"This comprehensive guide illustrates the effects of dispersions in applications, the means necessary to achieve these effects with optical results, and how to overcome or avoid the difficulties encounteredemphasizing the dispersions of solid particles in liquid or solid media."

Edited by SPLIA's former director, Dr. Robert B. MacKay, Gardens of Eden is an exploration of a distinct type of suburban development that proliferated across the region before zoning regulations were developed to manage land use in New York City and its environs. While the onset of suburbia on Long Island is often believed to be a post-World War II phenomena, it actually began a half century earlier when greater affluence, improved railroad service, and new methods of financing made the dream of country living a greater reality for a growing urban middle class. Luminaries such as Grosvenor Atterbury, Charles W. Leavitt Jr., and Frederick Law Olmsted designed dozens of high-end, carefully conceived communities on New York's Long Island. Touted as an antidote to the complexities of urban living, these "residential parks" were characterized by significant investment in landscaping and infrastructure and employed concepts introduced by the Garden City movement in England. Gardens of Eden covers the history and development of more than twenty of these remarkable communities and the colorful, at times unscrupulous personalities behind them-like Plandome, designed "for teachers only," and the Metropolitan Museum's Munsey Park, where all the streets were named for artists-with writings from their most knowledgeable historians. Other featured communities include: Garden City, Forest Hills Gardens, Long Beach, Great Neck Estates, Brightwaters, Montauk Beach, Prospect Park South in Brooklyn, and many more. About the Society for the Preservation of Long Island Antiquities SPLIA is a not-for-profit organization dedicated to understanding, celebrating, and preserving Long Island's cultural heritage. Founded in 1948, SPLIA engages its mission through a variety of activities that include interpreting historic houses, creating exhibitions and educational programs, providing preservation advisory services, and publishing works that explore the history of architecture and design on Long Island.

The North Fork is the roughly sixty-mile-long spit of New York's Long Island that runs from Riverhead to Orient Point. With the fairly well protected Long Island Sound on the North and Peconic Bay on the South, it was a logical place for some of the earliest English immigrants to settle and build barns. It is still home to more working farms than any other part of the island. And from the timber-frame barns of the British farmers of the seventeenth century to the pole barns of the twentieth, the variety is stunning.
In a survey sponsored by the Old House Society in Cutchogue, Mary Ann Spencer spent the last few years making a comprehensive inventory and photographing more than six hundred barns on the North Fork. Two hundred of them are still in use, although their fate is by no means certain. Here in their glory (and sometimes less than that) are the most interesting barns, which reveal, among other things, their functional development, their often haphazard fenestration, their soft patina of age, and their fit in the landscape. Spencer's complete survey forms a second part of this book, which provokes feelings of nostalgia and raises our fears for the future of these wonderful structures. More than 150 color photographs.

Long Island, particularly the North Shore, was the site of some of the most lavish and extravagant residences in the world. The island's beauty, its proximity and easy travel access to New York, and its suitability for yachting and other recreational pursuits made it the perfect place for the leisure class. From the Civil War to World War II, almost 1000 estates were built there, often by the nation's richest families--Morgan, Vanderbilt, Hearst, Astor, Woolworth, Chrysler, Whitney, Tiffany, Frick, and Guggenheim, to name a few. Long Island's rich architectural history is presented in this important and long-awaited volume. It is at once a fascinating glimpse at the homes of some of America's wealthiest families and a complete compendium of the architects who designed these breathtaking houses. Among them are Delano & Aldrich; Cass Gilbert; Richard Morris Hunt; McKim, Mead & White; Horace Trumbauer; Calvert Vaux; and Warren & Wetmore.