"Spectacular . . . drops the reader through one trapdoor into another" A.J. FINN It all starts with an innocuous curiosity: at the Hotel de Verbier, a luxury hotel in the Swiss Alps, there is no Room 622. This anomaly piques the interest of Joël Dicker, Switzerland's most famous literary star, who flees to the Verbier to recover from a bad breakup, mourn the death of his publisher, and begin his next novel. Before he knows it, he's coaxed out of his slump by a fellow guest, who quickly uncovers the reason behind Room 622's erasure: an unsolved murder. The attendant circumstances: a love triangle and a power struggle at the heart of Switzerland's largest private bank, a mysterious counter-intelligence unit known only as P-30, and a shadowy émigré with more money than God. A Russian doll of a mystery crafted with the precision of a Swiss watch, The Enigma of Room 622 is Joël Dicker's most diabolically addictive thriller yet. Praise for Joël Dicker "It's that most engaging of treats, a big, fat, intelligent thriller" SIMON MAYO "Dicker has the first-rate crime novelist's ability to lead his readers up the garden path" Sunday Express Translated from the French by Robert Bononno

Praised for her “exceptional ability to narrate the heartrending lives of ordinary people� (Jean-Louis Hippolyte), deliver a “riveting page-turner� (Entertainment Weekly), and master the “art of creating a diffuse discomfort� (Marie Claire), Pascale Kramer is one of the world’s finest chroniclers of psychological disturbance and the family interior. First published in France in 2016, this novel has already been named a finalist for three prizes. Autopsy of a Father was inspired by the real-life scandal of French author Richard Millet who, in 2012, made headlines for publishing an essay in praise of Anders Breivik, the right-wing extremist who killed 77 people in Norway. Set in France, the novel addresses issues of racism and anti-immigrant sentiment rampant throughout Europe by showing how the personal becomes political. Without resorting to polemics, Kramer shows how a recognized intellectual can shift toward dark and intolerant positions, and how that can tear through the fabric of a family and society at large.

From Einstein's quest for a unified field theory to Stephen Hawking's belief that we "would know the mind of God" through such a theory, contemporary science-and physics in particular-has claimed that it alone possesses absolute knowledge of the universe. In a sweeping work of philosophical inquiry, originally published in French in seven volumes, Isabelle Stengers builds on her previous intellectual accomplishments to explore the role and authority of science in modern societies and to challenge its pretensions to objectivity, rationality, and truth. For Stengers, science is a constructive enterprise, a diverse, interdependent, and highly contingent system that does not simply discover preexisting truths but, through specific practices and processes, helps shape them. She addresses conceptual themes crucial for modern science, such as the formation of physical-mathematical intelligibility, from Galilean mechanics and the origin of dynamics to quantum theory, the question of biological reductionism, and the power relations at work in the social and behavioral sciences. Focusing on the polemical and creative aspects of such themes, she argues for an ecology of practices that takes into account how scientific knowledge evolves, the constraints and obligations such practices impose, and the impact they have on the sciences and beyond. This perspective, which demands that competing practices and interests be taken seriously rather than merely (and often condescendingly) tolerated, poses a profound political and ethical challenge. In place of both absolutism and tolerance, she proposes a cosmopolitics-modeled on the ideal scientific method that considers all assumptions and facts as being open to question-that reintegrates the natural and the social, the modern and the archaic, the scientific and the irrational. Cosmopolitics I includes the first three volumes of the original work. Cosmopolitics II will be published by the University of Minnesota Press in Spring 2011.

Fethi Benslama is a psychoanalyst who, although a secular thinker, identifies himself as a person of Muslim culture who rejects ready-made explanations for Islamic fundamentalism. In that spirit, Benslama demythifies both Islam and Western ideas of the religion by addressing the psychoanalytic root causes of the Muslim world's clash with modernity and subsequent turn to fundamentalism. Tracing this ideological strain to its origins, Benslama shows that contemporary Islam consists of a fairly recent hybridization of Arab nationalism, theocracy, and an attempt (both naive and deadly) to ground science in faith. Combining textual analysis and Lacanian and Freudian psychoanalysis, he examines Islam's foundation, providing fresh readings of the book of Genesis, the Koran, The Arabian Nights, and the work of medieval Islamic philosophers. Refreshingly, Benslama writes without ideological bias and undoes the simplistic, Western view of Islam while refusing to romanticize terrorism or Muslim extremism. This is a penetrating work that reveals an alternate history of the Islamic religion and opens new possibilities for its future development.

One of the most influential Marxist theorists of the twentieth century, Henri Lefebvre first published Marxist Thought and the City in French in 1972, marking a pivotal point in his evolution as a thinker and an important precursor to his groundbreaking work of urban sociology, The Production of Space. Marxist Thought and the City-inwhich he reviews the work of Karl Marx and Friedrich Engels for commentary and analysis on the life and growth of the city-now appears in English for the first time. Rooted in orthodox Marxism's analyses of capitalism and the capitalist mode of production, with extensive quotations from the works of Marx and Engels, this book describes the city's transition from life under feudalism to modern industrial capitalism. In doing so it highlights the various forces that sought to maintain power in the struggles between the medieval aristocracy and the urban guilds, amid the growth of banking and capital. Providing vital background and supplementary material to Lefebvre's other books, including The Urban Revolution and Right to the City, Marxist Thought and the City is indispensable for students and scholars of urbanism, Marxism, social geography, early modern history, and the history of economic thought.

A collection of previously untranslated writings by Henri Lefebvre on rural sociology, situating his research in relation to wider Marxist work On the Rural is the first English collection to translate Lefebvre's crucial but lesser-known writings on rural sociology and political economy, presenting a wide-ranging approach to understanding the historical and rural sociology of precapitalist social forms, their endurance today, and conditions of dispossession and uneven development. In On the Rural, Stuart Elden and Adam David Morton present Lefebvre's key works on rural questions, including the first half of his book Du rural a l'urbain and supplementary texts, two of which are largely unknown conference presentations published outside France. On the Rural offers methodological orientations for addressing questions of economy, sociology, and geography by deploying insights from spatial political economy to decipher the rural as a terrain and stake of capitalist transformation. By doing so, it reveals the production of the rural as a key site of capitalist development and as a space of struggle. This volume delivers a careful translation-supplemented with extensive notes and a substantive introduction-to cement Lefebvre's central contribution to the political economy of rural sociology and geography.

As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire. The associations between madness and language-and madness and silence-preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud's literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing-particularly La Nouvelle Justine and Juliette-he devotes a full two-part lecture series focusing on notions of literary self-consciousness. Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault's thought and intellectual development.