Readers of Rudolfo Anaya's fiction know the lyricism of his prose, but most do not know him as a poet. In this, his first collection of poetry, Anaya presents twenty-eight of his best poems, most of which have never before been published. Featuring works written in English and Spanish over the course of three decades, Poems from the Rio Grande offers readers a full body of work showcasing Anaya's literary and poetic imagination. Although the poems gathered here take a variety of forms - haiku, elegy, epic - all are imbued with the same lyrical and satirical styles that underlie Anaya's fiction. Together they make a fascinating complement to the novels, stories, and plays for which he is well known. In verse, Anaya explores every aspect of Chicano identity, beginning with memories of his childhood in a small New Mexico village and ending with mature reflections on being a Chicano who considers himself connected to all peoples. The collection articulates the themes at the heart of all Anaya's work: nostalgia for the landscape and customs of his boyhood in rural New Mexico, a deep connection to the Rio Grande, the politics of Chicanismo and satire aimed at it, and the use of myth and history as metaphor. Anaya also illustrates his familiarity with world traditions of poetry, invoking Walt Whitman, Homer, and the Bible. The poem to Isis that concludes the collection honors Anaya's wife, Patricia, and reflects his increasing identification with spiritual traditions across the globe. Both profeta and vato, seer and homeboy, Anaya as author is a citizen of the world. Poems from the Rio Grande offers readers a glimpse into his development as a poet and as one of the most celebrated Chicano authors of our time.

"The storyteller's gift is my inheritance," writes Rudolfo Anaya in his essay "Shaman of Words." Although he is best known for Bless Me, Ultima and other novels, his writing also takes the form of nonfiction, and in these 52 essays he draws on both his heritage as a Mexican American and his gift for storytelling. Besides tackling issues such as censorship, racism, education, and sexual politics, Anaya explores the tragedies and triumphs of his own life.Collected here are Anaya's published essays. Despite his wide acclaim as the founder of Chicano literature, no previous volume has attempted to gather Anaya's nonfiction into one edition. A companion to The Man Who Could Fly and Other Stories, the collection of Anaya's short stories, The Essays is an essential anthology for followers of Anaya and those interested in Chicano literature. Pieces such as "Requiem for a Lowrider," "La Llorona, El KookoOee, and Sexuality," and "An American Chicano in King Arthur's Court" take the reader from the llano of eastern New Mexico, where Anaya grew up, to the barrios of Albuquerque, and from the devastating diving accident that nearly ended his life at sixteen to the career he has made as an author and teacher. The point is not autobiography, although a life story is told, nor is it advocacy, although Anaya argues persuasively for cultural change. Instead, the author provides shrewd commentary on modern America in all its complexity. All the while, he employs the elegant, poetic voice and the interweaving of myth and folklore that inspire his fiction. "Stories reveal our human nature and thus become powerful tools for insight and revelation," writes Anaya. This collection of prose offers abundant new insight and revelation.

In the shadow of the Sangre de Cristo Mountains, New Mexico's Mora Valley harbors the ghosts of history: troubadours and soldiers, Plains Indians and settlers, families fleeing and finding home. There, more than a century ago, villagers collect scraps of paper documenting the valley's history and their identity - military records, travelers' diaries, newspaper articles, poetry, and more - and bind them into a leather portfolio known as ""The Book of Archives."" When a bomb blast during the Mexican-American War scatters the book's contents to the wind, the memory of the accounts lives on instead in the minds of Mora residents. Poets and storytellers pass down the valley's traditions into the twentieth century, from one generation to the next. In this pathbreaking dual-language volume, author A. Gabriel Melendez joins their ranks, continuing the retelling of Mora Valley's tales for our time. A native of Mora with el don de la palabra, the divine gift of words, Melendez mines historical sources and his own imagination to reconstruct the valley's story, first in English and then in Spanish. He strings together humorous, tragic, and quotidian vignettes about historical events and unlikely occurrences, creating a vivid portrait of Mora, both in cultural memory and present reality. Local gossip and family legend intertwine with Spanish-language ballads and the poetry of New Mexico's most famous dueling troubadours, Old Man Vilmas and the poet Garcia. Drawing on New Mexican storytelling tradition, Melendez weaves a colorful dual-language representation of a place whose irresistible characters and unforgettable events, and the inescapable truths they embody, still resonate today.

This groundbreaking book challenges the disciplinary boundaries that have traditionally separated scientific inquiry from literary inquiry. It explores scientific knowledge in three subject areas—the natural history of aging, literary narrative, and psychoanalysis. In the authors' view, the different perspectives on cognition afforded by Anglo-American cognitive science, Greimassian semiotics, and Lacanian psychoanalysis help us to redefine our very notion of culture. Part I historically situates the concepts of meaning and truth in twentieth-century semiotic theory and cognitive science. Part II contrasts the modes of Freudian case history to the general instance of Einstein's relativity theory and then sets forth a rhetoric of narrative based on the discourse of the aged. Part III examines in the context of literary studies an interdisciplinary concept of cultural cognition. Culture and Cognition will be essential reading for literary theorists, historians and philosophers of science; semioticians; and scholars and students of cultural studies, the sociology of literature, and science and literature.