"Spectacular . . . drops the reader through one trapdoor into another" A.J. FINN It all starts with an innocuous curiosity: at the Hotel de Verbier, a luxury hotel in the Swiss Alps, there is no Room 622. This anomaly piques the interest of Joël Dicker, Switzerland's most famous literary star, who flees to the Verbier to recover from a bad breakup, mourn the death of his publisher, and begin his next novel. Before he knows it, he's coaxed out of his slump by a fellow guest, who quickly uncovers the reason behind Room 622's erasure: an unsolved murder. The attendant circumstances: a love triangle and a power struggle at the heart of Switzerland's largest private bank, a mysterious counter-intelligence unit known only as P-30, and a shadowy émigré with more money than God. A Russian doll of a mystery crafted with the precision of a Swiss watch, The Enigma of Room 622 is Joël Dicker's most diabolically addictive thriller yet. Praise for Joël Dicker "It's that most engaging of treats, a big, fat, intelligent thriller" SIMON MAYO "Dicker has the first-rate crime novelist's ability to lead his readers up the garden path" Sunday Express Translated from the French by Robert Bononno

A burnt-out thriller writer desperate to regain his creative spark becomes intrigued by a decade-old unsolved murder at a glamorous Alpine hotel in this meticulously crafted novel—a matryoshka doll of a mystery built with the precision of a Swiss watch—from the internationally bestselling author of The Truth About the Harry Quebert Affair. One December night, a corpse is found in Room 622 of the Hotel Verbier, a luxury resort in the Swiss Alps. An intense police investigation begins, yet few leads are found. Time passes, and without any breaks in the case, public interest wanes. Years later, Joël Dicker, Switzerland’s novelist extraordinaire, arrives at the Verbier to recover from a bad breakup, mourn the death of his longtime publisher, and hopefully begin a new novel. While trying to solve the puzzle of his next book, Joël’s expertise in the art of the thriller put to the test when he decides to play Sherlock Holmes and look into the hotel’s long-unsolved murder case. He finds his Watson in Scarlett, a beautiful aspiring novelist staying in the next room, who joins Dicker in the investigation. Meanwhile, in the wake of his father's passing, Macaire Ebezner is poised to take over as president of the largest private bank in Switzerland. The succession captivates the news media, and the future looks bright—until it doesn't. The bank’s board, including Lev Levovitch—Geneva’s very own Jay Gatsby—has other plans, and Macaire’s triumphant rise to the top soon becomes a race against time. The Enigma of Room 622 is a diabolically addictive thriller in which a love triangle, a power struggle, shocking betrayals, and deadly envy play out against the backdrop of a not so placid Switzerland, as the truth twists and turns into something most . . . unexpected. Translated from the French by Robert Bononno

A collection of previously untranslated writings by Henri Lefebvre on rural sociology, situating his research in relation to wider Marxist work On the Rural is the first English collection to translate Lefebvre's crucial but lesser-known writings on rural sociology and political economy, presenting a wide-ranging approach to understanding the historical and rural sociology of precapitalist social forms, their endurance today, and conditions of dispossession and uneven development. In On the Rural, Stuart Elden and Adam David Morton present Lefebvre's key works on rural questions, including the first half of his book Du rural a l'urbain and supplementary texts, two of which are largely unknown conference presentations published outside France. On the Rural offers methodological orientations for addressing questions of economy, sociology, and geography by deploying insights from spatial political economy to decipher the rural as a terrain and stake of capitalist transformation. By doing so, it reveals the production of the rural as a key site of capitalist development and as a space of struggle. This volume delivers a careful translation-supplemented with extensive notes and a substantive introduction-to cement Lefebvre's central contribution to the political economy of rural sociology and geography.

From Einstein's quest for a unified field theory to Stephen Hawking's belief that we "would know the mind of God" through such a theory, contemporary science-and physics in particular-has claimed that it alone possesses absolute knowledge of the universe. In a sweeping work of philosophical inquiry, originally published in French in seven volumes, Isabelle Stengers builds on her previous intellectual accomplishments to explore the role and authority of science in modern societies and to challenge its pretensions to objectivity, rationality, and truth. For Stengers, science is a constructive enterprise, a diverse, interdependent, and highly contingent system that does not simply discover preexisting truths but, through specific practices and processes, helps shape them. She addresses conceptual themes crucial for modern science, such as the formation of physical-mathematical intelligibility, from Galilean mechanics and the origin of dynamics to quantum theory, the question of biological reductionism, and the power relations at work in the social and behavioral sciences. Focusing on the polemical and creative aspects of such themes, she argues for an ecology of practices that takes into account how scientific knowledge evolves, the constraints and obligations such practices impose, and the impact they have on the sciences and beyond. This perspective, which demands that competing practices and interests be taken seriously rather than merely (and often condescendingly) tolerated, poses a profound political and ethical challenge. In place of both absolutism and tolerance, she proposes a cosmopolitics-modeled on the ideal scientific method that considers all assumptions and facts as being open to question-that reintegrates the natural and the social, the modern and the archaic, the scientific and the irrational. Cosmopolitics I includes the first three volumes of the original work. Cosmopolitics II will be published by the University of Minnesota Press in Spring 2011.

