This is a collection of essays based on papers delivered at a symposium at the school of Slavonic and East European studies. Although few major Slovak writers published during the 1970's "normalisation" period after the Warsaw Pact intervention, Slovak literature did not stagnate like Czech literature. The essays in this volume cover the whole period from the death throes of socialist realism to the lively sophisticated, cosmopolitan fiction of the late 1970s and 1980s. The cut-off date is 1988. All the prose writers considered important by the Slovaks themselves and by non-Slovak scholars are covered: Tatarka, Jaros, Johan Ides, Ballek, Bednar, Dusek and so forth. The volume contains a survey introduction to Slovak fiction from the 1950's to the present.

The Literature of Nationalism concerns literature in its broadest sense and the manner in which, in belles lettres, the oral tradition and journalism, language and literature create national/nationalist myths. It treats East European culture from Finland to 'Yugoslavia', from Bohemia to Romania, from the nineteenth century to today. One third of the book concerns women and ethnic identity, and the rest covers subjects as varied as Bulgarian Fascism and the impact of political change on language in Hungary and ex-Yugoslavia.

This is part of a series of three volumes which provides a critical assessment of the actual achievement of this university professor, who became the first President of Czechoslovakia. They assess Masaryk's value as a national and international politician as well as a scholar and publicist. Individual chapters consider such topics as his parliamentary activities, his contribution to the feminist movement, his involvement in the Austrian equivalent to the Dreyfus trial, his theories of Czech and particularly Russian cultural history and his sociological studies of literature.

The Literature of Nationalism concerns literature in its broadest sense and the manner in which, in belles lettres, the oral tradition and journalism, language and literature create national/nationalist myths. It treats East European culture from Finland to 'Yugoslavia', from Bohemia to Romania, from the nineteenth century to today. One third of the book concerns women and ethnic identity, and the rest covers subjects as varied as Bulgarian Fascism and the impact of political change on language in Hungary and ex-Yugoslavia.

Modern Slovak Prose is a collection of essays based on papers delivered at a symposium at the School of Slavonic and East European Studies. Although few major Slovak writers published during the 1970s 'normalisation' period after the Warsaw Pact intervention, Slovak literature did not stagnate like Czech literature. The essays in this volume cover the whole period from the death throes of socialist realism to the lively, sophisticated, cosmopolitan fiction of the late 1970s and 1980s. The cut-off date is 1988. All the prose writers considered important by the Slovaks themselves and by non-slovak scholars are covered: Tatarka, Jaros, Johan Ides, Ballek, Bednr, Dusek and so forth. The volume contains a survey introduction to Slovak fiction from the 1950s to the present. This book is the first to assess an area of east central European culture which has been virtually ignored in the West.