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The latest edition of Robert Arking's seminal text on the biology of aging takes on an extended title, since the field of gerontology has advanced to a point at which it is possible to separate the topic into two implicit subsets, longevity and aging. This multi-faceted description of the biology of aging guides the reader through increasingly interesting answers to seven fundamental questions: What is aging? Why do we age? What mechanisms support extended longevity? What determines the onset of senescence? What is the mechanistic basis of senescence? Why do humans live so long? And lastly, what pro-longevity societal interventions are needed? Inevitably, humans will age but there is no reason why we must suffer from age-related diseases. Aging and longevity are dependent on both genes and social environment. Our biology does not forbid the modulation of aging. What we really want to know is not so much about the biology of aging - which is basically a degenerative process - but rather about biological processes underlying the long term maintenance of our health. New chapters incorporate the latest developments in the field of gerontology. Research done since the previous edition was published has given us insight into how we may stay healthier longer.
Robert Arking's Biology of Aging, 3rd edition, is an introductory
text to the biology of aging which gives advanced undergraduate and
graduate students a thorough review of the entire field. His prior
two editions have also served admirably as a reference text for
clinicians and scientists. This new edition captures the
extraordinary recent advances in our knowledge of the ultimate and
proximal mechanisms underlying the phenomenon of aging. As a
result, six important conceptual changes are included here:
In search of holistic Christian witness, missionaries have increasingly sought to take into account all the dimensions of people's cultural and religious lives-including their songs, dances, dramatic performances, storytelling, and visual arts. Missiologists, educators, and practitioners are cultivating new approaches for integrating the arts into mission praxis and celebrating creativity within local communities. And in an increasingly globalized and divided world, peacemaking must incorporate the use of artistic expressions to create understanding among peoples of diverse faiths. As Christians in all nations encounter members of other religions, how do they witness among these neighbors while respecting their distinct traditions? Building on sessions at the 2018 Missiology Lectures at Fuller Seminary, this book explores the crucial role of the arts in helping people from different cultures and faiths get caught up in the gospel story. Scholars and practitioners from throughout the world present historical and contemporary case studies and analyses. Their subjects include the use of Christian songs during the Liberian civil war and Ebola crisis, social critiques in contemporary Chinese art, interreligious dialogue through choir music in Germany, aesthetic practices of the Zapatista movement in Chiapas, Mexico, and how hip-hop music empowers urban young people in globalizing Mozambique. These essays foster a conversation about the work that missiologists, art critics, ethnodoxologists, and theologians can do together to help guide church leaders in promoting interfaith and intercultural relationships. While honestly identifying weaknesses in the church's practice, the contributors call all Christians to understand the power of art for expressing cultural and religious identity, opening spaces for transformative encounters, bridging divides, and resisting injustice. Missiological Engagements charts interdisciplinary and innovative trajectories in the history, theology, and practice of Christian mission, featuring contributions by leading thinkers from both the Euro-American West and the majority world whose missiological scholarship bridges church, academy, and society.
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