Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

My book is a culmination of fifteen years of research and field study in an area that not many people are aware of, that being the subconscious mind. Instead of writing another non-fiction, how-to-book, I decided to convey all the experiences I had attained and all the knowledge I had acquired by incorporating them into an autobiographical novel. The information that is offered in my book is done in such a manner that the reader is not only entertained, but more importantly, enlightened toward understanding how to make life a little much easier and satisfying by utilizing a method I have coined "The Technique." Through the use of flash-backs and descriptive narrative, the storyline follows best-selling novelist John Templeton as he embarks upon an adventurous 10-day writing odyssey by delving into the inner world of subconscious awareness and creative intelligence, searching for the elusive fulfillment toward achieving true mental, physical and emotional well-being, harmony and balance. What he discovers along this rare and unusual journey is the very heart of the novel which is divided into 3 parts: Books 1,2 and 3, Book 1 focuses on terminology, book 2 in character development, while book 3 encompasses methodology, all woven into one neat package.

Lewis Wetzel, a famous scout and ranger on the early American frontier just west of the Appalachian Mountains. He is a true American icon, but is he a hero or a villain? Almost all of the early settlers considered him a hero because he vowed to "kill any Indian" who crossed his path and in doing so deterred the Indians from striking the settlements. Others of the time considered him a barbarous, psychotic murderer for killing innocent Indians, including women and children and thus incited the Indians to warfare against the growing population of whites. They claim Lewis Wetzel did everything in his power to prevent peace between the Indians and the settlers so he could keep on killing with impunity. "Deathwind" is what the Indians called Lewis Wetzel for whenever he made a kill, he would throw back his head and let out a scream of hatred, rage and defiance that echoed throughout the hills. Other Indians, upon hearing that scream, would know that one of their own had just met his end at the hands of the best woodlands warrior that ever lived. The author of this book wrote the story of Lewis Wetzel in almost novel-like form which makes for very interesting reading and he attempts to keep the middle ground as to whether Wetzel was a hero or a villain. He has left it up to you, the reader, to decide.

My book is a culmination of fifteen years of research and field study in an area that not many people are aware of, that being the subconscious mind. Instead of writing another non-fiction, how-to-book, I decided to convey all the experiences I had attained and all the knowledge I had acquired by incorporating them into an autobiographical novel. The information that is offered in my book is done in such a manner that the reader is not only entertained, but more importantly, enlightened toward understanding how to make life a little much easier and satisfying by utilizing a method I have coined "The Technique." Through the use of flash-backs and descriptive narrative, the storyline follows best-selling novelist John Templeton as he embarks upon an adventurous 10-day writing odyssey by delving into the inner world of subconscious awareness and creative intelligence, searching for the elusive fulfillment toward achieving true mental, physical and emotional well-being, harmony and balance. What he discovers along this rare and unusual journey is the very heart of the novel which is divided into 3 parts: Books 1,2 and 3, Book 1 focuses on terminology, book 2 in character development, while book 3 encompasses methodology, all woven into one neat package.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Connecticut State LibraryCTRG00-B1485New York: Russell Sage Foundation, 1924. 63 p.; 23 cm

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone