Two contradictory, or apparently contradictory, pairs of terms - depression and abundance, and literature and mass culture - make up the framework of this study in 1930s culture. Rita Barnard suggests that despite the painful national experience of scarcity and poverty, one can detect in the culture of the American thirties the now familiar outlines of an image-mediated, consumer society. She argues that the hierarchical opposition between 'high art' and 'mass culture' was powerfully contested in cultural productions of the depression era: as book clubs, radio, popular exhibitions, star conductors such as Toscanini and many other vehicles brought high culture to millions of people. In the meantime, writers with 'serious' literary interests borrowed from the discourse of the media in their writing. The central figures of this study emerge as pre-eminent - and in some sense prophetic - figures: their poetry and prose illuminate emergent cultural forces that have since attained new stature in our post-modern world. Despite their sharp and often prescient social critique, they are not to be mistaken for elitists, they recognised at once the deceit and the promise of our emergent culture of abundance.

Nelson Mandela was one of the most revered figures of our time. He committed himself to a compelling political cause, suffered a long prison sentence, and led his violent and divided country to a peaceful democratic transition. His legacy, however, is not uncontested: his decision to embark on an armed struggle in the 1960s, his solitary talks with apartheid officials in the 1980s, and the economic policies adopted during his presidency still spark intense debate, even after his death. The essays in this Companion, written by experts in history, anthropology, jurisprudence, cinema, literature, and visual studies, address these and other issues. They examine how Mandela became an icon during his lifetime and consider the meanings and uses of his internationally recognizable image. Their overarching concerns include Mandela's relation to 'tradition' and 'modernity', the impact of his most famous public performances, the oscillation between Africanist and non-racial positions in South Africa, and the politics of gender and national sentiment. The volume concludes with a meditation on Mandela's legacy in the twenty-first century and a detailed guide to further reading.

Print, Text and Book Cultures in South Africa explores the power of print and the politics of the book in South Africa from a range of perspectives--historical, bibliographic, literary-critical, sociological, and cultural studies. The essays collected here, by leading international scholars, address a range of topics as varied as: the role of print cultures in the colonial public sphere in the nineteenth century; orthography; "iimbongi," orature and the canon; book-collecting and libraries; print and transnationalism; photocomics and other ephemera; censorship, during and after apartheid; books about art and books "as "art; local academic publishing; and the challenge of "book history" for literary and cultural criticism in contemporary South Africa. "Book History" or "Histories of the Book" has been an important and influential field in European and North American scholarship for at least three decades. This volume showcases the "History of the Book" within a South African context and its significance in South Africa's emerging studies of print culture.

Bringing together leading and emerging scholars, this book asks the question: how has contemporary South African literature grappled with ideas of time and history during the political transition away from apartheid? Reading the work of major South African writers such as J.M. Coetzee, Nadine Gordimer and Ivan Vladislavic as well as contemporary crime fiction, South African Writing in Transition explores how concerns about time and temporality have shaped literary form across the country's literary culture. Establishing new connections between leading literary voices and lesser known works, the book explores themes of truth and reconciliation, disappointment and betrayal.

Nelson Mandela was one of the most revered figures of our time. He committed himself to a compelling political cause, suffered a long prison sentence, and led his violent and divided country to a peaceful democratic transition. His legacy, however, is not uncontested: his decision to embark on an armed struggle in the 1960s, his solitary talks with apartheid officials in the 1980s, and the economic policies adopted during his presidency still spark intense debate, even after his death. The essays in this Companion, written by experts in history, anthropology, jurisprudence, cinema, literature, and visual studies, address these and other issues. They examine how Mandela became an icon during his lifetime and consider the meanings and uses of his internationally recognizable image. Their overarching concerns include Mandela's relation to 'tradition' and 'modernity', the impact of his most famous public performances, the oscillation between Africanist and non-racial positions in South Africa, and the politics of gender and national sentiment. The volume concludes with a meditation on Mandela's legacy in the twenty-first century and a detailed guide to further reading.

Apartheid and Beyond is a major contribution to the study of South African literary culture. It offers elegant readings of Coetzee, Gordimer, Fugard, Tlali, Dike, Magona, and Mda, focusing on the intimate relationship between place, subjectivity, and literary form revealed in their work. It also explores the way apartheid functioned in its day-to-day operations as a geographical system of control, exerting its power through such spatial mechanisms as residential segregation, bantustans, passes, and prisons. Though in the first instance concerned with literary texts, Apartheid and Beyond also meditates on crucial historical processes like colonial occupation, the creation of black townships, migration, forced removals, the emergence of informal settlements, the gradual integration of white cities, and efforts at land reform. Cumulatively, the six essays in this book tell the story of the transformation of apartheid's landscapes of oppression into the more ambiguous landscapes of contemporary South Africa: landscapes of tourism and leisure, of crime and privatized security, of uncontrolled urbanization and persistent poverty. Barnard's methodologically eclectic writing draws on the work of major European and U.S. theorists like Foucault, De Certeau, and Jameson, as well as important African intellectuals like Mbembe, Ramphele, and Ndebele. It also takes literary figures seriously as theorists of space in their own right. Apartheid and Beyond is both an innovative account of an important body of politically-inflected literature and an imaginative reflection on the socio-spatial aspects of the transition from apartheid to democracy.

Apartheid and Beyond offers trenchant, historically sensitive readings of writings by Coetzee, Gordimer, Fugard, Tlali, Dike, Magona, and Mda, focusing on the intimate relationship between place, subjectivity, and literary form. It also explores the way apartheid functioned in its day-to-day operations as a geographical system of control, exerting its power through such spatial mechanisms as residential segregation, bantustans, passes, and prisons. Throughout the study, Rita Barnard provides historical context by highlighting key events such as colonial occupation, the creation of black townships, migration, forced removals, the emergence of informal settlements, and the gradual integration of white cities. Apartheid and Beyond is both an innovative account of an important body of politically inflected literature and an imaginative reflection on the socio-spatial aspects of the transition from apartheid to democracy.

Bringing together leading and emerging scholars, this book asks the question: how has contemporary South African literature grappled with ideas of time and history during the political transition away from apartheid? Reading the work of major South African writers such as J.M. Coetzee, Nadine Gordimer and Ivan Vladislavic as well as contemporary crime fiction, South African Writing in Transition explores how concerns about time and temporality have shaped literary form across the country's literary culture. Establishing new connections between leading literary voices and lesser known works, the book explores themes of truth and reconciliation, disappointment and betrayal.

Two contradictory, or apparently contradictory, pairs of terms - depression and abundance, and literature and mass culture - make up the framework of this study in 1930s culture. Rita Barnard suggests that despite the painful national experience of scarcity and poverty, one can detect in the culture of the American thirties the now familiar outlines of an image-mediated, consumer society. She argues that the hierarchical opposition between 'high art' and 'mass culture' was powerfully contested in cultural productions of the depression era: as book clubs, radio, popular exhibitions, star conductors such as Toscanini and many other vehicles brought high culture to millions of people. In the meantime, writers with 'serious' literary interests borrowed from the discourse of the media in their writing. The central figures of this study emerge as pre-eminent - and in some sense prophetic - figures: their poetry and prose illuminate emergent cultural forces that have since attained new stature in our post-modern world. Despite their sharp and often prescient social critique, they are not to be mistaken for elitists, they recognised at once the deceit and the promise of our emergent culture of abundance.