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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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The anatomy of melancholy, what it is, with all the kinds, causes, symptomes, prognostics, and several curses of it. In three paritions. With their several sections, members and subsections, philosophically, medically, historically, opened and cut up (Vol (Hardcover)
Robert Burton
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R905
R732
Discovery Miles 7 320
Save R173 (19%)
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Ships in 12 - 17 working days
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The Anatomy Of Melancholy - What It Is, With All The Kinds, Causes, Symptoms, Prognostics, And Several Cures Of It: In Three Partitions, With Their Several Sections, Members, And Subsections, Philosophically, Medically, Historically Opened And Cut Up (Hardcover)
Robert Burton
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R912
Discovery Miles 9 120
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Ships in 12 - 17 working days
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South Georgia is rich in wildlife and spectacular scenery, and it
is a prime destination spot on most Antarctic tours. This
beautifully illustrated field guide depicts the birds, mammals,
insects, flowering plants, and other vegetation found in this
unique part of the world. It features 368 full-color photographs of
more than 180 species, including 65 species of birds, 20 species of
sea mammals, nearly 60 species of insects, and more than 40 species
of flowering and nonflowering plants. Detailed species accounts
describe key identification features, with information on status,
behavior, threats, and distribution. This one-of-a-kind
photographic guide also includes introductory chapters on South
Georgia's geography, climate, ecology, and conservation. * Features
368 photos of more than 180 species * Covers birds, sea mammals,
insects, and plants * Provides detailed species accounts * Includes
chapters on geography, climate, ecology, and conservation * The
only photographic field guide to focus specifically on South
Georgia
This is the second volume of the Clarendon edition of Robert
Burton's The Anatomy of Melancholy, containing the text and textual
apparatus for `The Second Partition'. A third volume of text and
two volumes of commentary will follow. In `The Second Partition',
Burton treats the spectrum of cures for melancholy, generally
following the organization and analysis of symptoms and causes of
the disorder as presented in `The First Partition'. Here is found
Burton's remarkable synthesis of cultural geography and climatic
influences on temperament in the `Digression of the Ayre' and his
long excursion in the consolatio tradition. The final two sections
of the partition present remedies from physics and surgery.
One of the major documents of modern European civilization, Robert
Burton's astounding compendium, a survey of melancholy in all its
myriad forms, has invited nothing but superlatives since its
publication in the seventeenth century. Lewellyn Powys called it
"the greatest work of prose of the greatest period of English
prose-writing," while the celebrated surgeon William Osler declared
it the greatest of medical treatises. And Dr. Johnson, Boswell
reports, said it was the only book that he rose early in the
morning to read with pleasure. In this surprisingly compact and
elegant new edition, Burton's spectacular verbal labyrinth is sure
to delight, instruct, and divert today's readers as much as it has
those of the past four centuries.
This is the third and final text volume of the Clarendon edition of
Robert Burton's The Anatomy of Melancholy. It contains `The Third
Partition', `The Table', edited from 1624-1651 editions, and their
textual apparatus, and an Index of Persons. Also included are three
appendices: `The Conclusion of the Author to the Reader', which
occurs only in the 1621 edition, a list of stop-press corrections
to the 1632 edition, and the edited Synoptic Tables. The Third
Partition is made up of two grand digressions which conclude
Burton's earlier arguments on the causes and cures of melancholy.
In the first digression he anatomizes love melancholy, its kinds,
causes and symptom, and cures. No one up to his time had dealt more
elaborately, or more thoroughly, with the components of love.
Certain sections, `Beauty a Cause', of `Jealousie, his
AEquivocations, Name, Definition, Extent ...' are no less engaging
today than when they were first written. In the second, religious
melancholy, he surveys the aberrations from true religious
commitment which are the cause of this melancholy. To Burton the
divine, no other manifestation of melancholy was as serious as
this, and his words of comfort, consolation, and encouragement, are
a fitting end to his dissection of a disease that all are heir to.
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