Art criticism in the 1980s was highly influenced by market forces that somewhat changed the face of the art world. A mediocre show purchased by a wealthy investor or collector received disproportionate coverage in the New York press, particularly those glossy, four-color journals that were highly dependent upon the advertising dollars of galleries, auction houses, vodka companies, airlines and fashion designers. Lost in the coverage of market-driven art was that it was not necessarily the most advanced or even the most significant work of the decade. This work provides an alternative viewpoint to the general American cultural discourse of the 1980s, showing that the real situation was not the exclusionary rhetoric of Postmodernism but was instead the conflict between late Modernism and Conceptual Art. The 24 essays range from discussions on Joseph Beuys and Allan Kaprow to studies of French artist Tania Mouraud and Polish artist Jan Zakrzewski. It also includes a lengthy commentary on art and technology, along with a look at performance and installation art.

Present-day, Deep South and rural Blasingame County, Alabama, isn't the place one would normally associate with an ancient Chinese wizard's curse, creatures from the underworld of ancient religious mythology, and a snappish Japanese national with State Department credentials.

Yet, a monster hunt is in order, and so is a clash of cultures, religions, and personalities.

It will take the efforts of the unlucky county sheriff and the bitter, driven monster-hunter from Japan to rid Blasingame County of a monster whose only limitation is a commonplace vine that grows all over the South.

Kidney transplantation is a medical procedure performed on patients with end-stage kidney disease that can increase their life expectancy by several years. However, the procedure involves some risk and potential complications. Chapter One of this monograph summarizes the current strategy for diagnosis and treatment of chronic kidney disease-associated mineral bone disease (CKD-MBD) in kidney transplant recipients and aims to demonstrate the latest findings and therapeutic options in the field beyond recent published guidelines. Chapter Two describes the necessity of involving a psychiatrist in the transplant team to facilitate positive outcomes in kidney transplants, as psychological factors can contribute to treatment non-compliance and other issues. Chapter Three defines the surgical techniques used in living donor nephrectomy, discusses the use and reliability of these techniques in different patient groups, and examines the long-term follow-up results of donors and recipients. Lastly, Chapter Four discusses the variables involved in treating patients with autosomal dominant polycystic kidney disease (ADPCKD), whose enlarged and deformed kidneys can complicate kidney transplantation.

In Gabriel de la Mora's work, accuracy and execution appear to be conceptual as well as formal manoeuvres. If everything appears to be in its place, what is so disquieting and marvellous about his work? What leads us to experience something sinister? His work is related with the dark side of the psyche, its internal side, away from the cynical and ironic proposals that are so common in contemporary art. Gabriel de la Mora's works explore personal identity through different lines of research that trace the thread of his work: originality, the paranormal, identity, memory, portrait and body are part of set of dichotomies represented in his work, where the line and point become elements which generate dialogue between drawing and sculpture, between two dimensional and three dimensional.

A publishing event: culminating works by a major figure in art history, collected here for the first time Exploring a surprising breadth of issues and mediums and demonstrating a depth of aesthetic and philosophical insights, in these relatively unknown works Greenberg incites a new direction for modernism beyond the twentieth century.