as I have already, in a former chapter, made some kind of conjectures about a similar event, I shall not repeat them again in this place; but shall content myseif with observing, that, after all, it may perhaps be impossible for an European, ' aorant of the customs and manners of...

A private citizen discovers compelling evidence that a decades-old murder in Nashville was not committed by the man who went to prison for the crime but was the result of a conspiracy involving elite members of Nashville society. Nashville 1964. Eighteen-year-old babysitter Paula Herring is murdered in her home while her six-year-old brother apparently sleeps through the grisly event. A few months later a judge's son is convicted of the crime. Decades after the slaying, Michael Bishop, a private citizen,stumbles upon a secret file related to the case and with the help of some of the world's top forensic experts--including forensic psychologist Richard Walter (aka "the living Sherlock Holmes")--he uncovers the truth. What really happened is completely different from what the public was led to believe. Now, for the very first time, Bishop reveals the true story. In this true-crime page-turner, the author lays out compelling evidence that a circle of powerful citizens were key participants in the crime and the subsequent cover-up. The ne'er-do-well judge's son, who was falsely accused and sent to prison, proved to be the perfect setup man. The perpetrators used his checkered history to conceal the real facts for over half a century. Including interviews with the original defense attorney and a murder confession elicited from a nursing-home resident, the information presented here will change Nashville history forever.

(Vocal Collection). Most voice teachers and singers still prefer the pianistic, wonderfully gratifying editions made by Alessandro Parisotti (1853-1913) of early Italian arias. This newly researched edition, with updated composer attributions, features new, clean music engravings. The collection includes the original contents of 24 Italian Songs and Arias of the Seventeenth and Eighteenth Centuries plus four additional Parisotti editions. Also includes international phonetic alphabet for each song text, word for word translations for study, historical introduction for each aria, and a preface on Parisotti and his approach to this music. This compilation includes the High, Medium High, Medium, Medium Low, and Low editions in one book, perfect for teacher reference. The "Complete" set is comparable to a retail price of $49.95 if components are bought separately.

This volume presents 31 duets from 27 classic to contemporary shows, for various voice combinations. Songs from Aida, Cabaret, Chicago, Guys and Dolls, Hairspray, The Last Five Years, The Phantom of the Opera, The Producers, Show Boat, Spamalot, Wicked, and other shows.

Custom arrangements for voice and piano in two keys, High Voice and Low Voice, including Caroling, Caroling * The Christmas Song * Do You Hear What I Hear * Gesu Bambino * Go, Tell It on the Mountain * I Heard the Bells on Christmas Day * I Wonder as I Wander * I'll Be Home for Christmas * O Holy Night * Silver Bells * Some Children See Him * White Christmas.

M Programming: A Comprehensive Guide is a complete update to ABCs of MUMPS. While ABCs of MUMPS was an introduction for novice and intermediate M programmers, M Programming: A Comprehensive Guide has a new section containing advanced material. This new section addresses features such as transaction processing, networking, structured system variables, and interfaces to other standards. Five new chapters have been added, covering an overview of M for readers familiar with other languages; M and the Windows environment; interaction between M and the underlying system; transaction processing; interfacing M with other standards; and error handling. Sections on interactive programming and futures have been extensively updated. M Programming: A Comprehensive Guide is an invaluable resource for everyone who is learning or using M.

. Includes section on advanced programming
. Completely updated for the 1995 standard

Compiled and edited by Steven Stolen and Richard Walters, this collection has been specifically compiled to be extraordinarily useful to student singers. 17 composers are represented with historical information and 34 songs. Contents: As I Walked Forth One Summer Day * Blow, Blow, Thou Winter Wind * Come and Trip It * Diaphenia * Fain Would I Change That Note * Fair, If You Expect Admiring * Flow My Tears * Hark! the Echoing Air * Have You Seen but a White Lily Grow? * Here amid the Shady Woods * How Happy Art Thou * I Attempt from Love's Sickness to Fly * I'll Sail upon the Dog Star * If Music Be the Food of Love * In Sherwood Lived Stout Robin Hood * It Was a Lover and His Lass * Jack and Joan * Let Me Wander Not Unseen * My Lovely Celia * Nymphs and Shepherds * O Come, O Come, My Dearest * Pastime with Good Company * Rest Sweet Nymphs * The Silver Swan * Since First I Saw Your Face * Tell Me No More * Thou Soft Flowing Avon * Weep You No More, Sad Fountains * What If I Never Speed * When Daisies Pied * When Laura Smiles * Where E'er You Walk * Whither Runneth My Sweetheart? * Willow Song.

This edition presents 65 diverse songs by major composers of German art song, or lieder, and is the perfect one-volume lieder source for voice students. All the songs are new Vocal Library editions. Historical notes about the relevant history and background of each song are included, as are line-by-line translations for study. A select committee of experienced voice teachers was consulted to choose the most essential and vocally instructive songs in compiling this collection. Composers represented: Beethoven, Brahms, Franz, Gustav Mahler, Alma Mahler, Fanny Hensel, Mendelssohn, Mozart, Schubert, Clara Schumann, Robert Schumann, Strauss, Wolf. Co-editor Dr. Virginia Saya, on the faculty of Loyola Marymount University, is a musicologist with a special interest in lieder. This collection includes the first American edition of Funf Ophelia Lieder by Brahms. 288 pages, sewn binding.

This book addresses the emerging field of genderqueer or non-binary genders - that is, individuals who do not identify as male or female. It considers theoretical, research, practice, and activist perspectives; and outlines a basis for good practice when working with non-binary individuals. The first section provides an overview of historical, legal and academic aspects of this phenomenon. The second section explores how psychotherapeutic, psychological and psychiatric theory and practice are adapting to a non-binary model of gender, and the third section considers the body related aspects, from endocrinology to surgery. This work will appeal to a wide readership, from practitioners working with non-binary individuals - including psychologists, surgeons, social workers, nurses, psychiatrists, endocrinologists, psychotherapists and counselors, lawyers, and healthcare workers - to researchers interested in the study of gender identities, to students and gender activists.

(Vocal Collection). The most comprehensive, multi-volume collection of Sondheim songs ever published. Each volume has a different contents list. The volumes include songs in original keys, and appropriate transpositions. Each volume includes an extensive introductory section, with plot synopses and comments from Sondheim about songs and shows.

(P/V/G Composer Collection). The first definitive collection of Sondheim's songs, with selections from Anyone Can Whistle, Assassins, Company, Dick Tracy, Evening Primrose, Follies, The Frogs, A Funny Thing Happened on the Way to the Forum, Into the Woods, A Little Night Music, Merrily We Roll Along, Pacific Overtures, Passion, Road Show, Saturday Night, Sunday in the Park with George, and Sweeney Todd. Includes detailed notes about the shows and films.

A substantial new edition of this beloved art song literature, standard fare for collegiate singers. Historical notes are included for each song, and a line by line English translation for study. George Seurat's great painting "Sunday Afternoon on the Island of La Grande Jatte" adorns the cover.