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The Power Of God. The Ambition Of Men. Now a Golden Globe-winning box office success.
Behind the locked doors of the Sistine Chapel, 118 cardinals are meeting in conclave to cast their votes in the world's most secretive election.
They are holy men. But they are ambitious. And they have rivals.
Over the next 72 hours, one of them will become the most powerful spiritual figure on earth. Who will it be?
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Precipice (Paperback)
Robert Harris
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R275
R230
Discovery Miles 2 300
Save R45 (16%)
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Ships in 5 - 10 working days
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Summer 1914. A world on the brink of catastrophe.
In London, 26-year-old Venetia Stanley – aristocratic, clever, bored,
reckless – is having a love affair with the Prime Minister, H. H.
Asquith, a man more than twice her age. He writes to her obsessively,
sharing the most sensitive matters of state.
As Asquith reluctantly leads the country into war with Germany, a young
intelligence officer is assigned to investigate a leak of top secret
documents – and suddenly what was a sexual intrigue becomes a matter of
national security that will alter the course of political history.
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Precipice (Paperback)
Robert Harris
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R395
R353
Discovery Miles 3 530
Save R42 (11%)
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Ships in 5 - 10 working days
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Summer 1914. A world on the brink of catastrophe.
In London, 26-year-old Venetia Stanley – aristocratic, clever, bored,
reckless – is having a love affair with the Prime Minister, H. H.
Asquith, a man more than twice her age. He writes to her obsessively,
sharing the most sensitive matters of state.
As Asquith reluctantly leads the country into war with Germany, a young
intelligence officer is assigned to investigate a leak of top secret
documents – and suddenly what was a sexual intrigue becomes a matter of
national security that will alter the course of political history.
Seamlessly weaving fact and fiction in a way that no writer does
better, Precipice is the thrilling new novel from Robert Harris.
"Conspirata "is "a portrait of ancient politics as a blood sport,"
raves the "New York Times." As he did with "Imperium," Robert
Harris again turns Roman history into a gripping thriller as Cicero
faces a new power struggle in a world filled with treachery,
violence, and vengeance.
On the eve of Cicero's inauguration as consul of Rome, a grisly
discovery sends fear rippling through a city already racked by
unrest. A young slave boy has been felled by a hammer, his throat
slit and his organs removed, apparently as a human sacrifice. For
Cicero, the ill omens of this hideous murder only increase his
dangerous situation: elected leader by the people but despised by
the heads of the two rival political camps. Caught in a shell game
that leaves him forever putting out fires only to have them ignite
elsewhere, Cicero plays for the future of the republic . . . and
his life. There is a plot to assassinate him, abetted by a rising
young star of the Roman senate named Gaius Julius Caesar--and it
will take all the embattled consul's wit, strength, and force of
will to stop the plot and keep Rome from becoming a dictatorship.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
In his "most accomplished work to date" ("Los Angeles Times"),
master of historical fiction Robert Harris lures readers back in
time to the compelling life of Roman Senator Marcus Cicero. The
re-creation of a vanished biography written by his household slave
and right-hand man, Tiro, Imperium follows Cicero's extraordinary
struggle to attain supreme power in Rome.
On a cold November morning, Tiro opens the door to find a
terrified, bedraggledstranger begging for help. Once a Sicilian
aristocrat, the man was robbed by thecorrupt Roman governor,
Verres, who is now trying to convict him under false pretenses and
sentence him to a violent death. The man claims that only the great
senator Marcus Cicero, one of Rome's most ambitious lawyers and
spellbinding orators, can bring him justice in a crooked society
manipulated by the villainous governor. But for Cicero, it is a
chance to prove himself worthy of absolute power. What follows is
one of the most gripping courtroom dramas inhistory, and the
beginning of a quest for political glory by a man who fought his
way to the top using only his voice -- defeating the most daunting
figures in Roman history.
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