Five decades of work by groundbreaking Indigenous artist Jaune Quick-to-See Smith Throughout her career as artist, activist, and educator, Jaune Quick-to-See Smith (b. 1940) has forged a personal yet accessible visual language she uses to address environmental destruction, war, genocide, and the misreading of the past. An enrolled Salish member of the Confederated Salish and Kootenai Nation, Smith cleverly deploys elements of abstraction, neo-expressionism, and pop, fusing them with Indigenous artistic traditions to upend commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Her drawings, prints, paintings, and sculptures blur categories and question why certain visual languages attain recognition, historical privilege, and value, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.�  Also central to Smith’s work and thinking is the land and she emphasizes that Native people have always been part of the land: “These are my stories, every picture, every drawing is telling a story. I create memory maps.� The publication illustrates nearly five decades of Smith’s work in all media, accompanied by essays and short texts by contemporary Indigenous artists and scholars on each of Smith’s major bodies of work. Distributed for Whitney Museum of American Art   Exhibition Schedule: Whitney Museum of American Art, New York April 19–August 13, 2023 Modern Art Museum of Fort Worth October 15, 2023–January 7, 2024 Seattle Art Museum February 15–May 12, 2024  

One of today's most important documentary filmmakers, Alanis Obomsawin has dedicated her life's work to shining a light on the injustices experienced by Canada's Indigenous peoples. This retrospective monograph features an extensive interview with Obomsawin and includes images and written reflections on her entire career, including her most recent series devoted to the rights of Indigenous children. Never shying away from controversy, Obomsawin's films have played a critical role in exposing ongoing systemic bias toward Indigenous populations-from fishing rights and education to health care and treaty violations. Obomsawin is also a graphic artist, and she incorporates her often dream-inspired etchings and prints into many of her films. The book includes illuminating essays exploring Obomsawin's practice and mission as well as personal commentary from collaborators, archival material, and photographs from the filmmaker's personal life and professional practice. As Obomsawin approaches her ninth decade of life-fifth behind the camera-this beautifully illustrated record of her astounding body of work is an inspiring celebration of the power of film to change the course of history. Authors include Karrmen Crey, Richard Fung, Monika Kin Gagnon, Candice Hopkins, Jessica L. Horton, Elizabeth Povinelli, Lisa Steele, and Jesse Wente.