With a foreword by Bill Bryson 'Compelling . . . moving and often startlingly visceral' Times Literary Supplement 'Horrifying. But, in the end, inspiring.' William Leith, London Evening Standard 'A wonderful meditation on the human condition and a testament to the power of love' Max Pemberton, columnist and author of Trust Me, I'm a (Junior) Doctor 'As gripping as a thriller' Daily Express * * * At the age of 38, Rikke Schmidt Kjaergaard, a Danish scientist, wife and mother of three, is struck down by an acute bout of bacterial meningitis. She awakes from a coma in intensive care to find herself completely paralysed, unable to show she is conscious except by blinking her eye. It becomes her only form of communication as in the months that follow, Kjaergaard's husband Peter sits beside her helping to interpret every eye movement. She struggles with every basic of life - painfully learning how to breathe, move, eat and speak again. Despite being given a five per cent chance of survival, she works intensively to recover and achieve every small breakthrough. The Blink of an Eye is a celebration of love and family and every little thing that matters when life is in the balance - written by a scientist uniquely able to describe her physical and mental journey to recovery.

How can cartoon images aid in understanding bacterial biological processes? What prompts physicists to blur their images before showing them to biologists? Considering that the astronomer's data consists solely of invisible, electric impulses, what is the difference between representing outer space as images, graphs, or sound? How does a work of contemporary art differ from a scientific image if we cannot visually distinguish between the two? How do aesthetics, art, and design influence scientific visualization and vice versa? This volume asks critically important questions about scientific data representation and provides significant insights to a field that is interdisciplinary in its very core. The authors investigate scientific data representation through the joint optics of the humanities and natural sciences. The volume particularly appeals to scholars in visual and aesthetic studies, data visualization, scientific illustration, experience culture, information design, and science communication.

How can cartoon images aid in understanding bacterial biological processes? What prompts physicists to blur their images before showing them to biologists? Considering that the astronomer's data consists solely of invisible, electric impulses, what is the difference between representing outer space as images, graphs, or sound? How does a work of contemporary art differ from a scientific image if we cannot visually distinguish between the two? How do aesthetics, art, and design influence scientific visualization and vice versa? This volume asks critically important questions about scientific data representation and provides significant insights to a field that is interdisciplinary in its very core. The authors investigate scientific data representation through the joint optics of the humanities and natural sciences. The volume particularly appeals to scholars in visual and aesthetic studies, data visualization, scientific illustration, experience culture, information design, and science communication.

'As gripping as a thriller' SUNDAY EXPRESS 'Heartbreaking and life-affirming' MAX PEMBERTON, author of TRUST ME, I'M A (JUNIOR) DOCTOR 'The most spellbinding and harrowing story I believe I have ever heard. It is the story you are about to read' From the Foreword by BILL BRYSON * * * The powerful and moving memoir by a scientist and mother of three of how she learned to live again, after a sudden severe infection caused her to die and then revive, but locked in - completely paralysed, and only able to blink an eye. Foreword by Bill Bryson. At the age of 38, Rikke Schmidt Kjaergaard, a Danish scientist, wife and mother of three, is struck down by an acute bout of bacterial meningitis. She awakes from a coma in intensive care to find herself locked in, unable to show she is conscious except by blinking her eye. It becomes her only form of communication as in the months that follow, Kjaergaard's husband Peter sits beside her helping to interpret every eye movement. She struggles with every basic of life - painfully learning how to breathe, move, eat and speak again. Despite being given a five per cent chance of survival, she works intensively to recover and to achieve every small breakthrough. The Blink of an Eye is a celebration of love and family and every little thing that matters when life is in the balance - written by a scientist uniquely able to describe her physical and mental journey to recovery.