Two previously unpublished lectures charting the renowned anthropologist's intellectual engagement with the sixteenth-century French essayist Michel de Montaigne In January 1937, between the two ethnographic trips he would describe in Tristes Tropiques, Claude Levi-Strauss gave a talk to the Confederation generale du travail in Paris. Only recently discovered in the archives of the Bibliotheque national de France, this lecture, "Ethnography: The Revolutionary Science," discussed the French essayist Michel de Montaigne, to whom Levi-Strauss would return in remarks delivered more than a half-century later, in the spring of 1992. Bracketing the career of one of the most celebrated anthropologists of the twentieth century, these two talks reveal how Levi-Strauss's ethnography begins and ends with Montaigne-and how his reading of his intellectual forebear and his understanding of anthropology evolve along the way. Published here for the first time, these lectures offer new insight into the development of ethnography and the thinking of one of its most important practitioners. Essays by Emmanuel Desveaux, who edited the original French volume De Montaigne a Montaigne, and Peter Skafish expand the context of Levi-Strauss's talks with contemporary perspectives and commentary.

A collection of previously untranslated writings by Henri Lefebvre on rural sociology, situating his research in relation to wider Marxist work On the Rural is the first English collection to translate Lefebvre's crucial but lesser-known writings on rural sociology and political economy, presenting a wide-ranging approach to understanding the historical and rural sociology of precapitalist social forms, their endurance today, and conditions of dispossession and uneven development. In On the Rural, Stuart Elden and Adam David Morton present Lefebvre's key works on rural questions, including the first half of his book Du rural a l'urbain and supplementary texts, two of which are largely unknown conference presentations published outside France. On the Rural offers methodological orientations for addressing questions of economy, sociology, and geography by deploying insights from spatial political economy to decipher the rural as a terrain and stake of capitalist transformation. By doing so, it reveals the production of the rural as a key site of capitalist development and as a space of struggle. This volume delivers a careful translation-supplemented with extensive notes and a substantive introduction-to cement Lefebvre's central contribution to the political economy of rural sociology and geography.

Originally published in French in seven volumes, "Cosmopolitics" investigates the role and authority of the sciences in modern societies and challenges their claims to objectivity, rationality, and truth. "Cosmopolitics II" includes the first English-language translations of the last four books: "Quantum Mechanics: The End of the Dream, In the Name of the Arrow of Time: Prigogine's Challenge, Life and Artifice: The Faces of Emergence, "and" The Curse of Tolerance.
"
Arguing for an "ecology of practices" in the sciences, Isabelle Stengers explores the discordant landscape of knowledge derived from modern science, seeking intellectual consistency among contradictory, confrontational, and mutually exclusive philosophical ambitions and approaches. For Stengers, science is a constructive enterprise, a diverse, interdependent, and highly contingent system that does not simply discover preexisting truths but, through specific practices and processes, helps shape them.

Stengers concludes this philosophical inquiry with a forceful critique of tolerance; it is a fundamentally condescending attitude, she contends, that prevents those worldviews that challenge dominant explanatory systems from being taken seriously. Instead of tolerance, she proposes a "cosmopolitics" that rejects politics as a universal category and allows modern scientific practices to peacefully coexist with other forms of knowledge.

Praised for her “exceptional ability to narrate the heartrending lives of ordinary people� (Jean-Louis Hippolyte), deliver a “riveting page-turner� (Entertainment Weekly), and master the “art of creating a diffuse discomfort� (Marie Claire), Pascale Kramer is one of the world’s finest chroniclers of psychological disturbance and the family interior. First published in France in 2016, this novel has already been named a finalist for three prizes. Autopsy of a Father was inspired by the real-life scandal of French author Richard Millet who, in 2012, made headlines for publishing an essay in praise of Anders Breivik, the right-wing extremist who killed 77 people in Norway. Set in France, the novel addresses issues of racism and anti-immigrant sentiment rampant throughout Europe by showing how the personal becomes political. Without resorting to polemics, Kramer shows how a recognized intellectual can shift toward dark and intolerant positions, and how that can tear through the fabric of a family and society at large.

As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire. The associations between madness and language-and madness and silence-preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud's literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing-particularly La Nouvelle Justine and Juliette-he devotes a full two-part lecture series focusing on notions of literary self-consciousness. Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault's thought and intellectual development.

Expectation is a major volume of Jean-Luc Nancy's writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature's relation to philosophy. Nancy pursues such questions as literature's claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hoelderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valery's "La Jeune Parque," several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabate that elaborates Nancy's importance as a literary thinker, this book constitutes the most substantial statement to date by one of today's leading philosophers on a discipline that has been central to his work across his career.

Newly published lectures by Foucault on madness, literature, and structuralism.   Perceiving an enigmatic relationship between madness, language, and literature, French philosopher Michel Foucault developed ideas during the 1960s that are less explicit in his later, more well-known writings. Collected here, these previously unpublished texts reveal a Foucault who undertakes an analysis of language and experience detached from their historical constraints. Three issues predominate: the experience of madness across societies; madness and language in Artaud, Roussel, and Baroque theater; and structuralist literary criticism. Not only do these texts pursue concepts unique to this period such as the “extra-linguistic,� but they also reveal a far more complex relationship between structuralism and Foucault than has typically been acknowledged.

Two previously unpublished lectures charting the renowned anthropologist's intellectual engagement with the sixteenth-century French essayist Michel de Montaigne In January 1937, between the two ethnographic trips he would describe in Tristes Tropiques, Claude Levi-Strauss gave a talk to the Confederation generale du travail in Paris. Only recently discovered in the archives of the Bibliotheque national de France, this lecture, "Ethnography: The Revolutionary Science," discussed the French essayist Michel de Montaigne, to whom Levi-Strauss would return in remarks delivered more than a half-century later, in the spring of 1992. Bracketing the career of one of the most celebrated anthropologists of the twentieth century, these two talks reveal how Levi-Strauss's ethnography begins and ends with Montaigne-and how his reading of his intellectual forebear and his understanding of anthropology evolve along the way. Published here for the first time, these lectures offer new insight into the development of ethnography and the thinking of one of its most important practitioners. Essays by Emmanuel Desveaux, who edited the original French volume De Montaigne a Montaigne, and Peter Skafish expand the context of Levi-Strauss's talks with contemporary perspectives and commentary.

Originally published in French in seven volumes, "Cosmopolitics" investigates the role and authority of the sciences in modern societies and challenges their claims to objectivity, rationality, and truth. "Cosmopolitics II" includes the first English-language translations of the last four books: "Quantum Mechanics: The End of the Dream, In the Name of the Arrow of Time: Prigogine's Challenge, Life and Artifice: The Faces of Emergence, "and" The Curse of Tolerance.
"
Arguing for an "ecology of practices" in the sciences, Isabelle Stengers explores the discordant landscape of knowledge derived from modern science, seeking intellectual consistency among contradictory, confrontational, and mutually exclusive philosophical ambitions and approaches. For Stengers, science is a constructive enterprise, a diverse, interdependent, and highly contingent system that does not simply discover preexisting truths but, through specific practices and processes, helps shape them.

Stengers concludes this philosophical inquiry with a forceful critique of tolerance; it is a fundamentally condescending attitude, she contends, that prevents those worldviews that challenge dominant explanatory systems from being taken seriously. Instead of tolerance, she proposes a "cosmopolitics" that rejects politics as a universal category and allows modern scientific practices to peacefully coexist with other forms of knowledge.

Fethi Benslama is a psychoanalyst who, although a secular thinker, identifies himself as a person of Muslim culture who rejects ready-made explanations for Islamic fundamentalism. In that spirit, Benslama demythifies both Islam and Western ideas of the religion by addressing the psychoanalytic root causes of the Muslim world's clash with modernity and subsequent turn to fundamentalism. Tracing this ideological strain to its origins, Benslama shows that contemporary Islam consists of a fairly recent hybridization of Arab nationalism, theocracy, and an attempt (both naive and deadly) to ground science in faith. Combining textual analysis and Lacanian and Freudian psychoanalysis, he examines Islam's foundation, providing fresh readings of the book of Genesis, the Koran, The Arabian Nights, and the work of medieval Islamic philosophers. Refreshingly, Benslama writes without ideological bias and undoes the simplistic, Western view of Islam while refusing to romanticize terrorism or Muslim extremism. This is a penetrating work that reveals an alternate history of the Islamic religion and opens new possibilities for its future development.

One of the most influential Marxist theorists of the twentieth century, Henri Lefebvre first published Marxist Thought and the City in French in 1972, marking a pivotal point in his evolution as a thinker and an important precursor to his groundbreaking work of urban sociology, The Production of Space. Marxist Thought and the City-inwhich he reviews the work of Karl Marx and Friedrich Engels for commentary and analysis on the life and growth of the city-now appears in English for the first time. Rooted in orthodox Marxism's analyses of capitalism and the capitalist mode of production, with extensive quotations from the works of Marx and Engels, this book describes the city's transition from life under feudalism to modern industrial capitalism. In doing so it highlights the various forces that sought to maintain power in the struggles between the medieval aristocracy and the urban guilds, amid the growth of banking and capital. Providing vital background and supplementary material to Lefebvre's other books, including The Urban Revolution and Right to the City, Marxist Thought and the City is indispensable for students and scholars of urbanism, Marxism, social geography, early modern history, and the history of economic thought.

One of the most influential Marxist theorists of the twentieth century, Henri Lefebvre first published Marxist Thought and the City in French in 1972, marking a pivotal point in his evolution as a thinker and an important precursor to his groundbreaking work of urban sociology, The Production of Space. Marxist Thought and the City-inwhich he reviews the work of Karl Marx and Friedrich Engels for commentary and analysis on the life and growth of the city-now appears in English for the first time. Rooted in orthodox Marxism's analyses of capitalism and the capitalist mode of production, with extensive quotations from the works of Marx and Engels, this book describes the city's transition from life under feudalism to modern industrial capitalism. In doing so it highlights the various forces that sought to maintain power in the struggles between the medieval aristocracy and the urban guilds, amid the growth of banking and capital. Providing vital background and supplementary material to Lefebvre's other books, including The Urban Revolution and Right to the City, Marxist Thought and the City is indispensable for students and scholars of urbanism, Marxism, social geography, early modern history, and the history of economic thought.

As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire. The associations between madness and language—and madness and silence—preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud’s literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing—particularly La Nouvelle Justine and Juliette—he devotes a full two-part lecture series focusing on notions of literary self-consciousness. Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault’s thought and intellectual development.

Expectation is a major volume of Jean-Luc Nancy's writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature's relation to philosophy. Nancy pursues such questions as literature's claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hoelderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valery's "La Jeune Parque," several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabate that elaborates Nancy's importance as a literary thinker, this book constitutes the most substantial statement to date by one of today's leading philosophers on a discipline that has been central to his work across his career.

In 1968, Michel Foucault agreed to a series of interviews with critic Claude Bonnefoy, which were to be published in book form. Bonnefoy wanted a dialogue with Foucault about his relationship to writing rather than about the content of his books. The project was abandoned, but a transcript of the initial interview survived and is now being published for the first time in English. In this brief and lively exchange, Foucault reflects on how he approached the written word throughout his life, from his school days to his discovery of the pleasure of writing. Wide ranging, characteristically insightful, and unexpectedly autobiographical, the discussion is revelatory of Foucault's intellectual development, his aims as a writer, his clinical methodology ("let's say I'm a diagnostician"), and his interest in other authors, including Raymond Roussel and Antonin Artaud. Foucault discloses, in ways he never had previously, details about his home life, his family history, and the profound sense of obligation he feels to the act of writing. In his Introduction, Philippe Artieres investigates Foucault's engagement in various forms of oral discourse-lectures, speeches, debates, press conferences, and interviews-and their place in his work. Speech Begins after Death shows Foucault adopting a new language, an innovative autobiographical communication that is neither conversation nor monologue, and is one of his most personal statements about his life and writing.

Writer, artist, filmmaker, provocateur, revolutionary, and impresario of the Situationist International, Guy Debord shunned the apparatus of publicity he dissected so brilliantly in his most influential work, The Society of the Spectacle. In this ambitious and innovative biography, Vincent Kaufmann places Debord's very hostility toward the inquisitive, biographical gaze at the center of an investigation into his subject's diverse output-from his earliest films to his landmark works of social theory and political provocation-and the poetic sensibility that informed both his work and his life. Instead of providing a conventional day-to-day account of Debord's life, Kaufmann deftly locates his subject within the historical and intellectual context of the radical social, political, and artistic movements in which he participated. He traces Debord's development as an intellectual: his involvement with the lettrist movement in the early 1950s, his central role in the Situationist International from 1957 to 1971 and in the events of May 1968, and the productive and frequently misunderstood period between the dissolution of the situationists and his suicide, during which time Debord clarified the rules of his war against inauthenticity. As Kaufmann makes clear, for Debord political thought and action were inseparable from aesthetics and poetic expression. Whether envisioning the recovery of a lost, protocommunist age of authenticity and transparency in The Society of the Spectacle or critically assessing the possibility of revolution against postmodern capitalism two decades later, Debord advocated and practiced an art of defiance, a concurrently martial and melancholic poetics. Avoiding the mythologies about Debord that both admirers and critics have cultivated, Kaufmann provides a groundbreaking and generous assessment of Debord and his uncompromising struggle against a corrupt civilization.