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The classical music of Iraq, known as Iraqi Maqam, features
classical and vernacular poetry sung by a virtuoso soloist and
accompanied by a small instrumental ensemble. It is a remarkably
cosmopolitan art, sharing many features with neighboring classical
traditions, particularly Iranian. Its repertoire consists of orally
transmitted, multi-sectioned compositions, performed with some
flexibility regarding ornamentation, arrangement and development.
Focusing on the period between 1930-1980, this reference offers the
first comprehensive view of the musical contents of the repertoire
scalar structure, melodic materials and overall form through
various tables and musical transcriptions. This reference
consolidates information from prominent Iraqi sources and draws
upon a selection of recordings by master musicians, including
Rashid Qundarchi and Yusuf Omar. An introductory section provides a
brief overview of pan-Middle Eastern modal theory along with an
outline of the terminology, theory and practices specific to Iraqi
Maqam. The main section of the work is a catalog of 40 maqams that
constitute the central core of the contemporary repertoire. The
Repertoire of Iraqi Maqam aims to foster a better musical
understanding of a relatively little known tradition, promote
further research, and enhance appreciative listening to this
inspiring facet of Iraqi culture.
The Art of Avaz and Mohammad Reza Shajarian: Foundations and
Contexts, by Rob Simms and Amir Koushkani, examines the traditional
art of singing classical Persian poetry, as represented by its
greatest living exponent. This in-depth study surveys the social
and historical context of the twentieth-century tradition of avaz
while placing Shajarian's early career within this complex culture,
from being a child prodigy of Qur'an recitation in Mashhad to his
rise to national prominence in the 1970s. As a globetrotting
celebrity who is renowned for singing medieval poetry with
impeccable technique and radiant inspiration, Shajarian's life and
work provide a compelling case study for larger issues of
reconciling tradition and modernity, and the crucial role of the
individual in maintaining and renovating traditional art forms.
Avaz is discussed in the broader context of Iranian narrative
performance traditions, where the performer retells well-known
scripts in a way that is appropriate to the audience and the
present occasion, spinning the tale to convey a personal message.
Shajarian's career also exemplifies the huge changes that Iranian
musical culture underwent in the 1960s and 70s. Finally, the study
includes a detailed examination of the materials and creative
processes of Shajarian's artistic craft, including his acquisition
process and training, vocal technique, selection and treatment of
poetry, use of traditional musical materials, and his balance of
engaging preset materials with improvisation. The Art of Avaz and
Mohammad Reza Shajarian is an impressively detailed study of the
music, life, and environment of the most influential musician in
Iranian classical music of the past three decades.
Seismic amplitudes yield key information on lithology and fluid
fill, enabling interpretation of reservoir quality and likelihood
of hydrocarbon presence. The modern seismic interpreter must be
able to deploy a range of sophisticated geophysical techniques,
such as seismic inversion, AVO (amplitude variation with offset),
and rock physics modelling, as well as integrating information from
other geophysical techniques and well data. This accessible,
authoritative book provides a complete framework for seismic
amplitude interpretation and analysis in a practical manner that
allows easy application - independent of any commercial software
products. Deriving from the authors' extensive industry expertise
and experience of delivering practical courses on the subject, it
guides the interpreter through each step, introducing techniques
with practical observations and helping to evaluate interpretation
confidence. Seismic Amplitude is an invaluable day-to-day tool for
graduate students and industry professionals in geology,
geophysics, petrophysics, reservoir engineering, and all subsurface
disciplines making regular use of seismic data.
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