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Eight Miles High documents the evolution of the folk-rock movement from mid-1966 through the end of the decade. This much-anticipated sequel to Turn! Turn! Turn!(00330946) - the acclaimed history of folk-rock's early years - portrays the mutation of the genre into psychedelia via California bands like the Byrds and Jefferson Airplane; the maturation of folk-rock composers in the singer-songwriter movement; the re-emergence of Bob Dylan and the creation of country-rock; the rise of folk-rock's first supergroup, CSN&Y; the origination of British folk-rock; and the growing importance of major festivals from Newport to Woodstock. Based on firsthand interviews with such folk-rock visionaries as: Jorma Kaukonen, Roger McGuinn, Donovan, Judy Collins, Jim Messina, Dan Hicks and dozens of others.
Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid-nineteenth century to the present day. Enjoy eye-catching views of the city's most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco's counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city's most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis, Janis Joplin, Sylvester, and Allen Ginsberg, among others. This book features hundreds of newly found images from dozens of archives including museums, universities, libraries, galleries, private collections, and historical societies, from 19th-century daguerreotypes to mid-century Kodachromes to 21st-century digital pictures. Master photographers include, among others: Stephen Shore, Imogen Cunningham, Fred Lyon, Steve Schapiro, Minor White, Dorothea Lange, Albert Watson, Robert Frank, Garry Winogrand, William Claxton, Fred Herzog, Ansel Adams, Jim Marshall, and many local shooters. Also includes introductory essays and captions by Bay Area-based author Richie Unterberger and a "Best of San Francisco" books, music, and movies section and biographies of the photographers. Tony Bennett famously sang, "I left my heart in San Francisco," and this meticulously researched and conceived portrait will equally inspire and make you fall in love with the spirit of the City by the Bay.
This book reveals how a diverse blend of styles, regions, and cultures swirled into the folk-rock revolution - infusing popular music with a controversial mix of literate lyricism, social consciousness, and rock 'n' roll rebellion. A richly woven narrative of firsthand stories and informed historical analysis, it covers all the key folk-rock innovators: Bob Dylan, the Byrds, Lovin' Spoonful, Buffalo Springfield, Simon & Garfunkel, the Mamas & the Papas, Crosby, Stills, Nash & Young and dozens more, plus lesser-knowns such as Phil Ochs and Jackie DeShannon. Incorporating insights from musicians, producers, managers, club owners, record label executives and others who drove the movement, Turn! Turn! Turn! focuses on the birth and development of the music, but also shows how folk-rock changed popular music, the music industry, and society forever. Setting the scene with America's traditional folk of the early '60s, the book describes the sea change that began in 1964 when the social consciousness of folk met the energy of rock. It concentrates on 1965-66, when the best, most popular, and most controversial folk-rock was created. The book explores the dizzyingly fast cross-fertilization of such giants as the Beatles, the Byrds, and Dylan; the passionate conflicts between folk devotees and folk-rockers; the sudden frenzy of the media; and the unforgettable music that was born. Turn! Turn! Turn! also examines how folk-rock continued to influence late '60s psychedelic rock, country-rock and the British scene, as well as its gradual, partial transformation into the singer-songwriter movement.
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