Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

South Georgia is rich in wildlife and spectacular scenery, and it is a prime destination spot on most Antarctic tours. This beautifully illustrated field guide depicts the birds, mammals, insects, flowering plants, and other vegetation found in this unique part of the world. It features 368 full-color photographs of more than 180 species, including 65 species of birds, 20 species of sea mammals, nearly 60 species of insects, and more than 40 species of flowering and nonflowering plants. Detailed species accounts describe key identification features, with information on status, behavior, threats, and distribution. This one-of-a-kind photographic guide also includes introductory chapters on South Georgia's geography, climate, ecology, and conservation. * Features 368 photos of more than 180 species * Covers birds, sea mammals, insects, and plants * Provides detailed species accounts * Includes chapters on geography, climate, ecology, and conservation * The only photographic field guide to focus specifically on South Georgia

This is the second volume of the Clarendon edition of Robert Burton's The Anatomy of Melancholy, containing the text and textual apparatus for `The Second Partition'. A third volume of text and two volumes of commentary will follow. In `The Second Partition', Burton treats the spectrum of cures for melancholy, generally following the organization and analysis of symptoms and causes of the disorder as presented in `The First Partition'. Here is found Burton's remarkable synthesis of cultural geography and climatic influences on temperament in the `Digression of the Ayre' and his long excursion in the consolatio tradition. The final two sections of the partition present remedies from physics and surgery.

Robert Burton's The Anatomy of Melancholy is one of the last great works of English prose to have remained unedited. The present volume inaugurates an authoritative edition of the work, which is being prepared by scholars on both sides of the Atlantic. It will be followed by two further volumes of text with textual apparatus, and two volumes of commentary. Burton concentrated a lifetime of inquiry into the Anatomy, describing and analysing melancholy and its causes - devoting especial attention to love and religion - and recording possible cures. Primarily a scholarly study of morbid psychology, it is also a compendium of curious facts and anecdotes, and combines seriousness of purpose with a marked satirical vein. First published in 1621, it was a great success: four more editions were published in Burton's lifetime, in each of which new material was added, and a sixth, containing his final revisions, was published in in 1651, eleven years after his death. The textual complexity and Burton's extraordinary range of reference have hitherto deterred editors: this is the first scholarly edition to appear. The text is based on a complete collation of all six authoritative editions.

One of the major documents of modern European civilization, Robert Burton's astounding compendium, a survey of melancholy in all its myriad forms, has invited nothing but superlatives since its publication in the seventeenth century. Lewellyn Powys called it "the greatest work of prose of the greatest period of English prose-writing," while the celebrated surgeon William Osler declared it the greatest of medical treatises. And Dr. Johnson, Boswell reports, said it was the only book that he rose early in the morning to read with pleasure. In this surprisingly compact and elegant new edition, Burton's spectacular verbal labyrinth is sure to delight, instruct, and divert today's readers as much as it has those of the past four centuries.

This is the third and final text volume of the Clarendon edition of Robert Burton's The Anatomy of Melancholy. It contains `The Third Partition', `The Table', edited from 1624-1651 editions, and their textual apparatus, and an Index of Persons. Also included are three appendices: `The Conclusion of the Author to the Reader', which occurs only in the 1621 edition, a list of stop-press corrections to the 1632 edition, and the edited Synoptic Tables. The Third Partition is made up of two grand digressions which conclude Burton's earlier arguments on the causes and cures of melancholy. In the first digression he anatomizes love melancholy, its kinds, causes and symptom, and cures. No one up to his time had dealt more elaborately, or more thoroughly, with the components of love. Certain sections, `Beauty a Cause', of `Jealousie, his AEquivocations, Name, Definition, Extent ...' are no less engaging today than when they were first written. In the second, religious melancholy, he surveys the aberrations from true religious commitment which are the cause of this melancholy. To Burton the divine, no other manifestation of melancholy was as serious as this, and his words of comfort, consolation, and encouragement, are a fitting end to his dissection of a disease that all are heir to.