The real danger of Soviet deception during the fall of communism is exposed in this startling account that takes a firsthand look behind the Iron Curtain. Learn how the KGB sought world domination, starting with the USSR. Read the shocking facts about the true origin of international terrorism in the 1960s. Author Robert Buchar presents years of research and interviews with major players. His first-hand experience as a political refugee makes this an authentic and eye-opening account of Western Civilization's main enemy. "Robert Buchar's book fills a vacuum, shedding light on the KGB's secret assistance to Communism and its tyrants ... [His] book shows the inner workings of [this] machine running its disinformation ... for all to see." - Lt. Gen. Ion Mihai Pacepa Robert Buchar is a political refugee, born and raised in Czechoslovakia. He received his MFA in cinematography from the Film Academy of Fine Arts in Prague and worked as a cinematographer before defecting to the United States in 1980. Buchar is an associate professor and author of the Cinematography Program at Columbia College in Chicago. This book is based on his documentary feature film, The Collapse of Communism: The Untold Story.

In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary. The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jiri Menzel, Sasa Gedeon, and Jan Sverak, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive normalization after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution.