Develops an understanding of Warwickshire's past for outsiders and those already engaged with the subject, and to explore questions which apply in other regions, including those outside the United Kingdom. Published to mark the one hundredth anniversary of the Dugdale Society, which publishes Warwickshire's records, this book brings together a range of scholars - early career researchers, tenured academics, independent scholars and an archivist - all with records of excellence in research and writing, who cover a range of political, social, economic, cultural, architectural and religious subjects from the eleventh to the twentieth centuries. Besides providing original and well-researched interpretations of Warwickshire's past, the book goes further to discuss and analyse the ways in which writing of local history has changed over the last hundred years, paying particular attention to meanings and explanations that have emerged in recent times, from which future developments can be expected. As such the book will appeal not just to those interested in the local history of Warwickshire, but also to everyone concerned with local history in general, and how it should be studied and written.

There is no doubting Shakespeare's literary genius, immortalised in his published work. However, statements along these lines are frequently followed by laments of how little is known about this life. This is true if we wish to know about Shakespeare's movements on even a month-by-month basis, or about his working practices and relationships with his theatrical fellows. However, too great an emphasis on this dearth of material not only leads to ill-informed comment that this is somehow 'suspicious' but also tends to downgrade the importance of what material has survived, often dismissed instead simply as evidence of his business dealings which have little bearing on his creative work. However, this material does at least help us to evaluate how successful Shakespeare was in earning a living in a profession which, in his day, was far from mainstream. By calculating his income from theatrical sources and exploring how this affected his financial circumstances and his ability to invest for his and his family's security, we can come to a better understanding of his social standing at different periods in his life, the most obvious evidence to his late sixteenth- and early seventeenth-century contemporaries of his success. Shakespeare undoubtedly died a man of comfortable means, but, as this book demonstrates, there is little to justify claims that he died possessed of great wealth. The circumstances of his daughters' marriages are a sufficient indication that he had not achieved true gentlemanly status. Other evidence suggests that he had not broken convincingly into the ranks of leading figures even of a small market town. Moreover, following a period of increasing prosperity, these 'business records' also reflect a declining income during the last ten years or so of his life and of his efforts to safeguard his assets. On the other hand, when compared with his father's business failure, mainly the result of a loss of credit, it is clear that, consciously or unconsciously, Shakespeare had the good sense or foresight not to over-reach himself.

There is no doubting Shakespeare's literary genius, immortalised in his published work. However, statements along these lines are frequently followed by laments of how little is known about this life. This is true if we wish to know about Shakespeare's movements on even a month-by-month basis, or about his working practices and relationships with his theatrical fellows. However, too great an emphasis on this dearth of material not only leads to ill-informed comment that this is somehow 'suspicious' but also tends to downgrade the importance of what material has survived, often dismissed instead simply as evidence of his business dealings which have little bearing on his creative work. However, this material does at least help us to evaluate how successful Shakespeare was in earning a living in a profession which, in his day, was far from mainstream. By calculating his income from theatrical sources and exploring how this affected his financial circumstances and his ability to invest for his and his family's security, we can come to a better understanding of his social standing at different periods in his life, the most obvious evidence to his late sixteenth- and early seventeenth-century contemporaries of his success. Shakespeare undoubtedly died a man of comfortable means, but, as this book demonstrates, there is little to justify claims that he died possessed of great wealth. The circumstances of his daughters' marriages are a sufficient indication that he had not achieved true gentlemanly status. Other evidence suggests that he had not broken convincingly into the ranks of leading figures even of a small market town. Moreover, following a period of increasing prosperity, these 'business records' also reflect a declining income during the last ten years or so of his life and of his efforts to safeguard his assets. On the other hand, when compared with his father's business failure, mainly the result of a loss of credit, it is clear that, consciously or unconsciously, Shakespeare had the good sense or foresight not to over-reach himself.

The Redvers earls of Devon were one of the leading families of southern England in the twelfth and thirteenth centuries, with large estates in Devon, Dorset, Hampshire and the Isle of Wight. Over 200 charters have survived before1217 which relate to them, fully edited for the first time in this volume. The charters record the family's history, its part in national politics, and its estates. They also tell us about the religious houses, towns, economy andpeople of the region. There is a full introduction followed by an edition of the charters, with a summary of each one in English, a careful Latin text, and scholarly apparatus and notes. There are three maps, a genealogical table, a glossary of technical terms and a detailed index.

Although a small Warwickshire market town, Stratford-upon-Avon has a remarkable number and variety of historic buildings. The medieval street plan survives, with most of the streets still known by the same names. Over the past 250 years, tourism has become a major activity because of the town's associations with William Shakespeare, and the Royal Shakespeare Theatre on the riverside. Many listed buildings are located along the Historic Spine, which runs from Shakespeare's Birthplace through the town centre to his resting place at Holy Trinity Church. In Stratford-upon-Avon in 50 Buildings, Robert Bearman and Lindsay MacDonald present an engaging and insightful account of the rich architectural heritage of the town. The buildings and landmarks featured are all much appreciated by townspeople and tourists alike, and they give the town its essential character. Taken together, this wide-ranging selection of buildings, landmarks and architectural styles tells the story of the town's history and development from its medieval origins through all of its phases to the present day. Superbly illustrated throughout, this book will be of immense interest to residents, visitors and local historians.