It's 2008, and Sweet Kirkendall's life is unraveling: her father is in jail for harboring undocumented Mexicans, her husband is away working, her young son is turning into a bully, she's a full-time caretaker for an invalid elderly family member, and now Sweet has to take in her orphaned ten-year-old nephew, Dustin, because his grandpa has been jailed. A contemporary everywoman, Sweet struggles to hold her family together under pressures from within and without. She has little money, no help, and surely no time to truck with current political issues--until they come roaring into her life via a new state immigration law, a fractured family, a lost child, an ambitious legislator, a grandstanding sheriff, a niece in desperate need of help, and the national news media camped on her doorstep.

In a novel that tackles hot-button subjects--immigration, religion, civil rights, small-town politics, and the everyday struggles of working families--Rilla Askew vividly weaves together an authentic and compelling narrative with grace and humor.

"A love story about Dust Bowl heroes who didn't leave for California"

Harlan Singer, a harmonica-playing troubadour, shows up in the Thompson family's yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan's long-standing debt.

Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon's growing doubts about her husband's quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, "Harpsong" shows what happened to the friends and neighbors Steinbeck's Joads left behind.

In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. "Harpsong" is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan's search for home--all set to the sounds of Harlan's harmonica. It shows us the strength and resilience of a people who, in the face of unending despair, maintain their faith in the land.

Lincolnshire, 1537. Amid England's religious turmoil, fifteen-year-old Anne Askew is forced to take her dead sister's place in an arranged marriage. The witty, well-educated gentleman's daughter is determined to free herself from her abusive husband, harsh in-laws, and the cruel strictures of her married life. But this is the England of Henry VIII, where religion and politics are dangerously entangled. A young woman of Anne's fierce independence, Reformist faith, uncanny command of plainspoken scripture, and-not least-connections to Queen Katheryn Parr's court cannot long escape official notice, or censure. In a deft blend of history and imagination, award-winning novelist Rilla Askew brings to life a young woman who defied the conventions of her time, ultimately braving torture and the fire of martyrdom for her convictions. A rich evocation of Reformation England, from the fenlands of Lincolnshire to the teeming religious underground of London to the court of Henry VIII, this gripping tale of defiance is as pertinent today as it was in the sixteenth century. While skillfully portraying a significant historical figure-one of the first female writers known to have composed in the English language-Prize for the Fire renders the inner life of Anne Askew with a depth and immediacy that transcend time.

"The strangeness of life and death play out in a fictional American small town"

Lyla Mae Muncy meets her first love at Falls Creek Baptist Assembly Summer Bible Church Camp--and regrets it on their awkward first date. After years of being nagged about lumpy gravy, abused wife Lois pulls out a shotgun to wrap up breakfast her way. In a tender moment, an old man speaks from beyond the grave about his wife's final goodbye at his funeral. Experience, memory, and town-consciousness bind this collection of ten stories spanning twenty-five years in fictitious Cedar, Oklahoma. From the fears and discoveries of childhood, through the revelations of adolescence, into the troubled years of adulthood and decline into old age and death, Rilla Askew uncannily makes each of her characters' experiences our own.

Your Grandpa is a felon and a Christian. He says he's a felon because he's a Christian. So says Aunt Sweet to her nephew Dustin, when her father, who has been raising Dustin, is arrested for hiding migrant workers. The law that makes harbouring 'illegals' an offence is the brainchild of the ferociously ambitious Oklahoma politician Monica Moorehouse. Aunt Sweet takes Dustin in, but Dustin is bullied by her son, and so goes on the run, aided by an illegal the sheriffs didn't find. Meanwhile, Sweet is asked by Dustin's married sister to hide her husband, a Mexican without papers. As Grandpa Brown holds fast to his beliefs and Dustin remains missing, Aunt Sweet fights to hold the family together, and to do what seems right. In a gripping and compelling narrative, Kind of Kin lays bare the consequences of a law that exiles workers, turns friends into informers, and tears apart families. It also shows how some - and ultimately a whole town - will unite to protect their own.

2018 PEN America Literary Award Finalist! In her first nonfiction collection, award-winning novelist Rilla Askew casts an unflinching eye on American history, both past and present. As she traverses a line between memoir and social commentary, Askew places herself - and indeed all Americans - in the role of witness to uncomfortable truths about who we are. Through nine linked essays, Most American: Notes from a Wounded Place evokes a vivid impression of the United States: police violence and gun culture, ethnic cleansing and denied history, spellbinding landscapes and brutal weather. To render these conditions in the particulars of place, Askew spotlights the complex history of her home state. From the Trail of Tears to the Tulsa Race Riot to the Murrah Federal Building bombing, Oklahoma appears as a microcosm of our national saga. Yet no matter our location, Askew argues, we must own our contradictory selves - our violence and prejudices, as well as our hard work and generosity - so the wounds of division in our society can heal. In these writings, Askew traces a personal journey that begins with her early years as an idealistic teenager mired in what she calls ""the presumption of whiteness."" Later she emerges as a writer humble enough to see her own story as part of a larger historical and cultural narrative. With grace and authority she speaks honestly about the failures of the dominant culture in which she grew up, even as she expresses a sense of love for its people. In the wake of increasing gun violence and heightened national debate about race relations and social inequality, Askew's reflections could not be more relevant. With a novelist's gift for storytelling, she paints a compelling portrait of a place and its people: resilient and ruthless, decent but self-deceiving, generous yet filled with prejudice - both the best and the worst of what it means to be American.

Despite progress in recent years, Oklahoma hardly ranks as woman-friendly. The state holds the highest incarceration rate of women in the nation. It offers women no legal protection against being fired due to sexual orientation or gender identity. Its Native American and immigrant populations struggle for access to community resources. And Oklahoma is still governed largely by men, leaving women without adequate political representation. In 2007, the highly acclaimed anthology Voices from the Heartland provided a much-needed platform for Oklahoma women - prominent and unknown - to tell their stories. This timely sequel reflects an even broader cross-section of women's experiences. Just like its predecessor, Voices from the Heartland: Volume II offers memorable accounts of struggle and transformation. It does not sugarcoat the problems that women face in contemporary Oklahoma - and in many parts of underprivileged America: racism, sexism, homophobia, poverty, addiction. The 38 contributions gathered here are honest and, at times, raw. They cover such varied topics as girlhood, trauma, the workplace, parenting, politics, and religious beliefs. Taken together, the essays comprise a living artifact of women's history, accessible and, as an anthology, ideally suited for classroom use. In the wake of the #MeToo movement, it is more important than ever to listen to what women have to say about their own lives, including - and perhaps especially - women from flyover states like Oklahoma. As Sara N. Beam states so eloquently in her preface, ""You'll read their stories here as they want them told: in a mix of poetry and prose, in the voice of a relative, in the voice of a tired person across the breakroom table, in a secret hush, or in a voice not unlike that of your best friend or mother."" These voices from the heartland inspire us to pause, to listen, to understand, to evolve, and to make a difference.

Set during the tense days of the Oklahoma oil rush, Rilla Askew's Fire in Beulah is a mesmerizing story that centers on the complex relationship between Althea Whiteside, an oil wildcatter's high-strung wife, and Graceful, her enigmatic black maid. Their juxtaposing stories—and those of others close to them—unfold against a volatile backdrop of oil-boom opulence, fear, hatred, lynchings that climax in the Tulsa Race Riot of 1921, when whites burned the city's properous black community. Askew's award-winning first novel, The Mercy Seat, was praised for its astute diepiction of family bonds and the beauty of American landscape. Now she explores the American race story with the same perception.